Tag: Horror

Bruce Campbell on Break in 2026 and His Underrated Classics

Bruce Campbell on break in 2026 doesn’t mean he’s gone quiet. With Ernie and Emma coming, here are five underrated films that prove his range goes far beyond Evil Dead. #BruceCampbell #ErnieAndEmma #Comedy #Moviesv

Ernie and Emma Bruce Campbell on Break and Underrated ClassicsThere’s an upcoming film from the creative mind of one of the zaniest actors alive, and it may well be a real curveball for anyone expecting something laid back. The title Ernie and Emma suggests something philosophical. It was shot in the back country of Oregon and features local talent and frequent collaborator Ted Raimi. And with Bruce Campbell on break from much of his usual touring in 2026, this project feels like an especially welcome reminder that his creative energy is still very much intact. That said, no project of his is ever entirely without humour, and the trailer suggests there will be plenty of that too, including callbacks to some of his earlier work.

This talent not only wrote it, but is also directing and starring in the film. Last week, he announced he will be touring less so he can conserve his strength for the film’s release this autumn and provide interviews for it. I wish him well as he undergoes treatment for cancer. Whether he beats it remains to be seen, but if he’s anything like Ash, he’ll find a way to send those errant cells packing.

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Like a Bat Out of Hell, Luc Besson’s Dracula is Flying Fast to VOD!

Luc Besson’s Dracula is arriving on VOD on March 10, 2026. Starring Caleb Landry Jones, Christoph Waltz, and Zoë Bleu, this romantic reimagining of the vampire myth also stands as one of Vertical’s biggest theatrical successes to date.

Luc Besson’s Dracula Movie Poster Coming to Prime Video, Apple TV, Fandango, and YouTube

Straight out of theatres and into your home, Luc Besson’s Dracula is ready to strike beginning March 10, 2026. It is already listed on Prime Video, and is reported to be one of Vertical’s highest-grossing releases to date. This romantic reimagining stars Caleb Landry Jones, Christoph Waltz, and Zoë Bleu, and offers a bold new take on the iconic vampire myth.

In my review, I noted that Dracula: A Love Tale reshapes the familiar myth into a sweeping gothic romance driven by loss, reincarnation, and pulp energy. Caleb Landry Jones leans hard into the Count’s theatrical menace, while Christoph Waltz gives Van Helsing a scene-stealing presence that helps keep the film lively. Though the digital effects can feel uneven, the film still lands as an entertaining and memorable take on the legend.

Although a Blu-ray and DVD release date has not yet been announced, seeing this vampire reincarnate around Easter would be rather ironic indeed.

Luc Besson’s Dracula Trailer

 

When Unhinged Pasts Are Revealed, What’s Diabolic (2026) Is Sure to Scare

Diabolic blends trauma, control, and the supernatural into a hallucinatory folk-horror trip. While the film leans heavily on its past timeline, Phillips’ visceral style shines once the weirdness bleeds into the present.

Diabolic (2025) Movie PosterStreaming on VOD (YouTube, Apple TV+)

Aussie-made films can sometimes lean on the outback, or curiosity about Indigenous culture, but Diabolic takes a different path. Though the story plays out in the proverbial outback of Utah, I couldn’t help wondering why foreign investors were more interested in helping Daniel J. Phillips make this film than backing local creators. It’s not a detail worth nitpicking since the movie was shot in the land down under, but it becomes noticeable when the landscape feels slightly wrong for its intended setting. Maybe that’s part of the hallucinatory effect Phillips is aiming for.

After Elise (Elizabeth Cullen, The Bureau of Magical Things) leaves The Church of Jesus Christ of Latter-day Saints, she thinks she’s safe. She’s moved on, but the nightmares keep coming. Elise has PTSD, and that’s the terrain the film explores more than anything else. Thankfully, her boyfriend Adam (John Kim, The Librarians) and her adoptive sister Gwen (Mia Challis, Outer Banks) are understanding. Trouble starts when they take a camping trip to get away and bring drugs along, hoping to knock down the walls Elise has built so she can finally feel whole and free from her past.

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With Tales of Dark Romance in Comics, Love Hurts More Than It Heals

Love isn’t always soft, and comics know it. These dark romance comics lean into obsession, grief, and corrupted devotion, spotlighting new releases and older cult favourites that treat heartbreak as a weapon and a revelation.

Broken Heart Through Sun - Dark Romance in ComicsIn the name of dark romance in comics, some creators enjoy exploring its edges through works released for the season of hearts. When there’s no anti-Valentine’s icon the way Christmas has Krampus, these tales lean on the human condition instead. Rather than crafting a saccharine Harlequin fantasy, what’s presented here cuts deeper.

In the real world, love comes with sacrifice, compromise, and the understanding that some connections aren’t meant to last. That emotional friction becomes fertile ground for storytelling. The result is a slate of works that challenge the idea that love must be soft, safe, or everlasting. What’s offered here are current and upcoming titles that dare to be different, stories where affection and obsession blur, where devotion turns corrosive, and where heartbreak is as transformative as it is devastating.

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Just What A Useful Ghost Offers Is Not Seduction, But Suction

A Useful Ghost turns grief, spirituality, and social satire into one of the most offbeat supernatural films in recent memory. Blending heartfelt loss with possessed appliances and sharp cultural commentary, this Ghost Month standout is equal parts absurd and affecting.

A Useful Ghost Movie Poster
Playing at the Victoria Film Festival Feb 14th, 2026 at The Roxy (2657 Quadra St.) at 2pm. Buy tickets here.

Filmmaker Ratchapoom Boonbunchachoke has crafted a supernatural film that doesn’t just tug at the heartstrings, it suggests grief doesn’t always need to be sucked up. A Useful Ghost (ผีใช้ได้ค่ะ) weaves several tales together to create the ultimate Ghost Month film. Originally debuting in August 2025 for Southeast Asian audiences, it’s now making a well-deserved splash across the international festival circuit.

The film introduces a series of suffocating situations. There is Tok (Krittin Thongmai), who dies at work from chest congestion. Elsewhere, an unnamed academic (Wisarut Homhuan) insists it isn’t dust but industrial pollution choking him. He buys a vacuum cleaner that promptly malfunctions. When Krong (Wanlop Rungkumjad) arrives to fix it, he has no idea he’s about to be seduced.

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Unleashing Colum Eastwood’s The Morrigan. Just Who Is This Phantom Queen?

A slow-burn folk horror with teeth, The Morrigan reframes the goddess as something older and sharper than pop culture’s “wicked sorceress” shortcut. Through a mother and daughter caught in a modern system built to drain women dry, the film turns possession into sovereignty, and rebellion into something sacred and brutal.

2025 The Morrigan Movie PosterCineverse
Now on VOD and Digital

The worship of the Morrígan is nearly as old as time, dating back to roughly 3000 BC. In terms of raw elemental power, she rivals a force like Gaia, the very breath and blood of the land itself. Yet, history has been unkind to her. In Irish lore, she was a terrifyingly complex sovereign; in modern literature, her role was flattened to fit the needs of the “wicked sorceress” trope. While pop culture often lazily grafts her onto Arthurian legend, those who hold The Mists of Avalon as the best may need to head back to school to “unlearn” the sanitized version of the goddess they’ve been sold.

Colum Eastwood’s expansion of his short film proves he’s done the homework. He frames the Morrígan not as a simple adversary, but as a goddess of death, regeneration, and rebirth. This is the core belief of Fiona (Saffron Burrows), a woman battling a modern world designed to “steal a lady’s thunder.” The film’s strongest thematic tissue lies in the parallel between the ancient and the modern: Fiona is reeling from a husband who has abandoned her and their daughter, Lily (Emily Flain), while being professionally bled dry by Professor Jonathan Horner (Jonathan Forbes). He is a leech who steals from his TAs while the world turns a blind eye.

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