When Genre Television Learned to Think, and Why It’s Quickly Vanishing from the Dial

When Netflix will soon dump all of Star Trek, and traditional networks are broadcasting less genre television than ever, where do audiences go to get their fix?

genre television's fading gloryLooking back, the last century feels like the moment genre television quietly defined its contract with the audience. Most of those early experiments arrived in short waves, and like the tides, they came and went. Some returned decades later on specialty stations or streaming platforms. And these days, nearly everything is being tucked into quieter shores. Every so often, the tropes that once defined a series are reskinned for a new generation, which is simply how television writing evolves.

From that first wave, some re-dos leaned into long-form storytelling, while others stayed loyal to the standalone format.

The 70s offered a handful of tests, including Shazam! (1974–1976), Wonder Woman (1975–1979), and The Incredible Hulk (1977–1982). The latter proved that if you give audiences a hero they can empathize with, they will follow even an unresolved quest, like Bruce Banner’s search for a cure. Sadly, many genre series never reached a true conclusion. The Time Tunnel (1966–1967) is only one of several 60s science-fiction shows left without closure.

Continue reading “When Genre Television Learned to Think, and Why It’s Quickly Vanishing from the Dial”

All Eyes are on Superman & Lois

It’s hard to say where this new series fits in the Arrowverse since the Crisis of Infinite Earths crossover event. I suspect it has to be before the alternative dimensions merged.

Superman and LoisBy Ed Sum
(The Vintage Tempest)

Thankfully, Superman & Lois‘ entry into the Arrowverse is a departure from all the other DCEU television shows. When most of these programs are dealing with superheroic adventures of the title character to save the Earth (or someone) from a villain of the week, this take has a different focus. These parents have to teach their values to the next generation!

The world found here continues with Tyler Hoechlin playing Clark Kent. I still have trepidation whenever he’s in Kal-El mode. He’s certainly gained some mass since appearing in Supergirl, but the look doesn’t work. Part of the reason is that his hair is too slicked back. Over the years after Reeve took on the role in cinemas, finding the ideal actor who can fill in the suit (after his passing) has been tough. Brandon Routh’s swagger makes playing Supes easy and he easily channels the awkwardness of being a Clark that Christopher made famous.

Continue reading “All Eyes are on Superman & Lois”