When Stranger Things first arrived on Netflix, it began with something wonderfully small. It seemed to be simply about a group of kids playing a game of Dungeons and Dragons, and not expecting that world to manifest around them! After the sudden absence of Will (Noah Schnapp), they had to learn how to become heroes for real. Even though the adults didn’t believe what they’ve encountered is real, what they managed to do was the impossible: to show that dangers lurk in every corner. The shadows are alive, and the necrophagous shadows, well….
From that moment, the series evolved naturally from childhood rituals into becoming adults. As for the fantasy characters they wanted to become, all the visual motifs (including a garbage can lid modified to become a shield) came into place. And the monsters they had to face weren’t just creatures. They were metaphors to something greater shaped by the kids’ references to concepts and entities from this role playing world. Some worked, and others did not, but overall, unless the viewer was in the know, the tie-ins were more than surface level references.
Continue reading “Stranger Things. The Full Series in Review”
Although a bit late, here’s what’s playing for the Winter 
This adaptation of Rocket Shōkai’s light novel flips heroism into a sentence rather than a calling. In a world where being a “hero” is punishment, Xylo Forbartz, a condemned goddess killer, is assigned to Penal Hero Unit 9004, forced into endless combat against monstrous abominations. Death offers no release, only resurrection and more violence. I’m drawn to how openly this interrogates systems of power, turning the usual fantasy reward structure into something oppressive and cyclical. When Xylo encounters a mysterious new goddess, their uneasy alliance threatens to unravel the machinery of eternal punishment itself.
Looking back, the last century feels like the moment genre television quietly defined its contract with the audience. Most of those early experiments arrived in short waves, and like the tides, they came and went. Some returned decades later on specialty stations or streaming platforms. And these days, nearly everything is being tucked into quieter shores. Every so often, the tropes that once defined a series are reskinned for a new generation, which is simply how television writing evolves.
Bleeker Street
When the autumn slate of television programming for youths is in full gear, just what we enjoy watching isn’t always going to be offered on the big three—Amazon Prime, Netflix or Hulu. There’s some great animated series in the world of streaming rather than network for obvious reasons. Luckily, the last stretch of 2025 has a few curious newcomers and oddball experiments worth watching—or at least watching for. Some shimmer with potential, others… less so (Armorsaurs, we’re side-eyeing you). As to be fair for Devil May Cry, they deserve honourable mention despite having started in Spring than Fall.
A darkly charming fairy-tale mystery that balances heart and humour, The Sisters Grimm is Titmouse Inc.’s spin on