Not Just Monkey Business: Upcoming Chinese Animated Films of 2026

Although not every Chinese animated film makes it to international distribution, they are worth seeking out for the die hard donghua fan.

Chinese Animated Films Three Kingdoms Part One: Struggle for LuoyangChina’s animation scene is quietly doing something interesting. Not everything has to preach Confucianism or Daoism from the mountaintop. Some challenge it, and others interpret it. As for what’s upcoming, the more interesting Chinese animated films of 2026 are leaning into practical adventures. They fold history, folklore, comedy, and mystery into stories aimed either with or beyond the usual mythological spectacle.

That matters because this industry still mostly focuses on younger audiences. Certain familiar IPs still need to be mentioned, but studios are also stretching into historical storytelling. Light Chaser Animation, in particular, looks ready to make history its next big playground. And while fans are still waiting for the final instalment of Ne Zha, here’s an update on what came out this month and what’s still ahead for the remainder of 2026.

Three Kingdoms Part One:
Struggle for Luoyang
(三国第一部:争洛阳)

Release Date: 10 July 2026

Light Chaser Animation’s next major historical epic is now dated for July 10. The studio’s official channel identifies the film as Three Kingdoms: The Beginning. Earlier reports connect the project to Cao Cao, Yuan Shao, and the larger collapse of the Eastern Han order, which makes this less of a simple battlefield retelling and more of a political origin story. Early trailers suggest a style similar to Chang An, where the focus is on certain players before the big fight. If that approach holds, this could become one of 2026’s major Chinese animation events.

Master Zhong
(钟馗)

Release Date: 16 June 2023 Festival, 30 May 2026 Wide

This one has now firmed up for a May 30, 2026 theatrical release in China. Reports describe it as a family-friendly mythological animated feature built around Zhong Kui, the demon-quelling figure from Chinese folklore. Production credits vary slightly by outlet, so I’d avoid overloading the paragraph with names unless using the film’s official materials. The widely reported core is that iQIYI Pictures is involved, and the story follows a human girl, Chujiu, after she enters the underworld and becomes tangled in Zhong Kui’s fight against demonic forces.

The Great Sage Rises
(大圣崛起)

Release Date: 10 July 2026

Sun Wukong returns to the summer animation race with The Great Sage Rises, now dated for July 10, 2026. This is not being positioned as Tian Xiaopeng’s direct sequel to : Hero Is Back, so that distinction is worth making clear. Reports identify October Sky Pictures, one of the key companies behind Hero Is Back, as part of this project, with Wang Chuan of Kuiba attached as producer and/or screenwriter depending on the source. The story reportedly digs into hidden conflicts behind the Journey to the West legend, including Sun Wukong, Liu’er, and new figures such as Bifang and Bo Xun.

A Story About Fire
(燃比娃)

Release Date: 28 April 2026

Shanghai Animation Film Studio’s A Story About Fire has already opened in China through the National Arthouse Alliance circuit. This is the studio’s first feature-length xuan paper hand-painted animated film, and reports note that the production used more than 50,000 hand-painted sheets. Its story draws from Qiang mythology, following a young hero and his dog on a journey tied to fire, warmth, growth, and origin. This one is less about franchise muscle and more about preserving a handmade Chinese animation tradition in a modern feature format.

Demon Agent
(大唐妖探)

Release Date: Summer 2026

Directed by Cheng Teng, co-director of Jiang Ziya / Legend of Deification, this 3D animated Tang dynasty detective fantasy is set in Chang’an, where humans and demons share the same streets. The film follows a wolf demon accused of murder who joins forces with a human trickster tied to the Di Renjie tradition. What makes this one stand out is the genre blend: part buddy comedy, part fantasy mystery, and part mechanical Tang dynasty spectacle. Chinese coverage has described it as the country’s first comedy-detective animated feature, with a summer 2026 release window.

GG Bond: Race Through Time

GG Bond: Race Through TimeRelease Date: May 1, 2026

The 11th theatrical instalment in the GG Bond franchise keeps pushing the series past its TV roots. Sometimes compared to Boonie Bears, which had its latest release over Chinese New Year, GG Bond is not tied to a celebration. The series often preaches more than it tells a story, but given the audience it’s designed for, friendship, integrity, and perseverance are woven in rather than tacked on. Alongside Phoebe, Super Q, Bobby, S-Daddy, and Dr. Mihoo, the little pig has built a steady audience over the years.

This time around, GG Bond befriends Star Navi, a fierce leopard racer with a complicated home situation. When Navi’s father suffers a career-ending injury, the two travel back in time to change the outcome. It’s a heavier emotional hook than the franchise usually reaches for, which suggests Winsing is testing whether the series can grow with its audience. The film has already opened in China and is now being positioned for international distribution.


Hong Kong

Another World

Another World Movie PosterRelease Date: June 2026
Read our movie review here.

Out of all the films slated for release this year, there are only two confirmed to have an international release. It’s a small world when GKIDS is involved with getting this gem out. The story follows Gudo, a Keeper who guides souls to the afterlife, as he bonds with a young girl whose unresolved rage keeps her stuck. Helping her move on means Gudo has to reckon with his own emotions, and the consequences of letting that anger loose.

Hong Kong produces far fewer animated features than the mainland, which makes this one stand out on its own. It also took home Best Animated Feature at the Golden Horse Awards, giving it real pedigree going into its wider release. And after its screening at the LA Asian Pacific Film Festival, word of mouth has been strong. This one lands emotionally, and apparently doesn’t let go.

Brandon Alvis and Mustafa Gadillari Has More Haunted Discoveries and Family Secrets To Dig Up, An Interview (Part One)

Haunted Discoveries stands out as a series which focuses on history moreso than others in this genre, and it’s a welcome change than the the usual ghost-hunting spectacle offered in broadcasting these days.

Haunted Discoveries Main
Also available to view on YouTube via SnootaTV

When travelling the byways and highways of Kentucky and Illinois to the northeastern seaboard, there are plenty of places to check out in Haunted Discoveries. Interest in the paranormal developed differently for Brandon Alvis and Mustafa Gadillari. For the latter, it wasn’t until he was 18 that he started looking for answers.

“I started delving into the history of our family home, and I learned some things about the previous resident; it all confirmed what we were experiencing,” said Gadillari, “Ever since then, I was hooked. I joined a local team, did some investigations, and eventually went hardcore. I later became part of Ghost Hunters, where I met Brandon.”

Alvis’ route was different. While the two share a similar ethos in why they investigate, they chose to focus on what matters most to them rather than becoming just another paranormal reality show. He didn’t go into detail about the incident that started it all, but he did say he’s been studying the field for over 20 years. His ongoing work as the founder of the American Paranormal Research Association speaks for itself. With experience as a filmmaker, director, and editor, what they’ve built shows control and intent rather than chaos. As he explained, “It’s been a lot of fun to look at history through the paranormal angle and understand that what happened before us still echoes into our time.”

Continue reading “Brandon Alvis and Mustafa Gadillari Has More Haunted Discoveries and Family Secrets To Dig Up, An Interview (Part One)”

Is There Gold To Be Found With Kayara, A Peruvian Animated Film?

A rare animated look at the Incan world, Kayara blends a familiar coming-of-age structure with a thoughtful historical lens. The result is an engaging adventure about identity, resilience, and a civilization fighting to preserve its spirit.

Kayara Movie PosterThe ancient Incan world is fascinating not only because of where it existed within the cosmos, but also because, as a mountain community, the way its people communicated between villages is worth examining too. While there are plenty of scholarly publications on the subject, seeing that world brought to life through animation is incredibly rare. Now there’s Kayara, the latest entry to deliver not only a strong coming-of-age tale, but also a historical glimpse into this culture’s past.

My first exposure to this world came through The Mysterious Cities of Gold; I don’t count The Emperor’s New Groove, since it’s more sitcom-oriented than folklore-driven. While The Road to El Dorado is more about the arrival of the Spaniards, I still wanted to know more. Thanks to Shout! Studios’ commitment to bringing world animation to their growing catalogue of releases, I was pleased to check out Ainbo: Spirit of the Amazon (review), made by Peruvian animation studio Tunche Films, and their next work proves just as enlightening.

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What’s Next for Light Chaser Animation in 2026?

While international audiences wait, Light Chaser Animation is quietly building a Lord of the Rings-scale adaptation of Romance of the Three Kingdoms alongside a new Water Margin film.

Light Chaser Animation Studios Logo For those living outside of China, no, Light Chaser Animation Studio isn’t resting. Instead, they have two films slated for release this year. While international audiences are still waiting for wider access to Strange Tales from a Chinese Studio (2025), local coverage suggests they are planning even more ambitious storytelling. The executives aren’t especially concerned about global reach, knowing that domestic success remains the priority.

When their next project is a large-scale animated adaptation of Romance of the Three Kingdoms in three parts, it’s safe to say they have Lord of the Rings-scale ambitions. The first entry, often referred to in domestic coverage as Three Kingdoms Part One: Struggle for Luoyang, is currently in production and targeting a summer 2026 theatrical release in China. The film is positioned as the opening chapter in a longer narrative arc, centred on the collapse of the Eastern Han dynasty and the power struggles that followed. Visually, the style echoes Chang’an.

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Star Light, Star Bright: Is Elizabeth Taylor Rebel Superstar a True Delight?

A thoughtful three-part primer on Elizabeth Taylor Rebel Superstar that spotlights the studio system’s control, her hard-won agency, and the legacy she forged beyond scandal, including her later advocacy and Live Aid appearance.

Elizabeth Taylor: Rebel Superstar promo card, BBC documentaryPassion Pictures
Coming to Hollywood Suite Dec 26th

At long last, the BBC documentary Elizabeth Taylor: Rebel Superstar is turning up on additional distribution channels. Not only does it offer a revealing look at the old studio system, it also delivers a fitting examination of Taylor’s life. Not everyone today understands how that system functioned, and I appreciate this work for acting as both a reminder and an introduction to how things once worked. Although she hit the scene years after Chaplin and the true Golden Age, she endured through its twilight and well into the Silver Age.

One detail that truly hits a nerve is how young performers were treated. They were expected to “perform” whenever required and were handled as commodities rather than people. While this exploitation predated the case of Jackie Coogan, whose earnings were famously squandered, the documentary makes clear that the damage took many forms.

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Honouring Hanna-Barbera. On Why This Legacy Still Resonates.

Before cable and streaming divided our attention, Hanna-Barbera defined what weekend cartoons meant. From Huckleberry Hound to The Powerpuff Girls, their legacy shaped every generation of animators to follow — and it still ripples through today’s toons.

The Hanna-Barbera Treasury Hardcover
Available to purchase on Amazon USA

Before streaming and before cable carved up the weekend, one studio defined TV animation. As a lifelong fan, it’s bittersweet to see Hanna-Barbera living on mostly through MeTV than in the mainstream. Their influence on the toons we see today like Wylde Park and Oh My God… Yes! still colours everything we watch. The fact their name is not forgotten says it all.

While some of their vast catalogue of toons do not stand the test of time, others do. I tried watching The Amazing Chan and the Chan Clan again recently and ouch. The same can be said with Hong Kong Phooey. They used stereoteypes that would not be tolerated today. That said, Top Cat is beloved and actually holds up. But as for others, it’s based on personal taste.

The Golden Age

When Bill Hanna and Joe Barbera launched their independent studio in 1957, they reshaped how animation could work on television. Their cost-saving “limited animation” approach made series economically viable without sacrificing character or charm. The Ruff and Reddy Show led the charge, but it was Huckleberry Hound and Quick Draw McGraw that cemented the formula. The true breakthrough arrived with The Flintstones—a primetime sitcom that proved cartoons weren’t just for kids. When it became a live-action movie, we all knew why it was done: to reignite interest among adults rather than make new fans.

Continue reading “Honouring Hanna-Barbera. On Why This Legacy Still Resonates.”