How Likely Will Speilberg’s Idea of Disclosure Day Happen? There’s a 1% chance.

With Steven Spielberg’s Disclosure Day streaming sooner than later, will it motivate our real world governments or someone to say they’re here? (Sorry Carol Anne)

Disclosure Day movie posterNow Streaming on AppleTV, Google Play and YouTube

Steven Spielberg‘s Disclosure Day is now streaming, and that’s about the only way I will see this movie. I opted not to see it in theaters because I knew it is nothing like Close Encounters of the Third Kind. What it offers is a textbook case of downsizing the UAP phenomenon rather than going big. That’s because I knew there would be no grand spectacle, no family drama, and no genuine hunt for the truth. Worse still, for a story built around disclosure, it never feels anchored to the evidence that has kept the subject alive for decades.

Or rather, there would be no return of the little grey visitors and the people they abducted to discover strange new worlds and other wonders. Instead, the message boils down to: “We’re here, we’ve been here for a while, we’re observing you, and we’re deciding whether humanity is ready for space.”

Continue reading “How Likely Will Speilberg’s Idea of Disclosure Day Happen? There’s a 1% chance.”

At Fantasia 2026, Let’s Dance! Or Should That Break Free From the Everyday?

Actually, the title of this film is Kunio’s online identity. He yearns to Break Free from his roots, and this gangster comedy shows how he does it!

Odore! Yakuza, known as Break Free in America, movie poster
Played at Fantasia Film Festival 2026 on July 18 at the Auditorium des diplômés de la SGWU (Théâtre Hall)

The Japanese movie Odore! Yakuza, known as Break Free in America, has style and nearly everything I want from a film featuring rhythmic music, yakuza fighting one another, and J-pop on top. It’s the perfect movie to begin my coverage of Fantasia Fest 2026 too! In this world, an anti-organized crime law enacted by the government has forced many gangs to either pack up or shut up. Whether that’s meant to mirror real Japanese law or simply serve the plot, I honestly can’t say.

The film is wildly gorgeous under Yu Nakamoto‘s direction. He delivers pathos and ethos in droves, while his focus on Kunio (Akito Fujii) shows just how deep a rut the character is in. He’s fiercely loyal to his crew, but they’re struggling to remain who they are rather than getting real jobs. That’s where the commentary comes in. Since Kunio can’t smack people around without getting tossed in jail, his protégé, Kuzunari (Atomu Mizuishi), comes up with the idea of recording him “dancing.” Goto (Kenta Kiritani), their boss, approves!

Continue reading “At Fantasia 2026, Let’s Dance! Or Should That Break Free From the Everyday?”

When The Warriors of the Wasteland Is Very Ambitious In Its Execution, Is It Also Flawed?

Warriors of the Wasteland offers an ambitious mix of Serbian folklore, post-apocalyptic adventure, and family drama. Its world has promise, but the lengthy runtime and crowded cast make the journey harder to follow.

Warriors of the Wasteland Movie PosterStreaming on Well GO USA

When Warriors of the Wasteland (originally titled Volja sinovljeva or The Will of the Son) is a long film where I thought the premise was good, but the execution is off, perhaps turning it into a serialised series makes more sense. Writer Strahinja Madžarević has some good ideas, but there’s just something missing. I can’t really blame Nemanja Ćeranić, who directed the effort. When I got the feeling some commentary is being made about how tough life is around the Balkan provinces, perhaps I’m just missing the point.

Or perhaps, some editing is needed to make the ideas make more sense. I did, however, understand what the film was getting at regarding the Grain People (Zrnoljudi)’s plight. They are a peaceful agrarian collective of farmers defending their ancestral land against the exploitation of distant city councillors. Over there, they are all corrupt. And after seeing this film, I couldn’t help but want to compare the ideas to what I recall from Mad Max and Logan’s Run.

Continue reading “When The Warriors of the Wasteland Is Very Ambitious In Its Execution, Is It Also Flawed?”

What SDCC 2026 Comic Book Exclusives Are Worth Waiting In Line For? (Part Two)

As there a tons of SDCC 2026 Comic Book exclusives being offer this year, we take on the tough task on which 10 titles are worth waiting in line for!

SDCC 2026 Comic Book ExclusivesWhen some fans are seeking out SDCC 2026 comic book exclusives, the big question some may ask will be which titles are must haves? That’s because with these exclusive variant covers, they make great display pieces rather than gold mines for speculating (i.e. resale value). It’s not to say they are all going to make a solid investment, and that’s why a lot of these offerings are limited in scope, so no one can scalp.

As for which titles I’d personally go after, I continue in my list to focus only on the comics offered by the following companies. Sorry Marvel and DC but there nothing from your list of announced goodies that doesn’t strike me as special.

Continue reading “What SDCC 2026 Comic Book Exclusives Are Worth Waiting In Line For? (Part Two)”

Which SDCC 2026 Exclusives Are Worth Waiting in Line For?

Titan Entertainment, Mondo, and artist Chris Uminga are the highlights of this year’s must-grab SDCC 2026 exclusives; with a lottery system back in play, fans will want a game plan before hitting the show floor.

SDCC 2026 ExclusivesThe big convention down in San Diego is almost here, and while I feel divided over where my allegiances should lean to first, I still have to see what I can ask my friends attending to pick up for me. Yes, some of these SDCC 2026 exclusives may be worthwhile grabbing while they are hot.

As for movies and special screenings, the biggest upcoming films naturally get a massive Hall H push, but that’s not why I follow this event from afar. I have to love Image Comics for their cheeky release, Dread the Hall H, and that read is simply spot-on!

Continue reading “Which SDCC 2026 Exclusives Are Worth Waiting in Line For?”

Junk World Trades Junk Head’s Mystery for a Cybertech Nightmare

Takahide Hori’s Junk Head trades solo obsession for a bigger crew and a wilder, messier mythology — worms, cults, time loops, and all. As a prequel, some viewers will appreciate how it sedges into Junk World, but perhaps its best to see the two back to back.

Junk World Movie PosterFor those new to Takahide Hori‘s surreal stop-motion science fiction masterpiece, Junk World is the prequel to Junk Head. Even if you haven’t seen the middle film of the trilogy, thankfully there isn’t much you need to know going in. What gets explained about the Mulligans, robots made by humans to serve as slave labour droids who eventually rebelled, covers the basics, and as for why one droid has declared himself god at the start of the film, well, that’s the mystery.

It seems one of them didn’t fully evolve beyond its programming. His name is Robin (Souko Matsuoka) and he’s loyal to Captain Torys (Atsuko Miyake), who leads a team of humans to a summit to negotiate new terms. That’s how the moment felt to me, anyway. The rest of the film goes through the motions of showing just how fragile that peace is, while introducing new threats along the way. And the timeline gets muddled fast, with time-travel jumps back and forth that had me feeling lost more than once.
Continue reading “Junk World Trades Junk Head’s Mystery for a Cybertech Nightmare”