
After certain events, sometimes it’s hard to get all my thoughts compressed down fast, especially after watching some short films. The time even spent remotely becomes a blur. And for events that span less than a week, it can feel like a weekend. As a result, it’s hard to believe the Los Angeles Asian Pacific Film Festival is over. May the Fourth brought its own challenges for obvious reasons, so offering the last day online was a smart call. Not only can those not able to attend catch a selection from home, but also, what’s offered isn’t always geolocked.
This year, I opted to focus almost entirely on animated works, and the shorts since they rarely get their due. And what’s covered here are my thoughts on those pieces that really impressed me:

Glitch Victoria
Opening May 8th at select theatres.
After the demise of
Found footage and true crime are two genres that don’t exactly send me scrambling to the theatre. The format has been done to death, and though not necessarily together, some unique idea has to be pitched before I’ll pay attention, be it
The Los Angeles Asian Pacific Film Festival returns for 2026 with a packed slate that rewards a bit of digging. Beyond the headline titles, it’s often the smaller works, especially in animation and side programming, where the real surprises tend to surface.