By Ed Sum
(The Vintage Tempest)
Amongst Baby Boomers, The Adventures of Captain Marvel defined the pulp-action superhero who would later be known as Shazam. For Gen X’ers, The Shazam/Isis Hour was a maligned television show of the mid-70s and it has its cult appeal. Jump to 1981, The Greatest American Hero showed how Stephen J. Cannell developed a fun, purposeful superhero sporting a different kind of symbol who wants to do what’s right in a cop buddy sitcom formula. The problems the character faced as the series progressed include learning how to use his powers, talking to the aliens in why he was selected and trying to keep those he loved safe.
To bring all those previous iterations of a superhero sitcom movie, Shazam, took several decades of storytelling in the television world to experiment with and the payoff is terrific. Ignoring the troubled property when it was first introduced in the ’40s to its reinvention by DC Comics, this 2019 movie borrows on many comedic tropes from the small screen as Billy Batson (Asher Angel) tries to figure out what being a superhero means. He has no book to guide him. He only has a comic book superhero obsessed foster brother Freddie (Jack Dylan Grazer) to offer tips and his own moral compass to keep him pure. The only misfire is in how nothing new is added to make it stand out.
The Days of Future Past with Terminator: Dark Fate
8 Nov(The Vintage Tempest)
The meaning behind Terminator: Dark Fate may well on how destiny can’t be changed. Sarah Connor tried to keep her young son John safe and in the future, the elder version reprogrammed a T-800 to prevent his death. When Skynet can mess with the past by sending a bunch of robot assassins to various moments in time, the inevitable has to happen and the question has to be asked, do they go Back to the Future?
A lot of questions are raised in light of the grander picture. Time travel stories are always going to be a head scratcher because of the effects of Schrödinger’s cat in the timeline. Robert Zemeckis’ film (and Legends of Tomorrow) explains that alternate time-lines can be shut down so long the heroes act fast enough before the effects become permanent. That way, only one continuity exists. James Cameron (who’s taking far too long to make sequels to Avatar) returned to his seminal creation to say everything we saw that he wasn’t involved in is all alternate universe material.
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Tags: 20th Century Fox, Arnold Schwarzenegger, Commentary, Dark Horse Comics, Gabriel Luna, James Cameron, Linda Hamilton, Natalia Reyes, Paramount, Terminator, Thriller