Sister Sophia Kicks the Habit While Keepin’ the Faith

Even Billy Joel sang about it and although his version focuses on memories, Sister Sophia Kicks the Habit shares some similar DNA

Sister Sophia Kicks The HabitLisa Randall
The Universe Over 60 | Toronto, ON

Lisa Randall has enough experience with music and theatre to know when a groaner deserves its moment. When I heard, “How do you make holy water?” followed by the punchline, “You boil the hell out of it!” I laughed out loud. And once she gets into character for her one-woman act, Sister Sophia Kicks the Habit, Randall offers plenty to think about. Whether you’re there to confess your sins or simply wonder why she wants to change, the message is clear. This show packs a lot of meaning into its 55-minute runtime and also makes you wonder whether God ever listens.

Randall trained as an actor at Vancouver’s Studio 58 and has performed in children’s theatre, play-development workshops and modern dance. She was also a singer and lyricist with Against the Grain and Freedom Rains, recording two albums. That range serves her well in this one-woman production, which mixes physical comedy, audience interaction and ragtime-era music with gospel and other styles.

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Diary of a Madman Unleashes Pure Rebellion at Victoria Fringe Festival 2026!

Clayton Jevne gives a mesmerizing performance in Diary of a Madman, but this minimalist adaptation expects audiences to know Gogol’s original story.

Diary of a Madman
Playing at the Victoria Fringe Festival 2026. Buy your tickets here.

Produced by Clayton Jevne

Despite the wild grey hair and unhinged grin, the promotional posters for Diary of a Madman at the Victoria Fringe Festival aren’t about Rasputin. Had the show been about him, I’d be deeply invested since this guy was more than an occultist. He was a seer. Well, that’s just my interpretation. Clayton Jevne plays Aksenty Ivanovich Poprishchin, the low-ranking clerk who tries to win Sophie’s favour and impress others above his station. But this lengthy one-man monologue requires some knowledge of Nikolai Gogol’s short story of the same name to fully appreciate the show.

Essentially, we’re watching this man go completely and utterly “mad.” What stands out is how quickly he becomes alienated from society, while nobody believes anything he says.

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Reclaimed! The Woodsical Finds Plenty of Good in Old Wood

At @IntrepidTheatre Reclaimed! The Woodsical turns familiar rock songs into a campy #environmental #comedy about #recycling and #sustainability and waking up to smell the #wood. #fringe #yyjfringe #review

Reclaimed! The Woodsical Produced by
Peter Worden & Hailey Christie-Hoyle

I’m hardly stumped by the purpose of Reclaimed! The Woodsical. This show mixes rock parody, environmental comedy and cartoonish hijinks into a meaningful show that suggests we must do more to save our environment. It’s happening, but and what’s presented suggests we can do more than hug a tree. My big question is simple: will it remain limited to the Victoria Fringe Festival, or will they take this act on the road?

Peter Worden, the playwright and mastermind behind this work, told me everyone involved wants to take it further. Until a few more things fall into place, those plans remain uncertain. I’ll soon publish a quick interview with him that goes behind the scenes.

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It’s a Celebration! Tymisha Harris’s Cabaret of Legends Wants to Party at Victoria Fringe

Tymisha Harris brings generations of musical history to life in Cabaret of Legends, a five-star Victoria Fringe performance celebrating influential Black women, their activism and their songs.

A Cabaret of LegendsTymisha Harris and Michael Marinaccio
Dynamite Lunchbox Entertainment | Orlando, FL

Tymisha Harris should be a legend in her own right. This year, she’s pulling out all the stops with Cabaret of Legends, a celebration of the Black women who helped shape the music industry. In the past, not only has she led many award-winning performances, including her fabulous tribute to Josephine Baker, but she must also be a D&D nerd. Fringin & Flagons is a show I have to see. I may have missed hearing about it the last time she was in town, but now that I know, awareness is half the battle.

The talents Harris celebrates refused to be confined to juke joints and church choirs. They were no one-hit wonders. They were trendsetters. It must have been tough to decide which songs to sing, but Harris manages to name-drop them all. It made me glad I took a History of Blues Music class years ago. From Bessie Smith to Etta James, these pioneers paved the way, with Koko Taylor being a personal favourite of mine. Let’s not forget Aretha Franklin or Dolly Parton, either. If the show had been longer, I’m sure Harris would have loved to sing them all.

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Fright Fest’s Ravenous, Unseen Ithaqua Reinvents the Wendigo Legend

Casey Walker’s Ithaqua transforms the frozen Canadian wilderness into a Western Gothic nightmare where hunger, colonialism and the Wendigo legend converge. Luke Hemsworth leads this brutal survival tale where the cold may be the least dangerous thing outside.

Ithaqua Movie Poster World Premiere
Played at Fright Fest 2026
on Sat 29 3:30 PM (BST)

Life in the Canadian wilderness can be rough. It’s even tougher once those brutal winters settle in and settlers are forced to huddle together in huts, where the only warmth comes from a fire burning beneath an opening for smoke to escape. And no, those aren’t smoke signals to signal something specific. When the name Ithaqua isn’t widely known, it takes a talent like Casey Walker to convey the intent. Between Walker and co-writers Pascal Trottier and Peter Scott Vicaire, who flesh out the lore and world, what’s presented is haunting and eerie.

Between expectations created by the title and how August Derleth used Ithaqua in his fiction, there’s no cosmic horror this time. It’s survival through and through, and I’d label this film Western Gothic, especially given its fantastic cinematography and depiction of survival in the snow. Frosted water creates alien textures, mist hangs over the lake, and the environment itself feels alive. The question becomes: who reigns in this world? The answer suggests someone does, and that’s a cat-and-mouse game I can get behind!

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When Mathieu Fortin’s The Parrot Isn’t Squawking Release Me, Release Me….

…that’s because it’s being held captive by Bell Media! It’s not a bad thing, but when The Parrot needs to spread his wings, and tell all, let’s hope this producer has plans to expand this bird’s reach.

The Unearthly Notes The Parrot PosterBefore reviewing Mathieu Fortin’s The Parrot, and again afterwards, I had to search online and hunt through my various books examining the themes common in H.P. Lovecraft’s fiction. I wanted to see if there was any mention of talking birds revealing the secrets of forgotten cults before moving forward. I knew this filmmaker’s idea came from The Notes and Commonplace Book of H.P. Lovecraft. While there are no specific mentions of a parrot in the book, the ideas are certainly there.

The most telling lines from the public-domain scan are the following. On page three, it reads: “As dinosaurs were once surpassed by mammals, so will man-mammal be surpassed by insect or bird—fall of man before the new race.” Page eight offers two tantalizing clues. The line that inspired this work reads, “[A] talking bird of great longevity—tells secret long afterward,” but I suspect Fortin drew upon more than that single note. Another speaks of “Ancient and unknown ruins—strange and immortal bird who speaks in a language horrifying and revelatory to the explorers.”

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