Tag: Canada

All Hail The Metal Messiah! Vividly Restored to 4K, at Fantasia Film Festival and Coming to Home Video Too!

Canadian International Pictures screened the 4K restoration of Tibor Takács’ Metal Messiah at Fantasia Film Festival, and if you missed it, fret not. A Blu-ray release is expected to be announced later this year.

Metal Messiah 1978 Movie Poster
Played at Fantasia Film Festival on July 25, 2026 at the Salle J.A. De Sève

Because I wasn’t born in time and be of the right age to witness Metal Messiah back in 1977, whether in theatres, if it ever reached Victoria’s Roxy or Vic Theatre, or later on VHS, discovering it now feels surreal. With it’s recent 4k remaster, some scenes only look that much more cosmic when considering the how well it’s been colour balanced. Although some video artifacts remain, this movie would not be what it is, a product of the times. Even today, I wasn’t sure what to expect from a story so deeply rooted in an era still firmly rooted in The Cold War.

Today, it’s a cult film that embodies the raw spirit of Toronto’s early punk movement. And when looking back at my own discovery of the stylings of Iggy Pop and Ziggy Stardust, I’m sure either would’ve appreciated what writer-director Tibor Takács (The Gate, Sabrina the Teenage Witch) accomplished here. What he made feels like hard-boiled detective fiction colliding with This Is Spinal Tap, only with a far more philosophical edge.

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When All Is Lost? The Galactic Ghoul Is the Last Hero You Wanna Call!

Wildly campy and packed with puppets, absurd performances and homemade effects, The Galactic Ghoul proudly embraces the charm of those B-Movies of yesteryears, and get Lexx about it.

The Galactic Ghoul Movie Poster
Played at Fantasia Film Festival July 28, 2026 at the Cinéma du Musée

The Galactic Ghoul is one of those crazy fun films which recalls more than a few well known and lesser known screwball sci-fi epics. No, we’re not talking about Red Dwarf. Instead I believe this film is the love child of Lexx and MST3K and the individual grew up watching Spaceballs set on repeat! This work written and directed by Simon Harrisson is a laugh a minute, and honestly, I could not take it seriously even if I tried.

This film ranks right there in the same spectrum as 1000s of Beavers, even though the genres are different. Also, I must note Vincent Hoss-Desmarais helped write this work, and it wouldn’t be fair to not mention him too. They might have taken inspiration from Lost in Space too, and I say that with fondness when considering some of the costume and surreal designs that tained the later seasons.

And honestly, I like to know which one of the two is the Space Adventure Cobra fan! There’s some vibes from this anime as the film follows the misadventures of Oscar Bravo (Vincent Hoss-Desmarias), Lieutenant Foxtrot (also Hoss-Desmarias, for reasons made known later in the film) and Xenon (Michael Richard). For part of the story, they weren’t working together, but when they do, it seems they are better off as partners than rivals.

When both are wanting to gain Queen Xaltalusia XXIII’s (Katherine Isabelle) favour, they better be careful in what they want to reap! But she’s the bad guy, right? After managing to collect a mystic stone (basically, the last remnants of a destroyed world) to give to her, they go their separate ways. As Oscar wants to stay behind, he’s the brave idiot who becomes a consort of sorts. And that’s when things get kinky and weird.

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Who’s Bleating now? King Arthur’s Night, The Documentary in Review

John Bolton’s King Arthur’s Night blends documentary filmmaking with a filmed theatrical production, creating an unusual take on the Arthurian legend. While the hybrid approach doesn’t always work, the performances and music make it a memorable tribute.

King Arthur's Night Poster ImageScreening at the VIFF Theatre (Vancouver, BC) July 14 and 18th. Please click here to purchase tickets in advance.

Set against the backdrop of Harrison Hot Springs, British Columbia, John Bolton’s King Arthur’s Night is a bold reimagining of the tale told by Thomas Malory. It offers a meta-look at the play through the lens of preproduction and filmmaking rather than focusing solely on the play itself. While that approach is not altogether bad, the presentation is misleading. When all I want is to see the two separate than apart, I can at least stay fixed to the fiction. The non-fiction can live in it own world.

Because we see bits of filming take place in-betweeen the edited cuts, I’m left begging for just the myth to be told. Perhaps that will change. Until there is an announcement that there is a story only cut, what we have is a work that feels like This Is Spinal Tap!

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The Cat Came Back Creator Cordell Barker Returns with The Anta Claus of the South Pole

Oscar-nominated animator Cordell Barker, best known for The Cat Came Back, is returning with The Anta Claus of the South Pole, a new animated holiday special from the National Film Board of Canada and Tonic DNA.

The Anta Claus of the South PoleThe National Film Board of Canada

He’s back, and no, I’m not talking about the feline who stole my heart back in the day. Coming soon from Cordell Barker is The Anta Claus of the South Pole. While not everyone may recognize his name, many animation fans know his work. Barker crafted the wonderful animated short The Cat Came Back, a tale about Mr. Johnson, a man pushed to the edge by a feline who keeps finding a way to this hooman’s home. He wants nothing to do with the cat and, much like Wile E. Coyote, becomes increasingly inventive in his attempts to get rid of it rather than simply accepting its presence.

But when cartoon logic rules the universe, every trip home reveals the critter waiting inside, tearing up a carpet, couch, or something even worse. This short is hand-drawn and surprisingly elegant. Some viewers might liken it to an old Tex Avery cartoon. When every gag lands like a mousetrap with a marching band inside it, the shock and surprise is all worth it. And when the beat is set to the folk tune of the same name, we know that this cat is not using up all of his nine lives.

Barker has a knack for turning escalating chaos into comedy, and every homage he makes shows why he is one of Canada’s masters of animated catastrophe.

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Jesus Christ Vampire Hunter 25th Anniversary Review, A Holy Cult Classic Returns

Twenty-five years later, Jesus Christ Vampire Hunter returns with a restored 2K scan and renewed midnight movie energy. This Canadian cult classic remains as delightfully absurd as ever.

Jesus Christ Vampire Hunter Poster
Special Screening, June 11, 2026 at Mayfair Theatre (1074 Bank St) in Ottawa.

Jesus Christ Vampire Hunter is celebrating a milestone. After twenty-five years of being very, very quiet, Lee Demarbre’s cult classic is being honoured with a fresh revival. Library and Archives Canada provided a new 2K scan of the original 16mm negative for restoration, and a new DCP has been created to bring out the colours. It’s ready to sing! During the first week of June, the film had a party with Demarbre and superstar Phil Caracas attending special screenings. And this movie will keep preaching cross-country in the coming weeks, if not months, so the herald can be heard. This is the type of midnight madness cinema even Rocky Horror fans should attend!

This very beloved work was made on a shoestring budget, and it has enough romp to make a B-movie director blush. Its hilarity often feels right at home with a Troma production. But there’s more! There’s music, grindhouse attitude, and kaiju involved. Okay, not kaiju, but had it included some, I’d be beside myself. I was more impressed with the sentai influence. It’s not full-on Power Rangers style, but that flavour is clearly there. We even get some 70s-style Bruce Lee foolery when it matters.

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Rock and Rule Behind the Scenes Bonus Cut! And Captain Cannabis (Part Two)

Rock and Rule Behind the Scenes continues with Verne Andru tackling long-standing fan debates, from production myths to lost material, while outlining how his documentary aims to preserve a fragile piece of Canadian animation history.

Verne Andru and Captain Cannabis
Part one of our interview can be read here.

Support Rock and Rule Behind the Scenes, and get some wild extras!

In part two of our interview with Verne Andru, we look at questions fans hope the documentary will answer. Long-time fans have burning questions, and given that most of the original material was lost to a fire that Verne confirmed, what remains needs to be more than a nostalgia hit. It is a chance to look back at how technologies merged to create the cult work that Rock and Rule became, right as Hollywood was running its own experiments with transitional optical effects in films like Tron and The Last Starfighter.

What is the biggest myth about Rock & Rule that you want to address?

The studio said that the launch failed because of MGM/UA not backing it. While there may be some truth to that, it misses the point that they delivered an unfinished film years late and millions over budget. It was Nelvana’s fault, nobody else.

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