Tag: Supernatural

Light Chaser Animation’s Liao Zhai Lan Ruo Si May Well Be Ghosted By Western Distributors, and ….

….it’s easy to see why changes to this narrative is struggling to be visible outside of China. Strange Tales (Liao Zhai Lan Ruo Si) is borrowing from tropes some may say are outdated but not everyone will agree to that accessment.

Liao Zhai Lan Ruo SiLight Chaser Animation

After countless searches and a properly worded query to Claude AI about availability, the elusive Liao Zhai Lan Ruo Si (Curious Tales of a Temple, aka Strange Tales: Lan Ruo Temple) is finally within reach. When it will receive an official release remains uncertain. In a future article, I’ll explore the challenges behind getting Ne Zha 2, White Snake: Afloat, and this work to home video. For now, wht’s offered are my early reactions.

What I’ve managed to see in the wilds of the Internet suggests this is a film worth watching. I won’t dive into a full review just yet, but it’s worth sharing some early impressions. As for how long this fleeting upload remains available is anyone’s guess.

Continue reading “Light Chaser Animation’s Liao Zhai Lan Ruo Si May Well Be Ghosted By Western Distributors, and ….”

Lost and not Found? Can Hunting Matthew Nichols Be A Hail Mary to the Found Footage Format?

Set on Vancouver Island, Hunting Matthew Nichols blends true crime, found footage, and supernatural dread into a regional horror story with real local flavour. For Island viewers especially, that familiar forested backdrop adds an extra chill.

Hunting Matthew NicholsFound footage and true crime are two genres that don’t exactly send me scrambling to the theatre. The format has been done to death, and though not necessarily together, some unique idea has to be pitched before I’ll pay attention, be it paranormal or something else. Hunting Matthew Nichols is one of those films, and it deserves a fair look since it may involve something lurking in them thar woods, to pardon the phrase. In this case, it’s about finding the recording itself and examining it, rather than displacing the narrative from who is watching whom.

And if the buzz around this film is any indication, this regionally made independent production getting a ton of Hollywood attention might be the one to make people say, let’s check this out. Now playing at theatres nationwide, this work from director Markian Tarasiuk, who also acts in the film because apparently sleeping is overrated, and screenwriter Sean Harris Oliver blends true crime drama with the supernatural.

Continue reading “Lost and not Found? Can Hunting Matthew Nichols Be A Hail Mary to the Found Footage Format?”

What Really Spooks Janur Ireng, Sewu Dino the Prequel Isn’t Just a Curse

Kimo Stamboel’s Janur Ireng, Sewu Dino the Prequel sinks its claws into family rot, black magic, and inherited dread, delivering a culturally rich horror film that feels bleak, grotesque, and deeply unsettling.

Janur Ireng Movie PosterIf Kimo Stamboel had approached Janur Ireng, Sewu Dino the Prequel like Poltergeist, it might have lost me. Instead, what we get is something far more rooted in legacy, with a deep dive into a family’s past and the origins of the black magic that poisons it. The plantation setting isn’t just aesthetic; it matters, tying the horror to land, inheritance, and something festering beneath both.

Even without having seen Sewu Dino, this prequel is clearly building the bones of something larger. The film takes its lore seriously, pulling from Javanese beliefs and blending them with Christian imagery, especially through the recurring goat symbolism. Less concerned with explaining every detail, it’s more interested in letting that uneasy fusion of traditions sit under your skin.

Continue reading “What Really Spooks Janur Ireng, Sewu Dino the Prequel Isn’t Just a Curse”

Old-School Magic Returns in Mirage 7, A Forgotten Crusade

Mirage 7 may follow a familiar action-adventure path, but its desert setting, survival-lite mechanics, and story-driven mystery give it enough character to stand apart. Its greatest strength so far is not reinvention, but how confidently it guides players through Nadira’s haunting journey.

Mirage 7 Game PosterDrakkar Dev

Within the heart of Mirage 7 lies a familiar game design framework. For this first-person adventure-shooter, the main difference is whether you are slinging rocks at targets or eating scorpions for dinner. Players switch between young Nadira, a desert dweller searching for her missing sister, and Jiji, the pet lizard who protects her while she sleeps. The concept itself is not especially new, but the game still has enough flavour to stand out, especially through its Arabian Nights-inspired setting and its blend of exploration, mystery, and survival.

After spending some time with the Steam version on PC, I was impressed with the story more than the actual gameplay. This game is familiar enough that the muscle memory developed by playing similar games like Tomb Raider quickly returns. The keyboard and mouse controls feel comfortable, and while I did not get a chance to test a controller, the game seems like it would lend itself well to that option too.

Continue reading “Old-School Magic Returns in Mirage 7, A Forgotten Crusade”

The Invisible Half Proves There’s Someone There

Rockwell sang about paranoia in the dark, but The Invisible Half flips it, the terror isn’t that someone’s watching, it’s that your device sees what you can’t.

The Invisible Half Movie PosterEST N8

We have all been there at some point in our lives and that imaginary friend was also our bestie. Usually these contacts were harmless and were as innocent as our younger self. But when we grow up, darker impulses can manifest, and the ideas Writer-director Masaki Nishiyama thoughtfully explores in The Invisible Half delivers quite the supernatural scare! Here, Elena (Lisa Siera) becomes a victim, or perhaps is a case study! As a girl of mixed Japanese and British heritage, people ignore her and regularly bully her at school. If that is not enough, something appears that can only be seen through a smartphone camera.

At this point, I could not help but think this movie might have been made for the found footage crowd, except the story unfolds in the third person rather than the first. That would be an original approach, but for now, the film focuses more on a central question: what is reality?

Continue reading “The Invisible Half Proves There’s Someone There”

When Unhinged Pasts Are Revealed, What’s Diabolic (2026) Is Sure to Scare

Diabolic blends trauma, control, and the supernatural into a hallucinatory folk-horror trip. While the film leans heavily on its past timeline, Phillips’ visceral style shines once the weirdness bleeds into the present.

Diabolic (2025) Movie PosterStreaming on VOD (YouTube, Apple TV+)

Aussie-made films can sometimes lean on the outback, or curiosity about Indigenous culture, but Diabolic takes a different path. Though the story plays out in the proverbial outback of Utah, I couldn’t help wondering why foreign investors were more interested in helping Daniel J. Phillips make this film than backing local creators. It’s not a detail worth nitpicking since the movie was shot in the land down under, but it becomes noticeable when the landscape feels slightly wrong for its intended setting. Maybe that’s part of the hallucinatory effect Phillips is aiming for.

After Elise (Elizabeth Cullen, The Bureau of Magical Things) leaves The Church of Jesus Christ of Latter-day Saints, she thinks she’s safe. She’s moved on, but the nightmares keep coming. Elise has PTSD, and that’s the terrain the film explores more than anything else. Thankfully, her boyfriend Adam (John Kim, The Librarians) and her adoptive sister Gwen (Mia Challis, Outer Banks) are understanding. Trouble starts when they take a camping trip to get away and bring drugs along, hoping to knock down the walls Elise has built so she can finally feel whole and free from her past.

Continue reading “When Unhinged Pasts Are Revealed, What’s Diabolic (2026) Is Sure to Scare”