Tag: Thriller

DRAGN Is a Brutal Wake-Up Call About Drone Warfare

Peter Webber’s DRAGN blends slasher structure with modern techno-paranoia, imagining a deadly autonomous drone stalking corporate retreat attendees. While its POV sequences are effective and unsettling, the film never digs deeply enough into the ethical and emotional weight of its own premise.

Dragn Movie PosterCineverse
Available on VOD

Director Peter Webber and his screenwriting team, Barry Hutchison, Alex Lane, and Alexander Gordon Smith, have delivered a work that sits uncomfortably at the intersection of entertainment and contemporary anxiety. The release of DRAGN feels closely tied to the current global climate, where remote and automated warfare has become an increasing part of modern conflict. As these systems filter decision-making through distant interfaces, reducing lives to abstract data, the film’s premise of granting a drone the autonomous “choice” to execute feels less like speculative fiction and more like a reflection of present-day concerns.

In many ways, the bot in question attempts to be a Terminator for the age of algorithmized warfare. It is not a total failure, nor is it a triumph. Rather, it functions as an ontological inquiry: can we ever truly trust a machine programmed to bypass human empathy?

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When Unhinged Pasts Are Revealed, What’s Diabolic (2026) Is Sure to Scare

Diabolic blends trauma, control, and the supernatural into a hallucinatory folk-horror trip. While the film leans heavily on its past timeline, Phillips’ visceral style shines once the weirdness bleeds into the present.

Diabolic (2025) Movie PosterStreaming on VOD (YouTube, Apple TV+)

Aussie-made films can sometimes lean on the outback, or curiosity about Indigenous culture, but Diabolic takes a different path. Though the story plays out in the proverbial outback of Utah, I couldn’t help wondering why foreign investors were more interested in helping Daniel J. Phillips make this film than backing local creators. It’s not a detail worth nitpicking since the movie was shot in the land down under, but it becomes noticeable when the landscape feels slightly wrong for its intended setting. Maybe that’s part of the hallucinatory effect Phillips is aiming for.

After Elise (Elizabeth Cullen, The Bureau of Magical Things) leaves The Church of Jesus Christ of Latter-day Saints, she thinks she’s safe. She’s moved on, but the nightmares keep coming. Elise has PTSD, and that’s the terrain the film explores more than anything else. Thankfully, her boyfriend Adam (John Kim, The Librarians) and her adoptive sister Gwen (Mia Challis, Outer Banks) are understanding. Trouble starts when they take a camping trip to get away and bring drugs along, hoping to knock down the walls Elise has built so she can finally feel whole and free from her past.

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Titan Manga’s Ghostly Darkness of Kanata Certainly Knows How to Haunt!

A thoughtful and unsettling look at Ghostly Darkness of Kanata, exploring how its eerie artwork and thematic focus on lingering spirits set it apart from Titan Manga’s growing horror catalogue.

Ghostly Darkness of KanataAvailable to purchase on Amazon USA

Titan Manga is not resting as more horror themed works are scheduled for release this year. The editorial team are picky and to give new talents their due is appreciated, especially after reading past works, like Shadows of Kyoto, which is self contained. But with Ghostly Darkness of Kanata (幽闇のカナタ), what it sets up is perhaps more to come. What I adore most is how it looks into why some spirits choose to remain on Earth rather than move on.

I also love how they are depicted. I’m sure Noct Koike (writer) and Chika Ishikawa (artist) had to come to an agreement over respecting traditional depictions, like not having visible feet, and considering how spirits appear to others. The artist’s work mirrors what I’ve experienced when investigating the unknown. Some spirits look like projections pulled from dirty celluloid film.

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What Lies Beneath Bone Lake Isn’t Another Scooby-Doo Mystery Inc. Special

In Bone Lake, a stressed couple’s retreat turns nightmarish when their Airbnb is double-booked by strangers with hidden motives, unleashing paranoia, violence, and a Raimi-esque finale.

Bone Lake (2024) Movie PosterBleeker Street
Now Available on VOD/digital

Although Bone Lake is thematically different from Swap, another movie I saw many months ago, the former is more of a thriller and the latter a vampire flick. I won’t say which is better. Both works have their merits. While both lean a little too far into erotic elements, neither is without scandal. Just how far one wants to sit through this work depends on your tolerance for the subject matter. Director Mercedes Bryce Morgan and writer Joshua Friedlander had an idea and explored it with a modest budget to make this isolated cabin-in-the-woods scenario feel genuinely dangerous.

Here, Sage (Maddie Hasson) and Diego (Marco Pigossi) are a couple who could use an escape. Although their relationship seems solid, things get thrown overboard after they arrive at a luxurious, secluded lakeside mansion by Bone Lake for a romantic weekend. Diego also has a novel he should finish, and at some point, he plans to propose. Since Sage has put her career on hold to support him, I suspect something deeper is simmering between them.

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In Vitro Review: Psychological Tension Stuck In Utero

In Vitro delivers psychological tension and haunting atmosphere but feels stuck in utero, never fully realising its broader dystopian potential. Strong character work and an evocative soundtrack drive the film, though uneven pacing and limited world-building hold it back.

In Vitro Movie PosterNow Available on VOD (UK)

In art exhibitions, the words “In Vitro” have often been used for installations and short films that explore the relationship between humans and technology. With this title now attached to a feature co-directed and written by Will Howarth and Tom McKeith, the ideas are explored in a different, unsettling context.

The story is about control. Jack (Ashley Zukerman) runs the household and the business, and his behaviour unsettles his wife, Layla (Talia Zucker). Together, they operate a cloning facility that supplies cows to a country unable to sustain its own livestock. While the premise hints at broader dystopian implications, the narrative keeps its focus tightly on Layla’s personal struggles, leaving the larger world underdeveloped.

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The Haunted Forest Review: Mystery, Mayhem, and Monster Masks

The Haunted Forest blends retro horror with authentic atmosphere, filmed at Maryland’s iconic Markoff’s Haunted Forest. By combining 80s-inspired scares with modern storytelling, it delivers suspense, mystery, and a chilling Halloween vibe that horror fans won’t want to miss.

The Haunted Poster Standard Movie Poster 2025
This movie made it’s world premiere at FrightFest Film Festival in London on August 23rd.

When Keith Boynton’s The Haunted Forest goes beyond honouring classic horror tropes from the 1980s and earlier, it becomes more than just a tribute to the era; what’s offered is a welcome surprise. The faux introduction instantly sets a nostalgic tone, recalling vintage drive-in B-movies. It also primes viewers for a chilling tale unfolding in the days leading up to Halloween, where the biggest mystery is: who’s hiding behind the mask in this slasher film throwback?

That sense of mystery extends into the real-world backdrop, which feels just as much a character as the cast itself. Even more compelling is the decision to film at Markoff’s Haunted Forest in Poolesville, Maryland—an iconic haunted attraction that adds authenticity and atmosphere. It’s easy to imagine horror fans booking tickets after seeing how immersive this setting is. Yet, the film never feels like a commercial; instead, it fully earns its eerie tone.

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