Tag: Canada

Rock and Rule Behind the Scenes, The KickStarter. An Interview with Verne Andrusiek (Part One)

Rock and Rule Behind the Scenes dives into the legacy of the cult Canadian animated film through Verne Andrusiek’s firsthand insights, exploring its production struggles, analog artistry, and why a true restoration may never happen.

Fan Expo Vancouver Rock and RuleView the Kickstarter here

Verne Andrusiek is just one of the amazing talents who helped breathe visual life into a seminal Canadian animated classic, Rock and Rule. For the later part of his entertainment career, he went by the shorter version of his last name, and not everyone made the connection. With this Nelvana Entertainment film recognized as a cult work in the Canadiana hall of fame, anyone asking for a release will be in for a disappointment. A remaster is not likely to happen. What Verne preserved at home, though, will become part of the backbone of Rock and Rule Behind the Scenes, a video documentary that includes interviews with the directors and writers of this project. He announced this project to folks visiting his booth during Fan Expo Vancouver 2026!

With a crowdfunding campaign launching April 6, 2026, he also hopes to put some long-running fan debates to rest. He put it this way: “I became a bit of a jack-of-all-trades over my career going from music to electronics, art, film and computers in large part due to times, the 1950s through to 1980 were a period of dramatic change when not much of anything we take for granted today existed. Basically, if you wanted something you had to figure out how to do it yourself because there were no off-the-shelf solutions.”

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Wanda John-Kehewin’s Powerful Visions From The Fire Looks Toward Healing

In Visions From The Fire, Damon Quinn’s search for identity deepens through dreams, spirits, and painful truths. Wanda John-Kehewin and Nicole Marie Burton shape a thoughtful second chapter that blends coming-of-age drama with Indigenous spirituality and quiet emotional power.

Visions From The Fire Graphic Novel Cover_544x838
Volume Two is available on Amazon USA

HighWater Press

Wanda John-Kehewin and Nicole Marie Burton’s graphic novel The Dream series is beginning to take shape. With the release of the second volume, Visions From The Fire, the next stage of Damon Quinn’s journey is becoming clear. What’s presented here is more than a traditional coming-of-age story. To appreciate where it is heading, though, it helps to begin with the first book, Visions of the Crow.

Here, Damon feels like a ne’er-do-well, struggling simply to survive as high school graduation draws near. It is easy to sympathize with him. At school, he is bullied because of his mixed heritage. As a Cree-Métis teen, he is left wrestling with questions of identity and belonging. He does not know who his father is, and he desperately wants answers. At home, his relationship with his mother is strained by her alcoholism, often leaving him to spend as little time there as possible.

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Terror Awaits When Nash The Slash Rises Again!

A stylish and thoughtful documentary, Nash The Slash Rises Again! examines the life, sound, and legacy of one of Canada’s most singular musical innovators, celebrating an artist who turned performance, technology, and mystery into something unforgettable.

Nash the Slash Rises Again! Promotional Tour TrailerOpens at Select Theatres March 13

Nash the Slash is an original. A living Phantom of the Theatre, unafraid to obscure himself, he’s often seen performing wrapped like a mummy, minus the Egyptian motifs, instead donning dark sunglasses and a stiff top hat. When we see him in Nash the Slash Rises Again!, he’s not just a silent film star, but a silver age minx. He exists in a space where noir sensibilities thrive. Nearly everyone knows the name, even if the sound itself feels ephemeral, electronic, and ahead of its time.

What’s presented in Tim Kowalski’s documentary brilliantly honours him like a living memorial. Rameses the Great would be jealous. When this musician doesn’t predate the theatrical shock of early Pink Floyd or Alice Cooper, but feels spiritually adjacent to them, evolving along a parallel creative wavelength. One suspects they’d have relished sharing a stage had the opportunity arisen.

With interests leaning heavily into the horror film genre, shock becomes part of the live experience for those fortunate enough to witness him perform. Not every show has him embodying The Invisible Man, but the theatricality remains central. His life and career are explored in thoughtful detail through Tim Kowalski’s documentary.

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Bisou Sauvage and Szczerbowski Shine in This Thought-Provoking NFB Showcase

The National Film Board of Canada brings a striking range of animated storytelling to Victoria Film Festival. In part one, I take a closer look at Bisou Sauvage and Szczerbowski, two shorts that confront human duality, moral consequence, and the fragile space between love and harm.

National Film Board of Canada LOGOThe National Film Board of Canada

is presenting at the Victoria Film Festival, and what they’ve got is a wide range of adventures. From making statements about the society we’re in to a fun-filled twist on what a zombie pandemic can look like, even I have to be amazed. In part one, I’ll be taking a look at Bisou Sauvage and Szczerbowski.

This examination will be broken up into two parts to give the four pieces a decent look at why they must be viewed. And hey, Jay Baruchel is all-Canadian in this piece (you’ll have to read part two for that review), and I have to love the fact he’s broken away from his Hiccup past to show he has versatility with his vocal performances.

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In Canada, Scared Shitless Brings the Bathroom Horror Home Ahead of U.S. Theatrical Release

Lock the bathroom door—SCARED SHITLESS is a hilariously gory horror-comedy where a plumber and his son face a monstrous creature wreaking havoc in the city’s pipes.

Scared Shitless Movie PosterLock the bathroom door and keep the plunger close, because Scared Shitless is finally coming out of the pipes and into your living room. This outrageous horror–comedy from director Vivieno Caldinelli (Seven Stages to Achieve Eternal Bliss, Baroness Von Sketch Show) is about to unleash blood, guts, and belly laughs on Canadian audiences before anyone else. One year after its Fantasia Film Festival 2024 premiere, Blue Fox Entertainment is ready to unleash the beast onto TVOD in Canada starting Sept 2, 2025—weeks ahead of its U.S. theatrical release.

The Premise

The film follows Don (Steven Ogg), a blue-collar plumber with a filthy sense of humour, who drags along his germophobic son Sonny (Daniel Doheny) on a simple house call. What should’ve been another day on the job turns into a nightmare when they discover a genetically engineered, bloodthirsty monster has made the city’s plumbing its all-you-can-eat buffet. Teaming up with tough-as-nails night manager Patricia (Chelsea Clark, they’ll need to stop the beast before it contaminates the water supply.

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Season Two of David J. Fernandes’ Creepy Bits is Here! Prepare for More Spooky Tales of the Unexpected!

And we have an episode guide too! Disclaimer: Creepy Bits is best experienced in the dark, with headphones. If only they were quadraphonic….

Creepy Bits Season Two PosterHollywood Suite Broadcast Premiere Nov 19 at 9pm ET. 

After Halloween, not everyone was preparing for The Day of the Dead. Some folks may have tuned in to view David J. Fernandes‘ Creepy Bits that debuted early in the month on VOD. But now, it’s more accessible on specific specialty networks! There’s no news yet for worldwide release, but in the meantime, for Canadians, they have early access.

It’s a wonderful series for those who want simple frights in a bite-size format. This Canadian series offers a contemporary take on some classic tropes, and will leave viewers in awe.

After the debut “Baby Face,” episode from season one, what makes this program special is that sets up the tension quite fast for the bogeyman style surprise! These shorts live up to its name for effectively creating that sense of unease, even as the last frames play out. Sometimes, the finale is not for the better, but is far, far worse, and leaves the aftermath for each viewer’s imagination to figure out.

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