Junk World Trades Junk Head’s Mystery for a Cybertech Nightmare

Takahide Hori’s Junk Head trades solo obsession for a bigger crew and a wilder, messier mythology — worms, cults, time loops, and all. As a prequel, some viewers will appreciate how it sedges into Junk World, but perhaps its best to see the two back to back.

Junk World Movie PosterFor those new to Takahide Hori‘s surreal stop-motion science fiction masterpiece, Junk World is the prequel to Junk Head. Even if you haven’t seen the middle film of the trilogy, thankfully there isn’t much you need to know going in. What gets explained about the Mulligans, robots made by humans to serve as slave labour droids who eventually rebelled, covers the basics, and as for why one droid has declared himself god at the start of the film, well, that’s the mystery.

It seems one of them didn’t fully evolve beyond its programming. His name is Robin (Souko Matsuoka) and he’s loyal to Captain Torys (Atsuko Miyake), who leads a team of humans to a summit to negotiate new terms. That’s how the moment felt to me, anyway. The rest of the film goes through the motions of showing just how fragile that peace is, while introducing new threats along the way. And the timeline gets muddled fast, with time-travel jumps back and forth that had me feeling lost more than once.
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Top 5 DiscoTek Deep Cut Picks for August! And We Promise A Devilish Good Time!

DiscoTek Deep Cuts is loading up August with Lupin the Third releases, the complete Symphogear collection, and a stacked run of Go Nagai adaptations, from Go Nagai World to the two-volume Mazinger Z set.

Go Nagai World Blu-ray DiscoTek Deep CutWith more Lupin the Third original video animations and television series releases than I can count, DiscoTek Deep Cuts is happily grinding out the hits for this IP in August, along with other series! While a lot more love is being offered for the complete magical girl series release of Symphogear (including G and GX; and available to stream on Crunchyroll), which is considered a musical wonder set in a futuristic world, I have to focus on my top picks from what’s been adapted from Go Nagai’s works. Yes, I’m a fan of his worlds than anything else, and that’s why the first item on this list is tops.

Go Nagai World Blu-ray

This one’s a fun oddity from Go Nagai’s massive catalogue: a three-episode OVA from 1991 that takes his famous creations and turns them super deformed. Akira Fudo wakes up with his body all wrong, and along with Miki and Ryo he’s got to figure out how to fix it while running into a bunch of familiar faces from other Nagai works.

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Is Virtuix’s New Omni One Virtual Reality Treadmill Ready for You?

Virtuix’s Omni One may help virtual reality feel more physical with its open-air treadmill design, harness support, and growing list of compatible VR games.

Omni One in UseOne of the greatest hurdles to making virtual reality mainstream is its interface. There needs to be more than just a headset and controllers to create a convincing sense of immersion. When tracking movement and tricking the human body into believing it’s in motion, what’s needed is more than an oversized hamster ball. That’s where the Omni One may fix all that. Instead of placing someone inside a confined space, its open-air design and harness may be exactly what’s needed to prevent falls while helping users feel like they’re truly part of the program.

Ready Player One had the right idea. The interface must be compact and portable enough that the hardware can be moved easily. Without that freedom, changing locations may feel awkward.

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When Wounds Run Deep. Blades of the Guardians: Wind Rises in the Desert Proves Danger is Everywhere!

When Yuen Woo-ping’s Blades of the Guardians: Wind Rises in the Desert is available to screen at Fantasia Film Festival, stream online and is ready for home video relaease in October, the big question should be this: which presentation is best to understand it all? We answer that.

Blades of the Guardians Wind Rises in the Desert poster
Playing at Fantasia on Sunday, July 19, 2026

Well Go USA
Coming to 4K Ultra HD, Blu-ray™ Combo Pack, and DVD on October 6, 2026

If you love intense, bloody action, Yuen Woo-ping’s Blades of the Guardians: Wind Rises in the Desert is the movie for you. When nearly every bounty hunter, ruffian, and vigilante wants a piece of Zhi Shi Lang (Yi-zhou Sun), the question of how well he can be protected needs to be asked. That’s because when we see  Dao Ma (Wu Jing) gets called in by his old friend (Tony Ka Fai Leung) who runs the the Mo Cla, to escort this highly valued target safely to the imperial capital of Chang’an is going to be challenging!

That’s because Zhi Shi Lang is a radical political revolutionary whose ideas about equality threaten the Emperor. When he is the most wanted man in the land, everyone is gonna want a piece of him, or just want to claim the prize for themselves.

But for Ma, he just wants this job done and over with. And once anyone sees that his destination is a place where dynasties can rise and fall, it’s going to be tough to not get involved. Whether that’s because of the allegiences made or whom he believes deserves to be on the throne, that isn’t the question. After watching other films like 1,000 Miles to Chang’an, it becomes clear that understanding the depth of this film requires more than passing knowledge of the period. The story is dense. And with all the wranglings going on, it’s easy to lose track of why certain people matter.

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From Night Flower to The Specials, Eiji Uchida Delivers Neo Punk Edgings To the Films He Makes

Eiji Uchida’s Night Flower follows two women trapped by poverty and the criminal world surrounding them. Their growing bond gives this bleak Japanese drama its emotional weight.

Night Flower screening Thursday, July 16, 2026, at Japan Cuts
Plays Thursday, July 16, 2026, at Japan Cuts. Purchase tickets here.

Eiji Uchida is a filmmaker who can’t be tied down. His film The Specials, which will soon play at Fantasia, is a movie that must be seen to be believed. In the meantime, I’m checking out Night Flower, which will soon screen at New York’s own film festival, Japan Cuts. It’s more of a social crime drama about poverty and desperation, following people on their last legs who are trying to escape their circumstances.

Keiko Kitagawa plays Natsuki, a woman desperate to escape the grip of a local drug boss who has her more tightly wrapped around his finger than she’d like to admit. The film is unflinching. It shows a side of society rarely seen in film, let alone in animation, through a protagonist hoping to find freedom.

Misato Morita plays another figure who needs to find her own way out. And I’m not alone in finding the chemistry between Kitagawa and Morita key to understanding this film. She plays Tamae, a boxer who wants to get back to the top. When they meet, it’s to sell narcotics for their bosses. These men don’t want to dirty themselves, so they leave it up to the women to do the job.

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Who’s Bleating now? King Arthur’s Night, The Documentary in Review

John Bolton’s King Arthur’s Night blends documentary filmmaking with a filmed theatrical production, creating an unusual take on the Arthurian legend. While the hybrid approach doesn’t always work, the performances and music make it a memorable tribute.

King Arthur's Night Poster ImageScreening at the VIFF Theatre (Vancouver, BC) July 14 and 18th. Please click here to purchase tickets in advance.

Set against the backdrop of Harrison Hot Springs, British Columbia, John Bolton’s King Arthur’s Night is a bold reimagining of the tale told by Thomas Malory. It offers a meta-look at the play through the lens of preproduction and filmmaking rather than focusing solely on the play itself. While that approach is not altogether bad, the presentation is misleading. When all I want is to see the two separate than apart, I can at least stay fixed to the fiction. The non-fiction can live in it own world.

Because we see bits of filming take place in-betweeen the edited cuts, I’m left begging for just the myth to be told. Perhaps that will change. Until there is an announcement that there is a story only cut, what we have is a work that feels like This Is Spinal Tap!

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