Tag: Fantasia Film Festival

When Mathieu Fortin’s The Parrot Isn’t Squawking Release Me, Release Me….

…that’s because it’s being held captive by Bell Media! It’s not a bad thing, but when The Parrot needs to spread his wings, and tell all, let’s hope this producer has plans to expand this bird’s reach.

The Unearthly Notes The Parrot PosterBefore reviewing Mathieu Fortin’s The Parrot, and again afterwards, I had to search online and hunt through my various books examining the themes common in H.P. Lovecraft’s fiction. I wanted to see if there was any mention of talking birds revealing the secrets of forgotten cults before moving forward. I knew this filmmaker’s idea came from The Notes and Commonplace Book of H.P. Lovecraft. While there are no specific mentions of a parrot in the book, the ideas are certainly there.

The most telling lines from the public-domain scan are the following. On page three, it reads: “As dinosaurs were once surpassed by mammals, so will man-mammal be surpassed by insect or bird—fall of man before the new race.” Page eight offers two tantalizing clues. The line that inspired this work reads, “[A] talking bird of great longevity—tells secret long afterward,” but I suspect Fortin drew upon more than that single note. Another speaks of “Ancient and unknown ruins—strange and immortal bird who speaks in a language horrifying and revelatory to the explorers.”

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Animated Anthologies are Rare, But When You Find One, Let Bliss Beyond The Edge of Time Sail You Away …. You Won’t Regret It

Although there’s no confirmation which distributor will pick up Bliss Beyond the Edge of Time for the North American market, this anthology is a must see for those who love thought provoking animation cinema!

Bliss Beyond the Edge of Time Movie Poster
Played at Fantasia Film Festival July 25, 2026 at the Auditorium des diplômés de la SGWU

Spoiler Alert

Bliss Beyond The Edge of Time is a colourful animated anthology that aims to deliver a powerful set of stories about the state of humanity. To paraphrase the official synopsis, the film draws inspiration from six of the I Ching’s 64 hexagrams, also known as the “Book of Changes.” It brings together six original animated shorts that are not simple at all. Here, memories can be erased, identities rewritten and fate re-engineered. The nature of humanity is well explored in context to work which functions as a tool for divination.

The six symbols explored are ䷗, ䷝, ䷑, ䷋, ䷘ and ䷣. Presented in that order, they can be interpreted as Return, Illumination or Fire, Decay, Stagnation, Innocence and The Darkening of the Light. With the last hexagram, not even the most dedicated can decipher what portent it brings if cast. At its heart, this glyph concerns protecting or concealing one’s inner light when faced with a hostile system. Within the context of science fiction, that idea can also extend to suppressed memories, forbidden knowledge and people hiding parts of themselves from systems that aren’t ready to accept them.

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Fists, Fangs, and Fantasia: God Skin Delivers an Insane Take on AR Fighting

MMA collides with augmented reality in God Skin, a Thai action film where underground fighters unleash animal-based abilities inside a technologically enhanced arena.

God Skin Movie PosterWhen a movie such as God Skin (หมัดเทวา ท้าเดิมพัน) gets to make its world premiere at Fantasia Film Festival ahead of its own native release in Thailand, I hope what’s presented is more closer to what director Paween Purijitpanya wanted than the workprint I examined ahead of time. And for a proper North American distribution, I can’t wait to see what the final print will look like. That kind of stuff can’t be rushed, especially when the homage to many fighting games are key to this film.

There’s a lot to pack into this action-video game cum MMA movie, so expectations are high. And although there’s a story behind why people are participating in this combat sport, what I was more attracted to is what this movie delivers as theories on how augmented reality fighting games should really look when the right technology is available.

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All Hail The Metal Messiah! Vividly Restored to 4K, at Fantasia Film Festival and Coming to Home Video Too!

Canadian International Pictures screened the 4K restoration of Tibor Takács’ Metal Messiah at Fantasia Film Festival, and if you missed it, fret not. A Blu-ray release is expected to be announced later this year.

Metal Messiah 1978 Movie Poster
Played at Fantasia Film Festival on July 25, 2026 at the Salle J.A. De Sève

Because I wasn’t born in time and be of the right age to witness Metal Messiah back in 1977, whether in theatres, if it ever reached Victoria’s Roxy or Vic Theatre, or later on VHS, discovering it now feels surreal. With it’s recent 4k remaster, some scenes only look that much more cosmic when considering the how well it’s been colour balanced. Although some video artifacts remain, this movie would not be what it is, a product of the times. Even today, I wasn’t sure what to expect from a story so deeply rooted in an era still firmly rooted in The Cold War.

Today, it’s a cult film that embodies the raw spirit of Toronto’s early punk movement. And when looking back at my own discovery of the stylings of Iggy Pop and Ziggy Stardust, I’m sure either would’ve appreciated what writer-director Tibor Takács (The Gate, Sabrina the Teenage Witch) accomplished here. What he made feels like hard-boiled detective fiction colliding with This Is Spinal Tap, only with a far more philosophical edge.

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When All Is Lost? The Galactic Ghoul Is the Last Hero You Wanna Call!

Wildly campy and packed with puppets, absurd performances and homemade effects, The Galactic Ghoul proudly embraces the charm of those B-Movies of yesteryears, and get Lexx about it.

The Galactic Ghoul Movie Poster
Played at Fantasia Film Festival July 28, 2026 at the Cinéma du Musée

The Galactic Ghoul is one of those crazy fun films which recalls more than a few well known and lesser known screwball sci-fi epics. No, we’re not talking about Red Dwarf. Instead I believe this film is the love child of Lexx and MST3K and the individual grew up watching Spaceballs set on repeat! This work written and directed by Simon Harrisson is a laugh a minute, and honestly, I could not take it seriously even if I tried.

This film ranks right there in the same spectrum as 1000s of Beavers, even though the genres are different. Also, I must note Vincent Hoss-Desmarais helped write this work, and it wouldn’t be fair to not mention him too. They might have taken inspiration from Lost in Space too, and I say that with fondness when considering some of the costume and surreal designs that tained the later seasons.

And honestly, I like to know which one of the two is the Space Adventure Cobra fan! There’s some vibes from this anime as the film follows the misadventures of Oscar Bravo (Vincent Hoss-Desmarias), Lieutenant Foxtrot (also Hoss-Desmarias, for reasons made known later in the film) and Xenon (Michael Richard). For part of the story, they weren’t working together, but when they do, it seems they are better off as partners than rivals.

When both are wanting to gain Queen Xaltalusia XXIII’s (Katherine Isabelle) favour, they better be careful in what they want to reap! But she’s the bad guy, right? After managing to collect a mystic stone (basically, the last remnants of a destroyed world) to give to her, they go their separate ways. As Oscar wants to stay behind, he’s the brave idiot who becomes a consort of sorts. And that’s when things get kinky and weird.

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From Black Zombie to Lost Wax, This Pairing Shows How Death Can Never Die

Maya Annik Bedward’s Black Zombie explores the walking dead’s journey from African spirituality and Haitian Vodou to Hollywood. This thoughtful documentary reclaims the zombie as a symbol shaped by colonialism, slavery and cultural survival.

Black Zombie Poster
Played at Fantasia Film Festival on July 29, 2026 at the Salle J.A. De Sève

Nearly everything you want to know but were afraid to ask about the authentic history of how the walking dead came to be gets nicely tracked in Black Zombie. From their African roots to Haiti to Hollywood and back, it’s neatly explored. This Canadian documentary, directed by Maya Annik Bedward, covers all the gamut needed to understand why it is universally regarded as a metaphor for how those early slavers regarded their cargo. It’s also about how the Yoruba religion became syncretized with Caribbean culture, forming Vodou.

Ultimately, what this work claims is how it all evolved from when Africans brought to America were tossed to the mines rather than dressed to the nines, because of who they are. The root cause considers the fear Europeans had for the spirituality of a world colonizers never bothered to truly understand.

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