Our picks of this year includes a lot of variety for animated features to enjoy.
The 2020 season of animated features is big, and we’re going to see the return of Gru! With streaming video platforms now the norm, distribution is not limited to what’s playing on the big screen. In what I offer is a list of coming works that I’m personally very excited for.
Not a lot of anime is mentioned in this list save for one. They are a unique world onto itself and deserves its own list.
Las Leyendas: El Origen
April 17
Anyone who has watched Netflix’s Legend Quest will be in for a treat! The Hispanic horror-comedy directed Ricardo Arnaiz and produced by Mexican animation studio, Ánima Estudios has gained a loving reputation. It shares the same DNA as Gravity Falls and the character designs are not too different. Instead of a brother and sister team, the tale focuses on a boy who can talk to dead people.
Leo San Juan is your take-charge kind of personality. His companions include a ghost girl, Teodora; a loony old knight, Don Andrés, the mythical dragon (if he can be called that), Alebrije; and two calaveras (skeleton kids), Finado and Moribunda. This film is the origin story about them.
They have to help a human infant who looks trapped in the afterlife. Whether this baby walked through the Espejo Eternal (“eternal mirror”)–a portal that separates the Realm of the Living and the Dead—by accident or not, the details are uncertain. Finando and Moribunda has to protect the tyke from what may be the Mexican version of Charon. As a side-story, I can’t help but be excited for what two skeleton kids can do to keep this franchise ongoing.
Scoob!
May 15
Yes, I’m a sucker for a good Scooby Doo mystery. In this reboot, we see how a pup without a name get named and how he met Shaggy Rogers. Soon, the rest of the gang are reintroduced in modern fashion. It’s weird to not see Fred sporting his trademark ascot, but with a franchise that’s 50 years old, modernizing it is a must. Even Daphne and Velma get an update to their dated look.
As for whether or not this film is a step in the right direction for keeping interest alive, I’ll take a look. This film brings a handful of classic Hanna-Barbera characters into the fold in a not all to surprising shared universe concept. As long as Captain Caveman and Blue Falcon is done right, it’s all good.
The SpongeBob Movie: Sponge on the Run
May 22
With this third film, the huge selling point is to see when Spongebob met Gary, his pet snail.
There’s more to their relationship which holds them together. When the gastropod gets snail napped by the sea god Poseidon, my biggest question is why? Does the mewing mollusc possess something the god need? Or is Gary a snail on a mission from god?
The shenanigans will no doubt be crazy, but as long as we get a good story instead of a lengthy sitcom, I’m curious in where this film will go and hope I won’t need earplugs in the end.
Soul
June 19
Joe Gardner is the Soul Man. Well, not quite yet. He’s dreamed of making it big, but is instead a middle school music teacher. When an accident robs him of this life, hopefully his afterlife will be better (or not).
He has to help others who are not as hopeful if he’s to earn his wings. When his heaven (or is that purgatory?) is “You Seminar,” the concept seems scarier than sitting in on a long motivational Ted Falk.
When PIXAR is behind this work, the story will be inspirational. The Jazz soundtrack will no doubt be the driving force behind this work.
Evangelion: 3.0+1.0
June 27
After 13 long years, the complete Rebuild of Evangelion is finally here! I’ve been holding off watching these set of films (well, except the first).
When Hidiki Anno took time off to make Shin Godzilla. I’m not complaining. He’s a master of his craft, and I feel he can do not wrong. With this final release, I can plan for a weekend of seeing all the films together and try not to cry.
Continue reading “Top Animated Features to Look Forward to in 2020”
Disney’s attempt at reinvigorating the Monsters Inc. franchise with a series nearly ten years later simply doesn’t work. It doesn’t hit the same mark as the classic sitcoms it tries to emulate. I’m thinking of Taxi, WKRP in Cincinnati and Murphy Brown. To see once freakish creatures attempt to be funny really needs Garry Shandling involved in crafting the concept rather than unrecognizable names penning the episodes. Sadly, he passed away.
By Ed Sum 
By Ed Sum
By Ed Sum 
By Ed Sum