Tag Archives: Mythology

Returning to the Fold: Thoughts on the Ixalan Release

20 Sep

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By Ed Sum (The Vintage Tempest)

As the release of Wizards of the Coast’s Magic the Gathering Ixalan nears and the spoiler card information is fully released, everything I’m discovering about it is hardly exciting. Set one offers a bit of cool narrative, but I’m still not entirely sold in this mixed genre realm. Plus, the news on the incentive promotion cards for Friday Night Magic changing to token cards next month is more of a deterring factor. Because these participation bonuses are not shiny, I’m not as inclined to participate.

The Davy Jones in me thinks the plunder is slim. The last set drained my funds so I can pick up duplicates of certain cards. Ixalan offers very little I truly want to play with. While Sorcerous Spyglass and Revel in Riches are two nice cards, the appeal of fighting dinosaurs is not all that hot. I still feel going Land of the Lost should be its own entity. I do not mind the vampire pirates as much (I was hoping for a few lich types inspired from Pirates of the Caribbean), but I have a burning question: just how much sunblock are they wearing to in order to cross the sea to arrive at a new world? The folklorist in me is appalled by the fact these members of the undead can cross water. This fact goes against tradition.

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Could the Gods and Monsters in The Mummy Want Their Humanity Back? An Analysis

12 Jun

mummyposterBy Ed Sum (The Vintage Tempest)

* Spoiler Alert

Whoever wanted to revitalize Universal Studio’s vast catalogue of monsters into a new Dark Universe needs a lesson in understanding what made their golden era great. In the 40’s, the studio executives simply wanted to combine terror and comedy to reinvigorate box office sales, especially in-between or following a World War. The scares are delightful in Dracula (1931) and the laughs were genuine in Abbott and Costello meets Frankenstein (1948). I feel these two are milestones of an impressive and unintended plan to unite properties.

The whole notion to have a host of these beasts meeting or allying was never considered during these early days. What happened back then was more like a happy accident. Also, the latter film was assembled due to this studio suddenly owning the contracts of these comedians after they merged with International Pictures and producer Robert Arthur suggested pairing the boys with Frankenstein’s monster.

Fast forward to now, the intention to craft a shared world to compete with other studios (namely Marvel Entertainment’s) than to find effective pairings of star power with a property is questionable. Johnny Depp and Tom Cruise are neither exactly huge draws in every world-wide market. When considering the types of roles that earned them their best reputation, Depp can play a terrific smarmy pirate and Cruise that action-hero super-spy.

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What are the Myths behind King Arthur: Legend of the Sword? An Analysis and Review

11 May

kingarthur_sdcc2016By Ed Sum (The Vintage Tempest)

* Spoiler Alert

Guy Ritchie is certainly trying to shake up traditions in King Arthur: Legend of the Sword (KA:LotS). While I’m not sure which country’s folklore the snake-ladies came from, they certainly are not Celtic. I get the sense he’s offering his take on Shakespeare’s Macbeth (The Three Witches) and is borrowing from Hindu legends (Nagas). When he is in control as writer-director and actor, playing the warlord Vortigern to claim the throne from Uther Pendragon, this filmmaker is certainly going to insure his stamp is all over the tale!

Many liberties on the Arthur’s origins are taken and early promotional material alleges Richie is drawing upon the Welsh interpretation. There’s plenty of nuances within the film which shows he is, and they work when he’s not trying to add his trademark on top.

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[Victoria, BC] The Muses are with Chimera Theatre’s Perseus & Andromeda

5 Sep

CrYHXGqUAAEnomdBy Ed Sum (The Vintage Tempest)

If only the 2010 remake of the classic 1981 movie Clash of the Titans was told differently, like as an interpretative dance, then I’d be more receptive to the end product! Kamloops’ based Chimera Theatre is an aptly named company to take on retelling the myth of Perseus and Andromeda at the 2016 Victoria Fringe Festival.

To see when they will take this show on the road again, Andrew G. Cooper (who composed the fantastic new age soundscape and did the choreography) advised keeping an eye on this group’s webpage. Next up will be The Disordered Mind by Cooper, playing from September 9th to October 30th, 2016. Tickets will become available through http://www.kamloopslive.ca

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