To be honest, to put Indiana Jones in another rousing live-action adventure means using CGI. I know of one fuddy duddy decrying this latest movie for various reasons. He’s impossible to please, and while I’ll agree too much digital use can be detracting, it’s too late! That’s how movies are made today. Even Moulin Rouge was rich with digital enhancements to make gay Paris come alive. The same was done in Indiana Jones and the Dial of Destiny to make his last hurrah look good!
The extended opening act presented a younger Indy, and the technology to render him has improved by massive leaps. I’m sold by this illusion, and even the action had everything I recall from the original films and a lot more! That is, all the fights happening inside and out of the train is reminiscent of James Mangold‘s directorial work in The Wolverine.
Continue reading “Indiana Jones and the Dial of Destiny, Isn’t Always About Turning Back Time!”