A 2026 Paranormal TV Guide: Is Anything Spooky Good Playing Anymore? (Part One)

The answer is yes, on streaming, but on the broadcast front, it’s the same ol’ same ol for returning shows. As for the newer stuff, we have our thoughts on what’s coming in this year’s Paranormal TV Guide.

Chibi Ed caught pretending to be a ghost by the Scooby gang Paranormal TV GuideChasing after ghosts from the safety of television has never really gone away. Ever since Most Haunted, it has changed shape and purpose. In this 2026 paranormal TV guide, many of these shows can be billed as tourist traps playing out on screen, designed to drum up business rather than save beleaguered people who don’t want these ghosts around.

For better or worse, validating anyone’s hope that we remain on the mortal plane after death is a dangerous game. And while there’s no shortage of unexplained phenomena to explore, when will it end? Interest remains high, but it’s tough to know what’s worth watching on streaming, broadcast TV or elsewhere.

What I offer is my changing taste as I seek out new life and new civilizations, boldly going where no one has gone before. Okay, this isn’t Star Trek, but that’s how I feel when I cast the net and there’s not much good stuff to haul in.

Productions that treat the subject seriously are getting harder to find. That’s why I still return to fond standbys such as Eli Roth’s History of Horror, Leonard Nimoy’s In Search Of… and Allaynah Miles’ Beyond: The TV Series. More modern material has always been hit and miss. Rather than catalogue every paranormal programme available, I’m focusing on what might be called the secondary market: stories supported by written precedent. These programmes cover locations or cases with value beyond a haunted reputation. The paranormal becomes part of the story instead of the only reason to visit. That’s why I’m supporting these shows over others.

Haunted Discoveries

Ghosts of the Gold RushThis remains one of the clearest examples of what a paranormal documentary can accomplish. Created by Brandon Alvis and Mustafa Gatollari, Haunted Discoveries offers a well-balanced look at history, folklore and the unexplained.

The original series follows the American Paranormal Research Association into historically significant locations and personal cases. Alvis and Gatollari are both Ghost Hunters alumni, and what they do better than other programmes is play together as a team.

Their expansion to YouTube suggests the future lies beyond traditional broadcast models. Haunted Discoveries: Family Spirits and documentaries produced through Black Hollow Pictures show that this style can thrive. It’s also worth noting that Family Spirits earned a Gold Telly Award for Craft Editing and is available free on Tubi.

Black Hollow recently announced that it had wrapped filming on its feature documentary, Ghosts of the Gold Rush. The crew visited California’s historic Gold Country to make the film authentic, and it will be worth watching as their next step. While Death Valley may tell no tales, one thing is certain: the film will head to streaming after its local screening on Nov. 13.

Uncanny

Danny Robins in FearDanny Robins‘ Uncanny takes a different route by placing witnesses’ experiences at the centre of each investigation. Rather than simply asking whether a building is haunted, the series and theatrical drama examines individual cases through testimony, psychological and sceptical perspectives.

The format began as a BBC Radio 4 series and BBC Sounds podcast in 2021, before moving to BBC Two in 2023. It works because every episode pits a believer, parapsychologist Evelyn Hollow, against a professional sceptic, Ciarán O’Keeffe, a veteran of the UK scene. That gives Robins company instead of leaving him to referee alone. Since 2025, it has been paired with a companion aftershow, Uncanny: Post Mortem. The fandom is deep enough to support its own annual convention, UncannyCon, returning to Birmingham in 2026.

The programme treats the paranormal more like a mystery or detective story than a conventional overnight ghost hunt. The question isn’t whether the crew can capture a ghost on camera. It’s what can be established about the experience and whether plausible explanations exist for what witnesses report.

Archive X: Unexplained Phenomena

Archive X: Unexplained PhenomenaThis new programme is scheduled to premiere in October, and in theory, it should be good. The six-part documentary series is hosted by Professor Jeffrey J. Kripal and draws upon material associated with Rice University’s Center for the Impossible, including historical records concerning paranormal research, UFOs and questions surrounding human consciousness.

It’s confirmed to debut on SundanceTV, AMC+ and All Reality, and will run through early November.

The archive itself makes the premise worth watching. Rather than begin with another allegedly haunted building and build an investigation around it, the series can examine how unusual experiences have been documented, interpreted and researched over time. If the finished production follows through, it could occupy the same intellectual territory that makes independent paranormal documentaries more compelling than conventional ghost-hunting television.

Expedition X

Expedition XExpedition X is a fast-moving, heavily hosted and scripted adventure programme starring Phil Torres, Jessica Chobot (seasons 1–7) and Heather Amaro (season 8 to present). The 2026 season has continued investigating supernatural claims connected to historically significant places and folklore, including Gettysburg, Sherwood Forest and several wartime locations. At its best, the story of what happened in the past and how it affects the present becomes part of the investigation.

Although the quality has deteriorated over the years, this show is like comfort food for viewers who want a teeter-totter between scepticism and a screamer. Torres is great at that. Despite her claims of being a seasoned investigator, I don’t think my eardrums will ever be the same. Yes, it’s a gut reaction, but after a while, you’d think she’d have some tolerance for the unusual happening before her eyes. Her field résumé isn’t made clear, while the previous host is at least verifiable, making those seasons better than the current ones. So why keep watching? As long as the locations are new, this show makes for a better travelogue and test itinerary than a spookfest.

Love at First Splash: ChaO Comes Home!

ChaO brings its colourful mermaid romance, giant robots and boundless energy home on Blu-ray, with a digital release planned for Canadian viewers.

ChaO Blu-ray slipcase
GKIDS
Movie review can be read here.

Just when it seems summer is over, GKIDS is offering a second chance to anime fans who missed ChaO during its theatrical release, bringing the film home on September 22, 2026. The release is perfectly timed for anyone longing for a breezy return to those fondly remembered summer days under the boardwalk. That isn’t quite the film’s plot, of course, but ChaO does offer plenty of colour, energy and romance. For those who prefer streaming, a digital release is also planned specifically for Canadian residents.

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From Sunset Strip to Cthulhu’s Lair: Minions and Monsters Pulls Off a Wonderful, Essential Send-Up

With Minions and Monsters now out on home video, it’s a terrific film, but where’s the beef? The bonus features need to be buffed up to match the tribute the film makes.

Minions and Monsters_400x400
Available to purchase on Amazon USA

Minions and Monsters finally gives those little yellow, pill-shaped critters from Despicable Me a proper calling, and it is about bloody time. The home-video release looks superb on Blu-ray, although its basic selection of bonus features makes this less of a must-buy package than the film deserves. Ever since Sergio Pablos pitched the idea to Illumination, I have regarded them as natural heirs to cinema’s early comedians, like Buster Keaton. And to pay tribute to that fact, I’m glad what directors Brian Lynch and Pierre Coffin massaged into shape acknowledges all that and more!

And for those people who missed seeing this film on the big screen, the home video release gives viewers a chance to watch this film multiple times to pick out the scenes where this tribute shines the most. It is a marvellous send-up of the Silent Era and Hollywood’s Golden Age, with a specific Minion, James, taking centre stage. And I have to assume the narrative imagines how a new film industry might develop without D.W. Griffith defining its early days.

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I Am What I Am 2, Does Changing The Title To The Kung Fu Kid Hit Harder When ‘A’ Isn’t Used?

Well Go USA’s The Kung Fu Kid is actually I Am What I Am 2 (雄狮少年2), although neither the original title nor its status as a sequel is acknowledged. The film works as a standalone, but is altogether more powerful when Liu Jiajuan’s earlier life in the village is taken into account.

The Kung Fu Kid (I Am What I Am 2)Well Go USA
Now Streaming on Digital
Coming to Home Video on Sept 15

Fans of the Chinese animated film I Am What I Am (雄狮少年) may well be confused by the executive decision to release the second film in North America as The Kung Fu Kid. My theory is that some board of distributors believes a new and familiar-sounding title will draw in viewers who don’t know the franchise. As a standalone movie, it works, and newcomers may never realise they’re watching a sequel. But without knowledge of the first film, some of Liu “Gyun” Jiajuan’s motivations and character development are going to be lost.

That’s particularly noticeable because I Am What I Am 2 directly continues his story. The first film doesn’t magically solve this lad’s problems after the lion-dance competition. He still has to face reality, and that leads him to Shanghai, where earning money to help pay for his father’s medical treatment becomes one of his primary concerns. Strangely, according to China Daily, his name has become Ajuan, which can lead to momentary confusion.

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Aachi and Ssipak, Now Playing on Darkroom! Don’t Let This Punk Rock Epic Slide Away

In a dystopian city where human waste is the only remaining energy source, Aachi and Ssipak are two street-smart thugs get caught in a chaotic, ultra-violent turf war between the government, mutated addicts, and a girl with a new-found power everyone wants

Aachi and Ssipak Title Card
Also available to stream on Crunchyroll and Apple TV+

Now playing on the streaming platform Darkroom is Aachi and Ssipak, and this action film is sure to cause some waves. Directed by Jo Beom-jin and originally released in 2006, what’s special about it is its cult status and that this release arrives just in time to honour its 20th anniversary! Since it’s highly regarded for its punk rock roots and over-the-top action sequences, yes, it’s on the must see list for the weekend! Just be warned, this work is not made for kids to watch.

And best of all, this service is affordable. Memberships are only $2.99.

Synopsis:

In a dystopian future where all natural resources have been depleted, human waste has become the city’s sole source of energy. To maximize energy production, the government incentivizes defecation by rewarding citizens with “Hard” – which are highly addictive, hallucinogenic popsicles. Before long, a group of mutated outcasts known as the “Bojagi Gang” emerges. Having lost their ability to defecate due to severe “Hard” addiction, they are brutally exiled from the city for being “unproductive.”

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All Hail The Metal Messiah! Vividly Restored to 4K, at Fantasia Film Festival and Coming to Home Video Too!

Canadian International Pictures screened the 4K restoration of Tibor Takács’ Metal Messiah at Fantasia Film Festival, and if you missed it, fret not. A Blu-ray release is expected to be announced later this year.

Metal Messiah 1978 Movie Poster
Played at Fantasia Film Festival on July 25, 2026 at the Salle J.A. De Sève

Because I wasn’t born in time and be of the right age to witness Metal Messiah back in 1977, whether in theatres, if it ever reached Victoria’s Roxy or Vic Theatre, or later on VHS, discovering it now feels surreal. With it’s recent 4k remaster, some scenes only look that much more cosmic when considering the how well it’s been colour balanced. Although some video artifacts remain, this movie would not be what it is, a product of the times. Even today, I wasn’t sure what to expect from a story so deeply rooted in an era still firmly rooted in The Cold War.

Today, it’s a cult film that embodies the raw spirit of Toronto’s early punk movement. And when looking back at my own discovery of the stylings of Iggy Pop and Ziggy Stardust, I’m sure either would’ve appreciated what writer-director Tibor Takács (The Gate, Sabrina the Teenage Witch) accomplished here. What he made feels like hard-boiled detective fiction colliding with This Is Spinal Tap, only with a far more philosophical edge.

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