Demona’s solo comic series is just beginning! Just whether she’s a survivor or an eye of a tiger, depends on what Greg Weisman and Frank Paur have planned. Will this be it, or will there be more?
One lone survivor’s journey in her solo comic book outing by Greg Weisman and Frank Paur will soon reach its finale. And what I’ve found in Gargoyles Demona feels very Shakespearean. Her desire for revenge versus being a mother to a youngling plays like a tragedy worthy of a stage, and perhaps like an operetta too! As part of her days are revealed for all to read, she’s losing herself. What we learn about her dealings with humanity during the early to late Middle Ages is a story longtime fans have been waiting for.
Although this creator has barely scratched the surface regarding the Age of Renaissance and later eras, I can’t wait to see what can transpire then! Demona’s survival in the later centuries wasn’t explored in the animated series, and there’s still an enormous gap before the tale picks up again in 1910 when she killed Jackson Canmore, a Hunter whose goal is to continue Gillecomgain’s desire for revenge. It all began because she scratched his face while scavenging for food back in the early Middle Ages.
Richard A. Hamilton and Marco Matrone’s latest work is now out in bookstores, and if you love young adult graphic novels set in a post apocalyptic world, this one is for you! And we got info on Mad Cave Studio’s next project featuring this author.
Fans of Richard A. Hamilton’s work in the graphic novel front will be thrilled to read Tectiv Vol. 1: Noirtopia, a new series about Bingo Finder looking at lost texts to inspire her to search for her missing best friend. But to solve this mystery, this young lady must fight for her own life and uncover a conspiracy within this fragile civilization.
Reading the preview offered through Google Books shows this author knows the genre completely, and he brings readers into the world like they’ve very lived in. The way the characters come alive is fantastic, and in what I sensed from Finder, she’s discovered the Library of Alexandria! Well, the place isn’t big, but that’s the sense of awe I got when looking at those pages illustrated by Marco Matrone.
I’ve always enjoyed everything Hamilton brings to any world, whether it’s from another creator’s work or not. Where he shines the most is when he gets to develop his own universe!
Technically, A Life With Ghosts is not meant to dive deep into why Steve Gonsales loves paranormal invstigation. What’s presented is a fond recollection of his time with TAPS.
Simon & Schuster
The question I have about Steve Gonsalves memoir, A Life With Ghosts, is if he truly wrote it all? I suspect Michael Aloisi may have contributed with the background information. Afterwards, the tone switches over to this ghost hunter’s voice. Thankfully, this consultant gets credited too and his credentials are listed on the back book sleeve cover.
Technically, Ghost Hunters was not the first reality tv style show about paranormal investigators. That credit goes to Most Haunted. Before then, there were television specials and one off documentaries which helped let people know that there’s something of a general (if not academic) interest in this subject. Loyd Auerbach is the leader in the field, and I’m surprised Gonsalves didn’t mention either him or That’s Incredible! Both were the closest thing to witnessing investigators in the field back then (the late 70s) and he’d be at that right impressionable age when both were featured on network television.
Everything you want to know but were afraid to ask about what went on behind the scenes and in the evolution of heavy metal is well accounted for in Sean Kelly’s Don’t Call It Hair Metal. This deft exploration of the 80s music scene in 320 page book published by ECW Press is great at delving into the origin of many famous bands from the 70s onwards. From Slade to KISS to Ozzy Osbourne’s solo career after Black Sabbath, the examination even dives deep to reveal something new about each act that I’m a fan of.
This book isn’t about random bits of trivia. It’s an excellent scholarly study on why a lot of bands are still performing. What they produce is for the love of the sound, not the look, or even the glam that shook up the stage to draw in crowds. Alice Cooper is the godfather of the scene for a reason, and we get some great stories from various talents remembering those times.
Instead of exploring the decade as a whole, each chapter deals with a few years at a time. We get even more studies about how talents like Randy Roads developed their signature sound, and the interviews from industry observers and other fellow guitarists only add to the picture. Whether that’s about their heydays or something anecdotal, I’m certainly enjoying this read. It’s best not to power through this book, either, as there’s a lot of terrific quotes from the talents Kelly interviewed.
This author’s journey to the heart of rock and roll is the same as mine when when I discovered heavy metal at an early age. And to hear the stories about how some bands persevered is sweet. Also, to read about what this author believes are the best platinum hits only affirms why I loved one album over another. For me, Def Leppard‘s Pyromania will always be my number one album to put on the turntable. Twisted Sister never came into my radar until “We’re not Gonna Take It,” and watching them transform into a glam act; but after a while, they took the makeup off and went back to the sound that is their roots.
As this book insinuates, it’s not about the hair, but the intention of why each group wanted to make a dent in the industry. Poison and Ratt were huge during this time, and it’s not because of the acts put on stage, their life behind the scenes or something else. Regarding the former, Brett Michaels’ journey is a book in itself, and it’s been looked upon in those documentaries made by VH1.
Even MTV’s influence is recounted here, and without them and the music videos which showed these bands at their craziest (or best), I doubt this era would be remembered fondly. Kelly’s love for the genre and his personal journey makes for the perfect narrative device to move readers year to year, and I suspect writing Don’t Call It Hair Metal took more than a a year to craft. Although the preview edition doesn’t contain any snapshots, that may change when the hard copy finally comes out.
Dark Horse Comics Berger Books Imprint
Spoiler Alert
Amy Chu and Soon Lee’s reinterpretation on Sheridan le Fanu’s Carmilla is all kinds of wonderful. Not only do we get a modern interpretation from a Chinese perspective but also Lee’s auburn design on the pages where it flashbacks, alluding to the original prose, is beautiful. Here, the vampire is named Violet, and the place she makes her base of operation may be named after the famous vampire we all know.
Here, Athena is a social worker wishing she can do more for those struggling to survive in Manhattan. Her life is okay, but it seems something is holding her back. When one of her patients turns up dead, she investigates in true Kolchak fashion and what she finds in that nightclub goes beyond simply confronting some pimp. She becomes enamoured, and as a lesbian herself, she understands what’s going on. But after meeting Violet, there’s more than meets the eye not only about this seductress but also this nightmare that soon unfolds.
While half of this picture book is about being close to those Immortal Guitar Axes, the other half is rich with some informative bit of history regarding that stringed instrument.
Immortal Guitar Axes is a perfect and heavy coffee-table book that’s sure to be an eye pleaser.It not only puts a lot of these beauties in the forefront, but also each instrument has a story too! Lisa S. Johnson‘s love for the six-string is very clear in the prose, and I suspect she did a lot of fieldwork to find out where some of them have disappeared to. Some were lost to history for one reason or another, and others thought destroyed.
For example, just when Peter Frampton (who played with many talents, ranging from David Bowie to Ringo Starr) thought he lost his beloved after the cargo plane crashed over Venezuela, it survived! Although not every guitar has a story like this one, what’s recounted is a look back about where it was either bought or made. Many artists’ instruments are profiled here, and while we already know everything about some axes, namely Brian May’s Red Special, others aren’t as widely known. I really appreciate the chapter about Suzi Quatro since it’s her music which got me to love that classic rock n’ roll all over again ever since I saw her on Happy Days.
Dynamite Comics
Simon & Schuster
