Light Chaser Animation
After countless searches and a properly worded query to Claude AI about availability, the elusive Liao Zhai Lan Ruo Si (Curious Tales of a Temple, aka Strange Tales: Lan Ruo Temple) is finally within reach. When it will receive an official release remains uncertain. In a future article, I’ll explore the challenges behind getting Ne Zha 2, White Snake: Afloat, and this work to home video. For now, wht’s offered are my early reactions, the kind you jot down knowing a proper viewing will change the conversation.
What I’ve managed to see in the wilds of the Internet suggests this is a film worth watching. I won’t dive into a full review just yet, but it’s worth sharing some early impressions based on a viewing sourced from one of those fleeting uploads making the rounds. How long it remains available is anyone’s guess. A proper review will follow once an official release arrives.
While I can see why Western distributors might hesitate, Light Chaser’s colourful design and confident visual style remain intact. The film presents five tales framed around Pu Songling stumbling into an abandoned temple, where two spirit beings challenge him to judge which story is the most frightening. It’s a familiar setup, echoing the campfire tradition of trying to out-spook one another.
Where this work stands out is in how those stories are woven together. Rather than feeling like isolated shorts, each tale feeds into a larger arc. The temple becomes a narrative anchor, and Songling’s role shifts from passive listener to active participant. The structure builds toward a reflection on storytelling itself, not just which tale is darkest, but why such tales are told at all. When the lead character leans toward hesitation, it recalls earlier interpretations of this material, including the classic Tsui Hark adaptations.
For many Western viewers, the most recognizable story is “Nie Xiaoqian” (better known as A Chinese Ghost Story). This version reimagines the tale in a more modern context, where a struggling scholar rents a run-down home and encounters Xiaoqian, who reveals herself as a ghost bound to darker forces. The core question remains familiar: can love overcome the supernatural chains that bind her? As expected, a knowledgeable monk enters the picture, offering guidance against the unseen evil. While this adaptation runs closer to the source material whereas others have not, what it successfully conveys is that emotional crux which kept this narrative alive across generations.
Princess Lotus (莲花公主)
As for the remaining tales, the tone varies. At times, the visual language feels closer to Ne Zha, favouring bold colour and expressive motion over gothic restraint. The film isn’t shy about borrowing familiar animation language to deliver humour. Some gags will feel immediately recognizable, including exaggerated beats that lean into physical comedy. The Toad Sage and Turtle Sage feel less Disney-inspired and closer to the energy of Don Bluth-era animation.
That tonal difference may be part of what makes this title a harder sell internationally. Some viewers may even catch sound design cues reminiscent of Hanna-Barbera cartoons. Despite adjustments made to broaden its appeal, the core ideas remain intact. One of the earlier stories leans toward a softer, romantic tone, while later entries gradually deepen the atmosphere.
In a nutshell, the horror is tempered, but not absent. This approach opens the door for viewers more familiar with Dragon Ball or Boonie Bears to step into classical Chinese literature. As the film progresses, the tone darkens, and the later stories carry more weight, reinforcing the overarching theme of judging what truly defines a “strange” or unsettling tale.
Today’s market is a difficult one, but for fans of the supernatural, wherever Curious Tales of a Temple lands, it deserves more than being quietly buried. Light Chaser Animation’s shift into historical fantasy is worth watching, but it’s hardly original. The writers and director can’t stray far from established material. When the work is truly original and open to interpretation, that’s where the best strange tales take root, sometimes six feet deep, or perhaps four, if we’re counting by less fortunate numbers.
Liao Zhai Lan Ruo Si Trailer
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