Tag Archives: Post-Apocalypse

Finch’s Hope for the Future

15 Nov

Finch (2021) - IMDbBy Ed Sum
(The Vintage Tempest)


Available on Apple TV Plus
Spoiler Alert

Finch (Tom Hanks) may well be the last man on Earth. After a solar flare razed the Earth, the planet is devastated. He has Goodyear, his pet dog, to be his companion, but it’s not enough to give him hope. At first, he built a simple droid to assist in his day to day living, but he knew he needed another companion. The bot he builds combines traits and a look between Number 5, Wall*E and C3P0. But its programming could not be uploaded fast enough as the old man and his ensemble have to flee. There’s an approaching electrical storm.

Continue reading

Facing Mutant Pigs in Bullets of Justice!

13 Nov

By Ed Sum
(The Vintage Tempest)

Available on iTunes, Microsoft, Amazon (UK), Amazon (US), Google Play

Danny Trejo is the Gravedigger in Bullets of Justice (formerly known as Mutant Pig Soldiers), and he’s a father-figure (of all things) to Rob Justice (Timur Turisbekov). The youngin is trying to survive the post-apocalyptic world with Raksha (Doroteya Toleva) and if I didn’t know any better, I’d swear the universe is right out of Palladium’s Teenage Mutant Ninja Turtles & Other Strangeness. This RPG game has a supplement, After the Bomb, which pits man against mutant in a game of survival.

There’s blood, guts, violence, sex (yes, this movie is not for the kiddies), and mutant pigs. I’d get a kick if there were other animal experiments let loose, but I imagine this Eastern European made film had its limits and a tight budget. It also sets up Trejo as a possible recurring character to introduce other saviours to humanity in this dog eat dog world.

Continue reading

Kipo’s Gotta Wear Shades in the Age of the Wonderbeasts

16 Jan

By Ed Sum
(The Vintage Tempest)

Available on Netflix

When bizarro fantasy meets post-apocalypse, Kipo and the Age of Wonderbeasts is an exotic experience punctuated by its musical interludes. The soundtrack is a mix of hip hop and industrial. The songs are actually part of the narrative instead of musical bookends to move the story forward. Music Supervisor Kier Lehman (Spider-Man: Into the Spider-Verse) and composer Daniel Rojas (Downsizing) have done an incredible job!

I think of this program of reversing an idea presented in Futurama. The mutants went underground and the normals lived in a high-tech world. Reverse this idea and that’s this series in a nutshell.

Continue reading

%d bloggers like this: