Tag: Science Fiction

Guillermo del Toro’s Frankenstein: The Fears Man Still Dreams Of

Guillermo del Toro’s Frankenstein is visually stunning, emotionally rich, and anchored by Oscar Isaac’s haunted performance—but is that enough when it’s no longer a Byron/Shelly style tale?

Guillermo del Toro’s Frankenstein posterNow playing on Netflix

Just how good Guillermo del Toro’s Frankenstein is depends on how much of Mary Shelley’s novel this auteur chooses to bring to life on screen. It’s safe to say he’s rearranged a fair bit. Some changes strengthen the story, drawing out its emotional and thematic cues, while others never quite take shape.

Heinrich Harlander (Christoph Waltz), the mysterious benefactor who bankrolls Victor’s (Oscar Isaac) experiments, is a notable addition. He isn’t in the novel, and his motives feel not all that fleshed out—yes, the pun’s intentional. His inclusion explains how Victor funds his unholy pursuits and builds The Creature (Jacob Elordi) after being blackballed by his peers for daring to defy death. When this financier’s true identity as an arms dealer and seeker of immortality is revealed, the moment ends before it begins. The hint of Orwellian horror lingers but is never explored, leaving an intriguing idea unfinished.

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In Vitro Review: Psychological Tension Stuck In Utero

In Vitro delivers psychological tension and haunting atmosphere but feels stuck in utero, never fully realising its broader dystopian potential. Strong character work and an evocative soundtrack drive the film, though uneven pacing and limited world-building hold it back.

In Vitro Movie PosterNow Available on VOD (UK)

In art exhibitions, the words “In Vitro” have often been used for installations and short films that explore the relationship between humans and technology. With this title now attached to a feature co-directed and written by Will Howarth and Tom McKeith, the ideas are explored in a different, unsettling context.

The story is about control. Jack (Ashley Zukerman) runs the household and the business, and his behaviour unsettles his wife, Layla (Talia Zucker). Together, they operate a cloning facility that supplies cows to a country unable to sustain its own livestock. While the premise hints at broader dystopian implications, the narrative keeps its focus tightly on Layla’s personal struggles, leaving the larger world underdeveloped.

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Before TRON Ares and Beyond: A Complete Guide with 6 Must-Read Features

Step back into the neon world of TRON before TRON Ares arrives. From classic films to iconic games and key news, this guide covers everything fans need to know. Get ready to relive the Grid and all the highlights that made the franchise legendary.

Before TRON Ares, There Was TRONBefore TRON Ares arrives, it’s worth remembering how this franchise first lit up the silver screen in 1982. The neon-soaked world of the Grid has long been a playground for dreamers, gamers, and tech-heads. Whether you came for the lightcycle battles, the philosophical undertones, or the Daft Punk beats, TRON has left a lasting mark on pop culture.

Here at Otakunoculture, we’ve been chasing that beam of light for years—from deep dives into the films, to retro gaming retrospectives, to speculation on where the series is headed next. Think of this article as your personal I/O Tower for all things TRON.

The Films & Reviews

Tron Original Movie Poster

The Games

TRON 2.0 Videogame Xbox

News & Features

Keep Your Identity Disc Spinning Before TRON Ares

We’ll keep updating this hub as The Grid evolves — whether that means new games, park news, or the long-awaited arrival of TRON Ares. Before that next chapter begins, there’s plenty of history to revisit, from classic arcade battles to the philosophical sparks that made this franchise unique. If you’ve got your own theories or TRON trivia to share, drop them in the comments on any of these articles.

After all… the Game Grid is always more fun with players. In the future, we have more to discuss.

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From Workshop to Stardust: Space Queen’s Journey Unveiled at Victoria Fringe Festival

Aaron Nickol’s Space Queen blends sci-fi, drag, and Indigenous storytelling into a retro-futurist vision of queer survival and resistance. Workshopped at Victoria Fringe, it’s already brimming with promise as it prepares to expand into a full production next year.

SPACE QUEEN

Workshop dates (sold out): Aug. 23 & Aug. 30 — Intrepid Theatre Studio. Produced by Drag Sunday Productions.

Aaron Nickol’s Space Queen is being workshopped at Victoria’s Fringe Festival as part of Intrepid Theatre Society’s Indigenous Artist Program. It carries the tone of the movie Logan’s Run, imagining a future where queer existence is outlawed and underground resistance gains strength. For those forced to hide who they are, even finding a job becomes a quiet act of rebellion.

Nickol builds his world through spoken word and projected video of the computer system that shapes daily life. The current workshop feels partial—there are no costume changes to distinguish characters, and the lack of visual shifts leaves some moments flat—yet it establishes a strong foundation. This show probes queer survival and the radical power of claiming space. The Indigenous themes resonate alongside short films and graphic novels exploring how these cultures historically embraced alternate gender roles, including two-spirit identities.

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Top 10 Nerdy Must-See Picks of Vancouver Fringe Festival 2025

From immersive experiments to meta-theatre and surreal solarpunk visuals, these picks are a geek’s ideal ticket to the Vancouver Fringe Festival 2025.

Vancouver Fringe Festival 2025Runs Sept 4 to 14th, 2025.

Not many acts from the Victoria Fringe Festival are heading to Vancouver Fringe Festival 2025, but that’s no reason to skip it! When most live theatre acts examine the “game of life,” letting us explore the human condition through the safe lens of an observer, what’s presented are often eye-opening in more ways than one!

Solo shows, a hallmark of Fringe, make this exchange especially powerful—raw, intimate, and deeply personal. Unlike film, which often leans on escapism, Fringe thrives on honesty. Other forms of theatre will vary, but ultimately, when we can connect with the story, the meaning isn’t hidden; it’s right in front of us, asking us to feel, reflect, and engage.

Over the years, I’ve seen countless performances that deserve standing ovations. Many artists return with fresh material or clever twists on familiar acts, and that’s part of what keeps me coming back. Although one performer missed the lottery for my local Fringe, he’s thankfully back at Terminal City. This individual has consistently stood out, earning a spot in my top ten yet again. I won’t reveal their name just yet, but longtime readers may already recognize the work—newcomers will have fun seeing if they can guess who it is.

This year’s picks are presented in alphabetical order. These links go to ticket purchases and showtimes.

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Heritage in Motion: Iyanu Outshines Iwájú with Vibrant Yoruba Storytelling

Iyanu brings Yoruba culture to life with vibrant storytelling and striking animation, standing apart from Disney’s futuristic Iwájú. And we got info from SDCC regarding the former’s future. It’s bright!

Iyanu Movie PosterIf you’re seeking an animated series that fuses vibrant cultural storytelling with striking visuals, put Iyanu on your radar. This isn’t just another fantasy—it’s a journey through a mythical African world where tradition drives destiny. Unlike Disney’s Iwájú, Iyanu offers a grounded, heritage-rich take on Yoruba culture that feels timeless and authentic. The two shows present contrasting visions, and while both have their place in examining this fascinating world, fans will play favourites–Iwájú races through a sleek, futuristic Lagos, while Iyanu thrives in a mythical past steeped in lore.

Iyanu draws strength from echoes of Princess Mononoke and Avatar: The Last Airbender—not as imitations, but in its balance of adventure, character growth, and cultural depth. Whether Roye Okupe’s graphic novels carry the same energy remains to be seen, but the adaptation compels me to find out.

Iwájú promotional posterDisney’s Iwájú ambitiously blends African, Eastern, and Western animation styles, yet the fusion sometimes feels disjointed. Its uneven pacing and high-tech, Wakanda-like aesthetic often eclipse traditional Yoruba elements. Tola Martins (Simisola Gbadamosi) is the young girl who learns how to reconnect with the past.

When that happens, the scenes that should showcase ceremonial rites or folklore fade into the background. In what’s more prominent are the bold neon skylines and high technology. Even the costumes, while bold, lean toward sci-fi glamour rather than authentic tradition. Although it shares Yoruba roots with Iyanu, its futuristic framing dulls the impact of those cultural beats.

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