Never Say Yes to Being Encased In An Iron Lung. You’ll Regret It.

A one-man descent into a planet-wide ocean of human blood turns Iron Lung into a tight, suffocating psychodrama that lets its best mysteries stay sealed. It’s slow in places, but the dread builds, and the third act lands like a vise.

Iron Lung Movie PosterIron Lung doesn’t require viewers to know the video game it has been adapted from. Everything you need to understand is either clearly explained or made horrifyingly tangible from the outset. The premise is simple: Simon (Mark Fischbach, who also wrote and directed) awakens to find himself sealed inside what is essentially a prison, one disguised as a space-age submarine.

This vessel is deployed into an oceanic world composed entirely of human blood. Sensors can barely penetrate the density of this viscous plasma. When tests confirm it is human in origin, the descent into terror truly begins. The only voices this lone pilot hears are the taunts echoing from this alien world and the transmissions from his prison handler. Ava (Caroline Rose Kaplan) serves as his sole human contact, promising a pardon for his crimes. He was implicated in the destruction of a space station, the lone captured conspirator. The absence of his fellow accomplices lingers as a narrative gap the film never fully addresses.

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Astounding! Another Eden Returns as Another Eden Begins.

Another Eden Begins reimagines the mobile RPG as a nostalgic, story-driven remake shaped by Chrono Trigger’s Masato Kato. With multiple endings, curated companions, and time-spanning drama, this Summer 2026 release modernizes a classic without losing its melancholy heart.

Another Eden Begins Switch VersionAnother Eden isn’t just another mobile RPG. It’s a deliberate love letter to 90s-era Japanese role-playing games and it’s getting modernized for fans. Simply titled Another Eden Begins, what’s offered is a remake that cares more about mood, music, and melancholy than daily log-ins. What really gives it weight is Masato Kato, the writer behind Chrono Trigger and Chrono Cross, shaping its narrative DNA. You can feel it in how time fractures, how memory lingers, and how the story trusts players to slow down.

And honestly, with Armed Fantasia still drifting somewhere in development limbo, this might be the closest thing to scratching that classic Chrono itch. Another Eden Begins is set for a Summer 2026 release, revisiting the First Arc of the original game, “The Cat Beyond Time and Space.” Redesigning the game that started it all helps newcomers get acquainted with the world. What’s different is mostly cosmetic, reworked for a 128-bit processing environment. This game will be available on PC (Steam), Switch, and Switch 2.

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Explosive: Whether Infinity Roar Matters Depends Entirely on Marvel’s Kaiju Endgame

Marvel’s Godzilla Infinity Roar wants to reset its kaiju corner of the universe, but Issue #1 feels more like brand engineering than myth-making. Compared to IDW’s continuity-first approach, this version of Godzilla risks becoming an asset to leverage, not a force of nature to fear.

Godzilla Infinity Roar #2 Cover

Upcoming Issue #2 Cover (Releasing March 11, 2026)

Marvel Comics has been busy building its own kaiju-sized lore since 2024, and with Godzilla at the forefront, Infinity Roar feels perfectly suited to act as a total universe reset. Whether it’s meant to be punny or serious depends entirely on how readers choose to accept it.

For readers late to the party, this isn’t the publisher’s first dance with the King of the Monsters. Throughout 2025, he systematically dismantled Earth’s mightiest in a series of one-shots, facing off against the Fantastic Four, the X-Men, and Thor. I noticed them, sure, but never felt the pull to read them. While those titles aren’t essential to understanding what’s happening here, that’s largely because a recap is provided in this opening issue.

Ever since DC launched its own spectacle, now nearly finished with its second series, it was only a matter of time before the competition countered with Godzilla Destroys the Marvel Universe (late 2025). That event ended with the logical, if uninspired, choice to eject the monster into deep space. But don’t let the setting fool you, this version of “Space Godzilla” is a far cry from the crystal-shouldered clone of the late Heisei era. Personally, I’d wager Marvel is eyeing the toy potential of Symbiote Godzilla.

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Little Lucha and The Big Deal is Finally Streaming for that Front Row Experience!

An underdog wrestling tale steps into the spotlight as Little Lucha and The Big Deal begins streaming online. Blending 80s ring theatrics with heartfelt indie storytelling, the short celebrates creative struggle, partnership, and the fight to keep a dream alive.

Little Lucha and the Big Deal FacesFilmmakers Scarlet Moreno and Josh Stifter are stepping back into the ring as their short film, Little Lucha and the Big Deal, is finally available online. My review can be read here, and it’s a fun nostalgic romp to acknowledge the years when wrestling was more than an escape. It’s a way to recognize what goes on behind the ring. This short film that has lots of hear is now streaming exclusively on GeekTyrant.com (and Vimeo). We also have it linked to watch from the comfort of this post too.

Co-directed by and starring this duo, the short is a larger-than-life love letter to 80s era professional wrestling. The story follows aspiring superstar Little Lucha and his partner The Big Deal, two underdog performers chasing glory inside the ring while wrestling with the realities of life beyond the ropes. It’s a tale built on body slams, big dreams, and the emotional toll that comes with refusing to quit.

“Little Lucha and The Big Deal is one of the most heartfelt films I’ve been a part of creating,” said Moreno. “It’s got an ‘art mirrors life’ aspect for me as it’s a story of two people, nearly at the end of their ropes, doing everything in their power to make a dream come true. And what artist or creative doesn’t know that feeling?”

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With Tales of Dark Romance in Comics, Love Hurts More Than It Heals

Love isn’t always soft, and comics know it. These dark romance comics lean into obsession, grief, and corrupted devotion, spotlighting new releases and older cult favourites that treat heartbreak as a weapon and a revelation.

Broken Heart Through Sun - Dark Romance in ComicsIn the name of dark romance in comics, some creators enjoy exploring its edges through works released for the season of hearts. When there’s no anti-Valentine’s icon the way Christmas has Krampus, these tales lean on the human condition instead. Rather than crafting a saccharine Harlequin fantasy, what’s presented here cuts deeper.

In the real world, love comes with sacrifice, compromise, and the understanding that some connections aren’t meant to last. That emotional friction becomes fertile ground for storytelling. The result is a slate of works that challenge the idea that love must be soft, safe, or everlasting. What’s offered here are current and upcoming titles that dare to be different, stories where affection and obsession blur, where devotion turns corrosive, and where heartbreak is as transformative as it is devastating.

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Just What A Useful Ghost Offers Is Not Seduction, But Suction

A Useful Ghost turns grief, spirituality, and social satire into one of the most offbeat supernatural films in recent memory. Blending heartfelt loss with possessed appliances and sharp cultural commentary, this Ghost Month standout is equal parts absurd and affecting.

A Useful Ghost Movie Poster
Playing at the Victoria Film Festival Feb 14th, 2026 at The Roxy (2657 Quadra St.) at 2pm. Buy tickets here.

Filmmaker Ratchapoom Boonbunchachoke has crafted a supernatural film that doesn’t just tug at the heartstrings, it suggests grief doesn’t always need to be sucked up. A Useful Ghost (ผีใช้ได้ค่ะ) weaves several tales together to create the ultimate Ghost Month film. Originally debuting in August 2025 for Southeast Asian audiences, it’s now making a well-deserved splash across the international festival circuit.

The film introduces a series of suffocating situations. There is Tok (Krittin Thongmai), who dies at work from chest congestion. Elsewhere, an unnamed academic (Wisarut Homhuan) insists it isn’t dust but industrial pollution choking him. He buys a vacuum cleaner that promptly malfunctions. When Krong (Wanlop Rungkumjad) arrives to fix it, he has no idea he’s about to be seduced.

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