Found footage and true crime are two genres that don’t exactly send me scrambling to the theatre. The format has been done to death, and though not necessarily together, some unique idea has to be pitched before I’ll pay attention, be it paranormal or something else. Hunting Matthew Nichols is one of those films, and it deserves a fair look since it may involve something lurking in them thar woods, to pardon the phrase. In this case, it’s about finding the recording itself and examining it, rather than displacing the narrative from who is watching whom.
And if the buzz around this film is any indication, this regionally made independent production getting a ton of Hollywood attention might be the one to make people say, let’s check this out. Now playing at theatres nationwide, this work from director Markian Tarasiuk, who also acts in the film because apparently sleeping is overrated, and screenwriter Sean Harris Oliver blends true crime drama with the supernatural.
The Los Angeles Asian Pacific Film Festival returns for 2026 with a packed slate that rewards a bit of digging. Beyond the headline titles, it’s often the smaller works, especially in animation and side programming, where the real surprises tend to surface.
If you haven’t listened to AiNA THE END’s new song “Luminous”, the opening theme for 
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