Is the Star Wars franchise dead? Considering how long it took me to finally watch The Mandalorian and Grogu, not even a cute baby Yoda is enough to get me watching new releases on a timely schedule. The IP is in a meh state, and I haven’t even watched The Ninth Jedi yet, despite its critical success and strong word of mouth. I need either originality or the return of characters I fondly adore to keep watching.
What has kept this galaxy far, far away alive for nearly fifty years is its love of pulp adventure. Those roots remain intact with this pairing, and the performances feel much more lived-in. But somehow, I didn’t feel the need to know what happened right away. All this cinematic offering does is show its version of “Lone Wolf and Cub” doing their thing, only better. The home video release reinforces that point with its standard collection of mini-docs and behind-the-scenes looks. The only aspect I cared to know more about was how Zeb, Embo and Rotta were translated from animation into live action.

May the 4th is coming up fast, and for Star Wars fans looking for deals, my
Not every tech event needs reporting on, and with the CES 2026 show being debated on, it’s time to decide! Not everything is worth needing and the big talk is certainly on one thing:
Looking back, the last century feels like the moment genre television quietly defined its contract with the audience. Most of those early experiments arrived in short waves, and like the tides, they came and went. Some returned decades later on specialty stations or streaming platforms. And these days, nearly everything is being tucked into quieter shores. Every so often, the tropes that once defined a series are reskinned for a new generation, which is simply how television writing evolves.
The Allure of Immersion