Tag Archives: Horror

Casting News & Production Begins for Scary Stories to Tell in the Dark! Early Thoughts

3 Sep

Alvin Schwartz‘s book trilogy, Scary Stories to Tell in the Dark, is getting ready to film, and headlining this work are Michael Garza (Wayward Pines, The Hunger Games: Mockingjay – Part 1), Austin Abrams (Brad’s Status, The Americans), Gabriel Rush (Moonrise Kingdom, The Grand Budapest Hotel), Austin Zajur (Fist Fight, Kidding), and Natalie Ganzhorn (Make it Pop). Production started this week and the first movie is due to hit theatres hopefully in the 2019/20 season.

This film is being produced by Guillermo del Toro, Sean Daniel, Jason Brown, J. Miles Dale and Elizabeth Grave. It will be directed by André Øvredal (The Autopsy of Jane Doe, Trollhunter), and the adaptation will be handled by Kevin Hageman and Dan Hageman (Trollhunters: Tales of Arcadia), del Toro, Patrick Melton &and Marcus Dunstan.

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Trench 11 Goes Canada-Wide August 31st! & A Movie Review

28 Aug

Toronto – Cineplex Yonge & Dundas
Montreal – Cineplex Latin Quarter
Côte Saint-Luc – Cineplex Odeon Cavendish Mall
Vancouver – Cineplex Park Theatre
Winnipeg – Cineplex Odeon McGillivray
Calgary – Cineplex Odeon Eau Claire
Halifax – Cineplex Cinemas Parklane
Ottawa – The Mayfair Cinema

Trench 11 is more than a simple horror film set in the backdrop of World War I. It plays with a common fear many soldiers had in the front lines and sets the tone for what the future may hold, especially when a certain regime is starting to rise into power. On one front, the fear in what chemical weapons can do has many soldiers scared. In another, just what kind of secret experiments were conducted? This film played at film festivals and now it’s getting week-long screenings Canada-wide, beginning August 31st.
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[From the Archives] Chatting with Shawn Gabborin about Charles Band’s Puppet Master

2 Aug

Image result for shawn gabborin action labBy Ed Sum
(The Vintage Tempest)

One of the best horror comics from 2015 is Puppet Master published by Action Lab Comics. A few years later, the series abruptly ended, and Curtain Call released to tie up loose ends. Written by Shawn Gabborin and drawn by Michela Da Sacco, the tale continues down the path had the movies been able to continue prior to the Axis trilogy. This new saga fits in an odd place, in between the present day’s terror (the original film) to the past after Toulin shot himself, and giving Danny Coogan the title role in Axis of Evil.

During the 2018 San Diego Comic Convention, Full Moon Features announced the release of Dollman Kills the Full Moon Universe and I have to wonder if that means a reboot is coming? Gabborin is writing for this company’s new label, Full Moon Comix, and is authoring this very first title! His narrative style is very faithful to recreating the camp which I enjoy from this production house and I will be looking forward to seeing this diminutive figure take on Blade! I wrote a detailed news and review for Drunk in a Graveyard, which can be read here.

The Puppet Master 2018 movie releasing Aug 17th certainly suggests a huge reset is happening. New up-and-coming filmmakers are taking the charge. A bigger question will be in whether the origins are going to change too. The comics set the tale in the present day to avoid cinematic continuity conflicts and one beautiful detail Gabborin sets up is in how the souls transferred to the puppets; they retain the spirits of the person they once were.

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King Cohen, The Documentary

29 Jul

Image result for king cohenBy Ed Sum
(The Vintage Tempest)

Upcoming Screenings:
August 3rd, New York City,
Alamo Drafthouse

for a complete list,
please visit
www.kingcohenmovie.com

Larry Cohen is the maverick filmmaker, if not a sociologist in disguise. He treats cinema as a reflection on life and he coats it with a ginger touch so that there’s perhaps one degree of separation than direct outright commentary. If moviegoers have not heard of him yet, they will in the documentary, King Cohen.

His early life story is quickly told, and to understand why he loved the movies meant talking to those close to him, and those who worked hand-in-hand. Filmmakers Martin Scorsese, J.J. Abrams, Joe Dante, John Landis, and Fred Williamson also express their thoughts about this magic man. But for those who were on set, they often mention his clash with the Hollywood system. I can only imagine the arguments should studio executives visit the set. Perhaps, even funnier is in how he went about “securing permission” when filming at public spaces. The best story has to come with how he went about making Q: The Winged Serpent (1982). Today, the production assistants would do a lot of wrangling to ensure safety. Cohen did not have that luxury and the chaos is nicely described. As a viewer, it’s hard not to laugh.

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