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On the Making of Giltrude’s Dwelling, An Interview with Jeremy Lutter

22 Jan

giltrude dwelling_poster_smaller.jpgBy Ed Sum
(The Vintage Tempest)

Giltrude’s Dwelling is set to make its hometown debut Jan 25th, during the Vancouver Shorts Film Fest, and writer Marcy Waughtal and director Jeremy Lutter could not be any happier. This piece is about a young girl who has seemingly lost her parents. They warn her about the dangers the outside has, especially at night. Their home teleports to new worlds every day. The question of whether it returns is asked, and by only going to see this work, answers can be given.

One night, the folks leave and Giltrude (played by Kennedi Clements, the young girl, and Kacey Rohl, adult) is waiting for their return. Years pass and this young lady has a lot to fear. However, there’s more to this work than meets the eye. Lutter saw something unique in Waughtal’s story and he believes it is has a lot to offer to the viewer.

“It’s a fairly common trait to let bad events have a big impact on your future,” said the director, “I have seen it ruin people’s lives. I also had my fair share of heartache in my life that I had to see past and not let it stop me. As soon as I read Waughtal’s script, it spoke to me.”

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Finding Carmen Sandiego & Not Letting Go

20 Jan

By Ed Sum
(The Vintage Tempest)

  • Available on Netflix

If anybody ever asks who (instead of where on Earth) is Carmen Sandiego, then all I can say is she isn’t the Pink Panther. She’s more like Robin Hood, stealing from thieves to return the riches to where it should belong, the museum or the original owners. The attempts to capture her make these two franchises similar. Key to this comparison is Chase Divineaux, a bumbling French Interpol Agent intent on catching her. Not only are they revitalizing a beloved franchise but also they have a live action version in the works, which too stars Gina Rodriguez. She voices this character and gives enough joviality to make her the perfect choice to play the lead.

Additionally, this massive property is about teaching the world to youths. As viewers catch up with this elusive figure, they discover aspects of the country she recently popped up in. Not only does the style of adventures she winds up in has the feel of Kim Possible (including the character designs) but also the adversaries the heroine faces are straight out of Kill Bill. Thankfully, the talents involved in creating the series are not out to glorify violence or bloodshed. Some of the criminals being trained by VILE specialize in either one type of thievery or have a trademark weapon to use. Duane Capizzi (Transformers Prime) is the showrunner, and I’m fairly sure he is drawing from the Lupin the 3rd franchise for inspiration too.

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Afterthoughts on Godzilla: Planet Eater

18 Jan

By Ed Sum
(The Vintage Tempest)

Available to watch on Netflix

The survivors from Godzilla from City on the Edge of Battle must be facing an existential crisis in the finale of Toho’s animated trilogy. The Planet Eater sees the mighty one dormant for a good half of the film, and the alien Bilusaludo and Exif (who allied with the human race) seem not too concerned. In the final part of Toho’s animated trilogy, the question of who is helping whom is looked at, and not everyone is being cooperative.

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The Victoria Film Festival Celebrates 25 Years! Picks of the 2019 Season

16 Jan

The Victoria Film Festival is celebrating 25 years! While I could swear this local event has gone on longer, but oh how time flies. I covered this event in some form (limited or otherwise) ever since I saw Edison and Leo back in 2008 (for a college paper) and Chef of the South Polar tickled my taste buds in 2011. This movie taught me a thing or two about how to make do with limited supplies for good food and in what defines the taste in ramen. I was a starving student back then and now I’m a starving artist. This year offers a film about the said noodle dish as my number one must see. As my eclectic tastes are as diverse as the selection, Mirai of the Future (未来のミライ) flies high. This anime is getting screenings! Curiously, no hardcore sci-fi, horror or fantasy is listed this year. The diversity is more on creative and inspirational films than always be genre-specific.

This year sees the Victoria Conference Center offer a larger space for their Opening Gala film, Sink or Swim (Le Grain Bain) on Feb 1st at 6:30pm. This French comedy technically debuted last year at Cannes and is making waves cross borders. It’s about how a group of men well past their prime in the quest to achieve self-esteem. They become a synchronized swimming team, and the teamwork involved to beat to the drum is tough, but are we here to laugh at them and perhaps reflect upon our own lives. We have all been there at some point–stuck in some quagmire until that one moment helps us realize we’re alright. This film encourages the latter and that’s entertaining enough!

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