Who’s Bleating now? King Arthur’s Night, The Documentary in Review

John Bolton’s King Arthur’s Night blends documentary filmmaking with a filmed theatrical production, creating an unusual take on the Arthurian legend. While the hybrid approach doesn’t always work, the performances and music make it a memorable tribute.

King Arthur's Night Poster ImageScreening at the VIFF Theatre (Vancouver, BC) July 14 and 18th. Please click here to purchase tickets in advance.

Set against the backdrop of Harrison Hot Springs, British Columbia, John Bolton’s King Arthur’s Night is a bold reimagining of the tale told by Thomas Malory. It offers a meta-look at the play through the lens of preproduction and filmmaking rather than focusing solely on the play itself. While that approach is not altogether bad, the presentation is misleading. When all I want is to see the two separate than apart, I can at least stay fixed to the fiction. The non-fiction can live in it own world.

Because we see bits of filming take place in-betweeen the edited cuts, I’m left begging for just the myth to be told. Perhaps that will change. Until there is an announcement that there is a story only cut, what we have is a work that feels like This Is Spinal Tap!

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The Cat Came Back Creator Cordell Barker Returns with The Anta Claus of the South Pole

Oscar-nominated animator Cordell Barker, best known for The Cat Came Back, is returning with The Anta Claus of the South Pole, a new animated holiday special from the National Film Board of Canada and Tonic DNA.

The Anta Claus of the South PoleThe National Film Board of Canada

He’s back, and no, I’m not talking about the feline who stole my heart back in the day. Coming soon from Cordell Barker is The Anta Claus of the South Pole. While not everyone may recognize his name, many animation fans know his work. Barker crafted the wonderful animated short The Cat Came Back, a tale about Mr. Johnson, a man pushed to the edge by a feline who keeps finding a way to this hooman’s home. He wants nothing to do with the cat and, much like Wile E. Coyote, becomes increasingly inventive in his attempts to get rid of it rather than simply accepting its presence.

But when cartoon logic rules the universe, every trip home reveals the critter waiting inside, tearing up a carpet, couch, or something even worse. This short is hand-drawn and surprisingly elegant. Some viewers might liken it to an old Tex Avery cartoon. When every gag lands like a mousetrap with a marching band inside it, the shock and surprise is all worth it. And when the beat is set to the folk tune of the same name, we know that this cat is not using up all of his nine lives.

Barker has a knack for turning escalating chaos into comedy, and every homage he makes shows why he is one of Canada’s masters of animated catastrophe.

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Jesus Christ Vampire Hunter 25th Anniversary Review, A Holy Cult Classic Returns

Twenty-five years later, Jesus Christ Vampire Hunter returns with a restored 2K scan and renewed midnight movie energy. This Canadian cult classic remains as delightfully absurd as ever.

Jesus Christ Vampire Hunter Poster
Special Screening, June 11, 2026 at Mayfair Theatre (1074 Bank St) in Ottawa.

Jesus Christ Vampire Hunter is celebrating a milestone. After twenty-five years of being very, very quiet, Lee Demarbre’s cult classic is being honoured with a fresh revival. Library and Archives Canada provided a new 2K scan of the original 16mm negative for restoration, and a new DCP has been created to bring out the colours. It’s ready to sing! During the first week of June, the film had a party with Demarbre and superstar Phil Caracas attending special screenings. And this movie will keep preaching cross-country in the coming weeks, if not months, so the herald can be heard. This is the type of midnight madness cinema even Rocky Horror fans should attend!

This very beloved work was made on a shoestring budget, and it has enough romp to make a B-movie director blush. Its hilarity often feels right at home with a Troma production. But there’s more! There’s music, grindhouse attitude, and kaiju involved. Okay, not kaiju, but had it included some, I’d be beside myself. I was more impressed with the sentai influence. It’s not full-on Power Rangers style, but that flavour is clearly there. We even get some 70s-style Bruce Lee foolery when it matters.

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Rock and Rule Behind the Scenes Bonus Cut! And Captain Cannabis (Part Two)

Rock and Rule Behind the Scenes continues with Verne Andru tackling long-standing fan debates, from production myths to lost material, while outlining how his documentary aims to preserve a fragile piece of Canadian animation history.

Verne Andru and Captain Cannabis
Part one of our interview can be read here.

Support Rock and Rule Behind the Scenes, and get some wild extras!

In part two of our interview with Verne Andru, we look at questions fans hope the documentary will answer. Long-time fans have burning questions, and given that most of the original material was lost to a fire that Verne confirmed, what remains needs to be more than a nostalgia hit. It is a chance to look back at how technologies merged to create the cult work that Rock and Rule became, right as Hollywood was running its own experiments with transitional optical effects in films like Tron and The Last Starfighter.

What is the biggest myth about Rock & Rule that you want to address?

The studio said that the launch failed because of MGM/UA not backing it. While there may be some truth to that, it misses the point that they delivered an unfinished film years late and millions over budget. It was Nelvana’s fault, nobody else.

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Rock and Rule Behind the Scenes, The KickStarter. An Interview with Verne Andrusiek (Part One)

Rock and Rule Behind the Scenes dives into the legacy of the cult Canadian animated film through Verne Andrusiek’s firsthand insights, exploring its production struggles, analog artistry, and why a true restoration may never happen.

Fan Expo Vancouver Rock and RuleView the Kickstarter here

Verne Andrusiek
is just one of the amazing talents who helped breathe visual life into a seminal Canadian animated classic, Rock and Rule. For the later part of his entertainment career, he went by the shorter version of his last name, and not everyone made the connection. With this Nelvana Entertainment film recognized as a cult work in the Canadiana hall of fame, anyone asking for a release will be in for a disappointment. A remaster is not likely to happen. What Verne preserved at home, though, will become part of the backbone of Rock and Rule Behind the Scenes, a video documentary that includes interviews with the directors and writers of this project. He announced this project to folks visiting his booth during Fan Expo Vancouver 2026!

With a crowdfunding campaign launching April 6, 2026, he also hopes to put some long-running fan debates to rest. He put it this way: “I became a bit of a jack-of-all-trades over my career going from music to electronics, art, film and computers in large part due to times, the 1950s through to 1980 were a period of dramatic change when not much of anything we take for granted today existed. Basically, if you wanted something you had to figure out how to do it yourself because there were no off-the-shelf solutions.”

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Wanda John-Kehewin’s Powerful Visions From The Fire Looks Toward Healing

In Visions From The Fire, Damon Quinn’s search for identity deepens through dreams, spirits, and painful truths. Wanda John-Kehewin and Nicole Marie Burton shape a thoughtful second chapter that blends coming-of-age drama with Indigenous spirituality and quiet emotional power.

Visions From The Fire Graphic Novel Cover_544x838
Volume Two is available on Amazon USA

HighWater Press

Wanda John-Kehewin and Nicole Marie Burton’s graphic novel The Dream series is beginning to take shape. With the release of the second volume, Visions From The Fire, the next stage of Damon Quinn’s journey is becoming clear. What’s presented here is more than a traditional coming-of-age story. To appreciate where it is heading, though, it helps to begin with the first book, Visions of the Crow.

Here, Damon feels like a ne’er-do-well, struggling simply to survive as high school graduation draws near. It is easy to sympathize with him. At school, he is bullied because of his mixed heritage. As a Cree-Métis teen, he is left wrestling with questions of identity and belonging. He does not know who his father is, and he desperately wants answers. At home, his relationship with his mother is strained by her alcoholism, often leaving him to spend as little time there as possible.

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