There’s more strange tales to be illustrated, and Gou Tanabe’s adaptation of The Case of Charles Dexter Ward has begun publishing… in chapters! While we wait, thankfully, there’s enough Lovecraft-inspired releases to sate most fans’ tastes.
The news is real. Gou Tanabe is adapting The Case of Charles Dexter Ward, and the first chapter is now in print through Kadokawa’s Comic Beam magazine. Although a translated release is likely years away, fans can either seek out the original or check fan translation sites. For now, that may be all readers outside Japan are going to get.
Considering this is one of Lovecraft’s longer works, don’t expect the story to wrap up for at least two years. Anyone who has read the original knows this tale deals with necromancy and an ancestor with a questionable past. Audio adaptations exist and those curious enough to listen to can check out the link below.
What’s exciting about this release is how Tanabe always manages to expand the source material to new heights. His sweeping vistas and dense details hint at something only large-format releases can fully reveal. Reading it in a magazine offers only a tiny layer of the full experience. Like other artists deeply invested in world building, such as Mamoru Nagano and Gothicmade (formerly Five Star Stories), readers living abroad are at a disadvantage. And by the time it reaches tankobon format, there may be two volumes.
Gou Tanabe’s adaptation of The Case of Charles Dexter Ward has begun in Japan, but English-language readers may have a long wait ahead. Thankfully, several Lovecraft-inspired graphic novels are arriving soon to keep cosmic horror fans busy.
The news is real. Gou Tanabe is adapting The Case of Charles Dexter Ward, and the first chapter is out in print! Although a translated release is likely years away, fans can either seek out the original or wait. The current release is seeing print through Kadokawa’s Comic Beam magazine. Fan translations may exist, but for now, that’s all readers are going to get. And considering this is one of Lovecraft’s longer works, don’t expect the story to wrap up for at least two years.
Tanabe tends to expand source material with sweeping vistas and densely detailed art. Like other artists invested in world-building, such as Mamoru Nagano and Gothicmade, formerly Five Star Stories, readers living abroad are at a disadvantage. By the time this adaptation reaches tankobon format, there may be two volumes.
A century after redefining pulp horror, Weird Tales returns as an official graphic novel. Monstrous is expanding the legacy with classic adaptations, new stories, and collector friendly covers for Kickstarter backers.
First published in 1923, the iconic pulp magazine Weird Tales defined the horror and fantasy genres and helped give rise to icons such as H.P. Lovecraft, Robert E. Howard, Ray Bradbury, and C.L. Moore. Those readers who love these “classics” will be in for a treat! More than a century later, Monstrous is teaming up with Weird TalesMagazine to publish the first-ever official Weird Tales graphic novel. — an ambitious adaptation and expansion of the legendary magazine — featuring covers by legendary artists Kelley Jones (Dracula, Sandman) and Eric Powell (The Goon, Dr. Werthless).
The response has been steller, and who knows, maybe this limited run can see retail too. Right now there’s no word if that’s likely to happen. Not even all the stretch goals are revealed, so the fun is like opening up a mystery box. Let’s hope it didn’t once belong to Pandora!
After a long rewatch of Stranger Things, I look at what worked and what did not when creating the threat that would manifest in the small town of Hawkins. Thankfully, for those in the know, no foothold was made, but is this truly the end?
When Stranger Things first arrived on Netflix, it began with something wonderfully small. It seemed to be simply about a group of kids playing a game of Dungeons and Dragons, and not expecting that world to manifest around them! After the sudden absence of Will (Noah Schnapp), they had to learn how to become heroes for real. Even though the adults didn’t believe what they’ve encountered is real, what they managed to do was the impossible: to show that dangers lurk in every corner. The shadows are alive, and the necrophagous shadows, well….
From that moment, the series evolved naturally from childhood rituals into becoming adults. As for the fantasy characters they wanted to become, all the visual motifs (including a garbage can lid modified to become a shield) came into place. And the monsters they had to face weren’t just creatures. They were metaphors to something greater shaped by the kids’ references to concepts and entities from this role playing world. Some worked, and others did not, but overall, unless the viewer was in the know, the tie-ins were more than surface level references.
Along with what “Dreams” are made of, we look at what works of Gou Tanabe are currently out there that are graphic novel adaptations of the Cthulhu mythos. Our focus is on his untranslated Lovecraft manga.
While organizing my collection of untranslated Lovecraft manga and graphic adaptations, I couldn’t shake the feeling that something essential was missing. There’s a handful of Gou Tanabe’s works that exist in French or Italian editions, yet still haven’t seen print in North America. When Zack Davisson mentioned they’ve remained untouched, it felt less like an if and more like a slow, deliberate waiting game. He translated the recent releases and is clearly eager to tackle what’s missing. That comment dates back over a year to Emerald City Comic Con, and as fans of this series, all we can do is wait, and hope it doesn’t drive us mad.
In the world of sequential art, Cosmic Horror in 2026 neverf goes out of style. Presented here is a preview of what’s currently on shelves and coming soon! Plus a handy checklist for your pull list.
There’s further Cosmic horror in 2026 that is sure to destroy! And as this genre never really goes out of style, just what one can find in the sequential arts make up part one of a three part series, where I dive deep into nearly everything that’s coming out!
I will begin with visual interpretations of the classics. Cinematically, they can be summed up with two releases–Iron Lung (limited theatre run beginning Jan 30) and Dreamlands. The former is about surviving the deep oceans and the other, well, the title speaks for itself. While the latter is a crowdfunded release and passion product, it’s tough to say if this work be ready for this year’s H.P. Lovecraft Film Festival.
In part two will be a look at Gou Tanabe’s slate of works and offer a checklist. Last will be the videogames to put fans of H.P. Lovecrafts works straight into the forefreont. After RailGods of Hysterra (review link) stalled due to some design issues, I’m still curious what other titles might pick up the pace.
In this preview, here’s what’s expected to roll out in 2026.
The Manga Master Returns:
Gou Tanabe’s The Dunwich Horror
The Dunwich Horror Japanese Edition
For many of us, the gold standard for Lovecraftian art is Gou Tanabe. After his Eisner-nominated runs on At the Mountains of Madness and The Shadow Out of Time, Dark Horse Manga is expected to bring the English translation of “The Dunwich Horror” to North American fans in 2026. The news is not official, but that is what industry insiders are saying. Without this, Necronomicon cannot make its proper debut in Tanabe’s world of horror.
His ability to draw the “indescribable” is unmatched in the manga world. Nearly everyyone is excited to see how the Whateley family will spring to life, and also depict what Wilbur will transform to. And along with the invisible terror of Sentinel Hill stalking the land, there’s plenty of expectations to craft in the minds of every reader.
A Dreamlike Departure: The Last Day of H.P. Lovecraft
Coming early this year from BOOM! Studios, we have the conclusion of the English adaptation of The Last Day of H.P. Lovecraft. With this tale near compledtion (the last issue slated for Feb release), this isn’t a straight adaptation of a story, but a surreal, semi-biographical fever dream. Written by Romuald Giulivo with haunting art by Jakub Rebelka, the story follows a dying Lovecraft as he wanders through a visionary version of Providence, confronting his own creations. It is high-art horror at its finest.
IDW & Top Cow: The Thing on the Doorstep
Image Comics and Top Cow are diving into the Cthulhu Mythos with a five-issue miniseries of “The Thing on the Doorstep,” starting February 11, 2026. Written by Simon Birks and illustrated by Willi Roberts, this adaptation promises to lean into the psychological body-horror of the original text. It’s a great entry point for those who want a more traditional “floppy” comic experience rather than a thick graphic novel.
The Masters of the Macabre
Bernie Wrightson & François Baranger
For those who prefer their horror with a “classical” dark aesthetic, 2026 offers two heavy hitters:
Creepy Presents: Bernie Wrightson (Dark Horse Comics): Releasing February 3, 2026, this collection is a must-have. While it spans several horror tales, it features Wrightson’s legendary adaptation of “Cool Air.” Seeing Wrightson’s meticulous ink work on high-quality modern paper is the closest thing to a religious experience a horror fan can have.
The Shadow Over Innsmouth (François Baranger): Following the massive success of his illustrated The Call of Cthulhu, French artist François Baranger is finishing his cinematic take on the fish-folk of Innsmouth. The English edition via Design Studio Press is expected in mid-to-late 2026. These are oversized volumes that feel more like “concept art for a movie that doesn’t exist” than a traditional comic.
Cosmic Horror in 2026 Checklist
January 14:The Last Day of H.P. Lovecraft #3 (BOOM! Studios)
February 3:Creepy Presents: Bernie Wrightson (Dark Horse)
February 11:The Thing on the Doorstep #1 (Image/Top Cow)
February 11:The Last Day of H.P. Lovecraft #4 (BOOM! Studios)
Late 2026:The Dunwich Horror (Dark Horse Manga)
Late 2026:The Shadow Over Innsmouth (Design Studio Press)
Which of these are you adding to your pull list? Let us know in the comments if you’re team Tanabe or team Wrightson!