Charles Band on the Remastering of The Lurking Fear & Upcoming Full Moon Titles


By Ed Sum (The Vintage Tempest)

Filmmaker Charles Band enjoys listening to fans of his works, and in response, he is re-releasing his catalogue of old classics from his Empire/Full Moon days onto Blu-ray. The trend has been going on for a while now, starting with Doctor Mordridir?t=wiupgeatthmo 20&l=am2&o=1&a=B00NABSZ12, and this producer will keep it going. C. Courtney Joyner’s The Lurking Fear, inspired by the works of H.P. Lovecraft, is now available (released Jun 15, 2016).

Band kept the original 35mm prints of many of the films he’s either produced or directed. In what he gets done, there’s hardly ever any pixelation. Of course, there will be the usual dust and scratches, and to get all that fixed takes time. No Photoshop plug-in can do the job. Like a film projectionist, each frame has to be analysed and colour corrected for the best image possible. He notes that it’s really expensive to go back to the original negative in order to make an high-definition (HD) master, but unless you have fantastic technical talent who truly appreciates the work — to bring the product back to its original lustre — the thought of putting it out to HD for those collectors is a gamble.

“The key ingredient to any of these transfers is to have an excellent colorist,” noted Band. “We have a guy who has been doing most of our work for the last 4-5 years. When he’s busy, I wait because he’s the only guy I trust.”

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Brinke Stevens is still a Scream Queen and More! An Interview

This interview with Brinke Stevens shows just how beloved she still is. There’s much more to this talent than meets the eye.


Brinke Stevens is certainly one classy Dame. In the movie world, she’d be one to kill for; as one of the few Scream Queens from the years of my youth (and is still working today) she’s certainly shown that she has the chops to last in an industry that typically favours youthful fervour. As each decade tends to introduce new talent and types of horror for fans to get fast and furiously rabid about, I’m not always going to fawn over what’s the latest. I’d rather stick to what was impressed upon me at an early age. When video movie rentals became widely accessible, that’s when Stevens work caught my eye. Perhaps moreso in magazine spreads than anything else, but I was like every other horror enthusiast at that time, consuming everything I could find.

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