Tag Archives: Interview

Frank & Zed are Alive! A Conversation with Jesse Blanchard

16 Oct

frank n zed interview jessie picBy Ed Sum
(The Vintage Tempest)

Frank & Zed is one of those perfect Halloween styled movies as it gets into the darker aspects for gorehounds to appreciate. The bloodshed is incredible, and despite the adult styled destruction, there’s love for the two characters who get caught up in this massacre. And thankfully, there is more story to tell according to creator Jesse Blanchard of Puppetcore Studios. He’s still writing it and preparing for his next film.

Parts of this graphic novel can be found online, on Instagram, and the talent pool involved behind it are vast! He said, “There’ll be three different stories about Frank. And I’m exploring some other monsters that are in the same universe.”

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An Interview with Denver Jackson & Esluna: Crown of Babylon’s World Debut!

6 Oct

Babylon_press_kit (1)-6

By Ed Sum
(The Vintage Tempest)

Denver Jackson is the creative mind behind a techno-fantasy world that he can uniquely call his own. Esluna: The First Monolith is a standalone work that introduces Maeve Riverflare, a relic hunter, to the world. This nine episode series is available on YouTube, and received a few national awards for best digital series made (Blood in Snow Festival) and a Leo Awards nomination for direction. He also has a solid team of friends, like Mark Junker (musician), Daniel Hogg (producer) and the voice actors (see below for credits) to back him in his many projects.

Next is Esluna: The Crown of Babylon and its set to play at various film festivals like Vancouver’s Spark Animation (Oct 28 to Nov 7th) and Sitges Festival in Spain (Oct 7 to 17th). Catching the prior series is not required for newcomers, but this director said there’s a few nods here and there for those followers of his work.

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A ‘Monster’ Talk with The Frankenstein Complex Filmmakers & Its Release, and Interview

3 Aug

Gilles Penso – Movies, Bio and Lists on MUBI

By Ed Sum
(The Vintage Tempest)

Since the early days of Hollywood becoming the hub of movie-making to now, the approaches to making monsters come alive often required experimenting. The first creature creations were Dracula and Frankenstein. However, historians know Georges Méliès The Haunted Castle (1897) had skeletons dancing about. It wasn’t until Thomas Edison‘s 1910 short film, Frankenstein’s Monster, that gave Americans a taste of what cinematics can offer! Lon Chaney‘s contributions in how to achieve the horrific only furthered the horror film genre in its infancy. He took extremes in his makeup design to become the Man of a Thousand Faces.

Much of this history is quickly explored in directors Gilles Penso and Alexandre Poncet documentary Creature Designers: The Frankenstein Complex, but it hurries to get to the masters from the 60s and onwards. Their passion is certainly very evident. But it should be noted It’s tough to pack a complete look of creation of monsters in cinema with a 107 min runtime. A lot of details like the why isn’t always delved into–that’s all saved for the blu-ray package which consists of two documentaries, many extended interviews and an interactive video, which is now available to purchase online (like Amazon USA).

Alexandre Poncet - UniFrance

The standalone documentary scratches the surface to what makes a monster appear magical on screen. The latest documentary on Phil Tippett shows why he’s so deserving of those Oscars he earned over the years. He’s also being honoured at Fantasia Fest 2021 as his stop-motion pièce de résistance film, Mad Gods, debuts!

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Going In Deep w Chad Ferrin on Lovecraft and One Filmmaker’s Vision…

21 Apr

Jeff-Billings-and-Chad-The-Deep-OnesBy Ed Sum
(The Vintage Tempest)

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Coming to DVD, Digital, Video On Demand, and Redbox Kiosks on June 15

Chad Ferrin‘s The Deep Ones will soon get a limited theatrical release in the United States beginning April 23rd and for fans of H.P. Lovecraft, the themes this film dives into are faithful to the ideas this seminal author conceived long ago. I spoke to this filmmaker, and he said he grew up watching the classics–namely The Twilight Zone, Hitchcock Presents and The Outer Limits. He studied theatre in college; the passion to make movies was a natural evolution and he knew the proverbial move to Los Angeles was required.

He was lucky to be connected. Mike Leahy of Phantoms and Pulse fame gave him his break, and when the call came, he was ready! Ferrin worked hard to get to where he is now. He’s been involved in every aspect of the movie making business, and he was everywhere. On the list includes working as a production assistant in Back to Back with Michael Rooker and being a “double” in No Way Back with Russell Crowe. He noted how his hands look similar to his, so he did it all–including becoming a fall guy (stunts). 

I’d have a smile and be wide-eyed every day. Knowing the right people will help you out down the road,” acknowledged Ferrin. His hands on learning showed him how other departments work. By the time he was ready to produce his own material and direct, he knew how to expertly manage everything. 

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All-in Madonna & Secrets Behind the Set, an Interview

4 Feb

Streaming Online
at the Victoria Film Festival.

Get your pass here to view beginning Feb 5th, 2021.
Facebook Watch Party on Feb 6th, 6:30 PST

Note: Available to residents in British Columbia

All-in Madonna marks Arnold Lim‘s (pictured left) directorial debut in making a feature length work. After its virtual (world) premiere at the Whistler Film Festival and limited online availability last year, its next screening is at the Victoria Film Festival!

This filmmaker’s visual style evolved from how he likes to communicate, which is through the camera. He made a career out of it. In Victoria, BC he’s very well known because of not only his role at Black Press Media as a photo-journalist, but also as a talent whose heart is big. He is the official photographer to various local charities. At the Victoria Film Festival, he’s involved with programming (handling the Asian film content), act as juror and be a member of the board.

Lim revealed, “Different films from different countries look, feel and smell tonally different because of a combination of the different actors and locations and cultures that exist in combination with the perspective of filmmakers whose voices tell the story.”

As part of the CineVic Society of Independent Filmmakers team, this photographer soon became a filmmaker after doing a story about them, about the Reel to Reel program. He joined, learned the craft and wanted to make movies. After making the short film version of All-in Madonna–about Maddie going to public school for the first time and hearing rumours that her dad is a thug–he and Susie Winters, the screenwriter, knew it needed to be feature length!

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