Escape From Victoria: An Unforgettable Fringe Festival Hit!

Fringe parody Escape from Victoria delivers big laughs with puppets, local references, and John Carpenter-inspired chaos in a wild, must-see show.


Escape from Victoria Fringe Theatre parody show posterOne reason I love Fringe theatre so much is because of how artists express big, ambitious ideas on a shoestring budget. That spirit is exactly what makes Escape from Victoria so hilarious. The name alone evokes memories of John Carpenter’s Escape from New York and Escape from LA. After a successful run in Ontario as Escape from Toronto, this show has been performed with a few tweaks tailored for each city. I suppose this show’s collective name is simply Escape from Canada. For my performance, there was plenty to marvel—and gawk—at!

Local references are a highlight. In Victoria, it’s the original Hudson’s Bay Building (now the Victoria Public Market). Instead of simply admiring these sites, the play brings their history vividly to life—sometimes with biting commentary, especially concerning this landmark of the city’s history. I haven’t seen the other versions, so I don’t know if this company was intentionally targeted.

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From Workshop to Stardust: Space Queen’s Journey Unveiled at Victoria Fringe Festival

Aaron Nickol’s Space Queen blends sci-fi, drag, and Indigenous storytelling into a retro-futurist vision of queer survival and resistance. Workshopped at Victoria Fringe, it’s already brimming with promise as it prepares to expand into a full production next year.

SPACE QUEEN

Workshop dates (sold out): Aug. 23 & Aug. 30 — Intrepid Theatre Studio. Produced by Drag Sunday Productions.

Aaron Nickol’s Space Queen is being workshopped at Victoria’s Fringe Festival as part of Intrepid Theatre Society’s Indigenous Artist Program. It carries the tone of the movie Logan’s Run, imagining a future where queer existence is outlawed and underground resistance gains strength. For those forced to hide who they are, even finding a job becomes a quiet act of rebellion.

Nickol builds his world through spoken word and projected video of the computer system that shapes daily life. The current workshop feels partial—there are no costume changes to distinguish characters, and the lack of visual shifts leaves some moments flat—yet it establishes a strong foundation. This show probes queer survival and the radical power of claiming space. The Indigenous themes resonate alongside short films and graphic novels exploring how these cultures historically embraced alternate gender roles, including two-spirit identities.

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