As for keeping up with how the X-Men evolved throughout the decades, from Uncanny to X-Treme to Astonishing to ResurrXion, it’s just become impossible since they’re not meant to overlap. Ask anyone if they’ve kept up. Most will say no, including Sutliff.
Coming Early April across multiple streaming platforms.
The Cyclops Chronicles: The Story of Scott Summers is a passion project forKeith Sutliff. He’s an actor and filmmaker who loves the X-Men universe that currently has nothing live-action in development. This particular IP is vast, and his plan with this character is to explore what motivates this leader in new ways that respects the lore and also be original at the same time.
He started up his own company,KS Pictures LLC in 2016, and was quick to establish himself in Hollywood, appearing in works from the Lifetime Channel when not producing or acting in independent works himself. Some of his past works include The Mason Brothers (2017). From the Internet Movie Database, The Hollywood Weekly Magazine recognized him as an emerging talent, and his next work, The Refuge (2019), showed where he wanted to go in this career as an entertainer. Coming this Summer is Suitcase City for sci-fi fans, but for comic book readers, he’s hoping his take on the leader of the X-Men will be one to talk about.
Sutliff acknowledges what he’s producing, starring in and directing is a fan film. He said, “The number one thing going into the film business and in Hollywood is you have to entertain.” The gamble with his work is in him making it free to view on YouTube. He’s not sure how many episodes will be made, but has a game plan should it go beyond three.
On Disney Plus Day, a lot of new works announced will come flooding into the streaming service next year. I’m more excited for the animated material than the others. Yes, Marvel Entertainment and Star Wars will get their expanded universe treatment, and all I can say is, “What, no more Clone Wars type material? There’s no tease for what the next season of The Bad Batch will entail?”
Out of the entirety of everything’s announced, it’s Chip n’ Dale Rescue Rangers which excites me the most. I’ve always loved their nostalgia laden pulp fiction adventures. It’s going to be a live-action / CGI hybrid work, and I’m okay with that. Ever since their cameo in the updated Ducktales, I’ve been hoping their return isn’t being delayed because of finding replacement voices or rights management.
Writer-Director Simon Kinberg redeemed himself from his involvement in the lamented X-Men: The Last Stand, the third chapter of the saga about mutants just looking for a place to belong in modern human society. This subtext has been running throughout the films and it’s been explored in the past films to varying degrees of success.
His film, The Dark Phoenix, gets a treatment that is not too out there and it works without having to resort to sending the mutants to the moon.
When I have seen all the movies to date and followed the saga of the Phoenix up till the mid-90s (Excalibur, Series one), I had specific expectations in mind. While Kinberg’s work lightly touches upon a few things coming full circle, I suspect The New Mutants will have to provide some answers about the human and mutant relationship before Marvel Entertainment rewrites the mutant chapter for Phase Five of their narrative plan.
When X-Men: Days of Future Past (DoFP) introduced a young En Sabah Nur building a pyramid in ancient Egypt after the movie credits, I was very excited for the next film. While I knew the film would not be set entirely in the past, the introduction of this character was all too brief in that past instance and only a few new details are revealed in X-Men: Apocalypse.
He’s the world’s first mutant who has a god complex and he wants to wipe out humanity to forge a new empire. In the comics, he’s out to create a new world order and he is a lot more patient about it. Many months passed in his quest to find his ideal knights. In the film, he’s rushing the end of days and whom he chooses to be the four horsemen are not necessarily those of the biblical version of the four horseman of the apocalypse. The title of which, Nur uses as his codename.
Angel (Ben Hardy) transformed into Archangel and he’s easily recognizable as the Horseman of Death. He’s the only character from the original X-Factor comic book arc when the villain made life tough for the team. Unlike the source, Angel lost his wings (those fragile bones were shattered) and Apocalypse offered to regenerate them at the cost of becoming a servant. Little is known about the character in the film. He’s a slave forced into cage sports. He looked very cool at the start, but once he became evil, the punk look does not suit him well.
Ryan Reynolds is born to play the sarcastic anti-hero Deadpool far better than his previous role in Green Lantern.
By Ed Sum (The Vintage Tempest)
Ryan Reynolds is born to play the sarcastic anti-hero Deadpool far better than his previous role in Green Lantern. I did not find the latter movie utterly terrible. It just suffered from too much CGI and a goofy plot. But as for the previous version of this mercenary, I thought the previous incarnation suffered from lack of a solid concept and in how the producers did not understand the character at all. No prior knowledge is required to realize who he is in this latest entry into the Marvel Cinematic Universe helmed by Marvel Entertainment. Technically, he belongs to 20th Century Fox, but a few nods suggests the possibility he will enter the fray when the movie version of the Infinity Wars begin. In the comics, the cosmic entity Death once took an interest in this mercenary with a heart, recognizing the fact they are kindred spirits.
A few ideas are taken from the comics outlining his origins. In what’s expanded upon, his beef these days is with stalkers preying upon innocent girls. In a previous life, he was a mercenary for hire. Just where he got his training and killer instincts are mildly explored. More detail would have helped define this movie as a game-changer, especially when he’s known by a few super-heroic groups as a man needing a just mission instead of being on one fuelled by hate. In this film’s case, it’s to put to rest his anger for the mad scientist, Ajax / Francis Freeman (Ed Skrein), who created him. Some people would be glad to acquire super powers but for wade, he does not quite want it. He just wants his life back before the experiment.