IDW Comics’ run with the Dungeons and Dragons license ended last year, and following the success of Dark Horse Comics’ work with Wizards of the Coast, their releases are doing a touch better and the consensus is that fans like it. Ravenloft is the next release. After the first issue of The Fallbacks and the delayed release of the second, there are a lot of titles being planned getting back on track.
The four-issue miniseries written by Bram Stoker Award-winning author Amy Chu (Red Sonja) examines why this particular world is crumbling. Nobody knows why. Fortunately, monster hunter Ez D’Avenir is on the case. She’s searching the frozen wasteland of Lamordia for an undead creature that may hold the key to this world’s fate. But when Darklord Viktra Mordenheim catches wind of her quest, Ez is suddenly the one being hunted. Just how deep this series will go into the lore depends on Chu’s research. It’s also known as The Mists, a more compelling and scary reference in par with Silent Hill.
The art is provided by Ariela Kristantina (Adora and the Distance), colours by Arif Prianto (Poison Ivy, Green Lantern Corps), and letters by Haley Rose-Lyon (BUMP: A Horror Anthology, Jill and the Killers). Issue #1 will feature cover art by Guillem March, Riley Rossmo, Francesco Francavilla, Todor Hristov, and Angela Wu.
Continue reading “With Dark Horse in Charge of D&D Now, It’s Not Just Another Ravenloft Comic”

After all the hype surrounding humanity’s return to the stars, Project Hail Mary is a film I had to examine after following the Artemis mission’s orbit around the moon. It may not sound exciting, but ensuring systems work before landing is critical. As for the starship Ryland Grace (
Tommy Johansson
There’s something familiar about seeing these titles return, like catching an old cartoon during a weekend rerun and realizing it still holds up. Comic book adaptations have quietly become the place where those worlds continue, filling in gaps and pushing stories a little further than they ever could on screen. And the cinematic world should not be ignored. This medium is the perfect place for prequels or sequels when the budget does not allow for a continuation. Just look at 
Found footage and true crime are two genres that don’t exactly send me scrambling to the theatre. The format has been done to death, and though not necessarily together, some unique idea has to be pitched before I’ll pay attention, be it