Tag Archives: Netflix

Top Animated Features to Look Forward to in 2020

22 Jan

nullBy Ed Sum
(The Vintage Tempest)

The 2020 season of animated features is big, and we’re going to see the return of Gru! With streaming video platforms now the norm, distribution is not limited to what’s playing on the big screen. In what I offer is a list of coming works that I’m personally very excited for.

Not a lot of anime is mentioned in this list save for one. They are a unique world onto itself and deserves its own list.

Las Leyendas: El Origen
April 17

Anyone who has watched Netflix’s Legend Quest will be in for a treat! The Hispanic horror-comedy directed Ricardo Arnaiz and produced by Mexican animation studio, Ánima Estudios has gained a loving reputation. It shares the same DNA as Gravity Falls and the character designs are not too different. Instead of a brother and sister team, the tale focuses on a boy who can talk to dead people.

Leo San Juan is your take-charge kind of personality. His companions include a ghost girl, Teodora; a loony old knight, Don Andrés, the mythical dragon (if he can be called that), Alebrije; and two calaveras (skeleton kids), Finado and Moribunda. This film is the origin story about them.

They have to help a human infant who looks trapped in the afterlife. Whether this baby walked through the Espejo Eternal (“eternal mirror”)–a portal that separates the Realm of the Living and the Dead—by accident or not, the details are uncertain. Finando and Moribunda has to protect the tyke from what may be the Mexican version of Charon. As a side-story, I can’t help but be excited for what two skeleton kids can do to keep this franchise ongoing.

Scoob!
May 15

Yes, I’m a sucker for a good Scooby Doo mystery. In this reboot, we see how a pup without a name get named and how he met Shaggy Rogers. Soon, the rest of the gang are reintroduced in modern fashion. It’s weird to not see Fred sporting his trademark ascot, but with a franchise that’s 50 years old, modernizing it is a must. Even Daphne and Velma get an update to their dated look.

As for whether or not this film is a step in the right direction for keeping interest alive, I’ll take a look. This film brings a handful of classic Hanna-Barbera characters into the fold in a not all to surprising shared universe concept. As long as Captain Caveman and Blue Falcon is done right, it’s all good.

The SpongeBob Movie: Sponge on the Run
May 22

With this third film, the huge selling point is to see when Spongebob met Gary, his pet snail.

There’s more to their relationship which holds them together. When the gastropod gets snail napped by the sea god Poseidon, my biggest question is why? Does the mewing mollusc possess something the god need? Or is Gary a snail on a mission from god?

The shenanigans will no doubt be crazy, but as long as we get a good story instead of a lengthy sitcom, I’m curious in where this film will go and hope I won’t need earplugs in the end.

Soul
June 19

Joe Gardner is the Soul Man. Well, not quite yet. He’s dreamed of making it big, but is instead a middle school music teacher. When an accident robs him of this life, hopefully his afterlife will be better (or not).

He has to help others who are not as hopeful if he’s to earn his wings. When his heaven (or is that purgatory?) is “You Seminar,” the concept seems scarier than sitting in on a long motivational Ted Falk.

When PIXAR is behind this work, the story will be inspirational. The Jazz soundtrack will no doubt be the driving force behind this work.

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Evangelion: 3.0+1.0
June 27

After 13 long years, the complete Rebuild of Evangelion is finally here! I’ve been holding off watching these set of films (well, except the first).

When Hidiki Anno took time off to make Shin Godzilla. I’m not complaining. He’s a master of his craft, and I feel he can do not wrong. With this final release, I can plan for a weekend of seeing all the films together and try not to cry.

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Dark Horse Comics Continues Stranger Things with Zombie Boys!

20 Jan

By Ed Sum
(The Vintage Tempest)

Publication Date:
January 22, 2020

Dark Horse Comics
Mild Spoiler Alert

While we’re waiting for the next season of Netflix’s Stranger Things, the gaps not explored in the live action material are being filled in with this upcoming comic book release. Zombie Boys sees Will Byers having a rough go at life since his return. He’s labelled just that at school. This tale by Greg Pak answers all those lingering questions we had since we don’t often see him interacting with the rest of the school. Here, we see he is treated like a freak. If he’s not bullied, he’s shunned. The only kids who understand him are his pals, Mike, Dustin, and Lucas.

Joey Kim is a new student and wants to make a movie; he easily convinces everyone to take part in his latest epic, to make a George Romero style film, and as for whether or not it’ll be therapeutic for Will, that’s up in the air.

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Kipo’s Gotta Wear Shades in the Age of the Wonderbeasts

16 Jan

By Ed Sum
(The Vintage Tempest)

Available on Netflix

When bizarro fantasy meets post-apocalypse, Kipo and the Age of Wonderbeasts is an exotic experience punctuated by its musical interludes. The soundtrack is a mix of hip hop and industrial. The songs are actually part of the narrative instead of musical bookends to move the story forward. Music Supervisor Kier Lehman (Spider-Man: Into the Spider-Verse) and composer Daniel Rojas (Downsizing) have done an incredible job!

I think of this program of reversing an idea presented in Futurama. The mutants went underground and the normals lived in a high-tech world. Reverse this idea and that’s this series in a nutshell.

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The Stakes were Never Big in Netflix’s Dracula

6 Jan

Image result for bbc dracula posterBy Ed Sum
(The Vintage Tempest)

Just how many reimaginings of Bram Stoker’s Dracula do we need? Let me count the works from this century: there’s at least a dozen—Untold, Dark Prince, and Reborn are perhaps the closest they can get to the book’s lore. The rest sticks around even after being “killed” so he remains a threat to humanity.

Mark Gatiss (Sherlock) and Steven Moffat (Doctor Who) developed this latest take and it’s a curious mix of period drama and Hammer style horror. This three-part series has each episode nearly movie length. Like the novel, it begins conveniently enough with Jonathan Harker (John Heffernan) visiting the Count (Claes Bang) and Mina (Morfydd Clark) swearing her eternal love. The nobleman has other plans and his lust for both the male and female gender goes nowhere fast. Either he’s too decrepit to get off, or those tones brought down for Netflix’s broadcasting standards.

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