Lee Cronin‘s The Mummy sits in an unusual place. It isn’t wholly inspired by the mythology of Ancient Egypt, and that’s a problem. When the spirit that possesses Katie (Natalie Grace) does not hail from this world, this filmmaker misses what makes the very word meaningful. The word alone carries weight, and most people will connect it to legends of yore, ancient curses, and maybe hope Anubis makes a cameo to fix what’s wrong.
What this writer/director offers feels more in tune with Evil Dead Rise than a true reinvention of the genre. For fans of the Universal and Hammer cycles, these films usually centre on the resurrected’s longing for a reincarnated soul. This storyteller pivots entirely away from that romance because Blumhouse gives him complete creative freedom. Instead, the result is a mashup that blends The Exorcist with Evil Dead, with a dash of Hausu for good measure. When the action takes place in an enclosed space and gets almost comedically gross, that Japanese film came to mind.
Continue reading “Who’s the Boss? Can Lee Cronin’s The Mummy or Universal’s Sand the Test of Time?”


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