Not every comic book publisher has an authentic Halloween day narrative every year, but when they can deliver, it’ll be hard to top Legendary Comics’ Trick ‘r Treat Omnibus! Anyone who has seen the cult hit of the same name knows just how nasty things get if you don’t observe this holiday’s tradition of paying respect to the undead! In this collection’s case, observing the rituals which the faithful follow to the tee.
Each story that’s featured has Sam, a pint-sized terror, wearing loose pyjamas and a round burlap sack over his head, appearing in a panel or two. Sometimes he has full reign, like in the wrapping narrative which makes up the comic book adaptation of the film, and his role is to enforce the rules of the season. Anyone who doesn’t precisely observe the traditions this day requires is fated to die.
Michael Dougherty (writer and director of Godzilla: King of the Monsters and Krampus) crafted this cult hit before becoming well known with the aforementioned blockbusters. This celebratory edition—uniting the past two previously released graphic novels for the first time and featuring a new special introduction from this filmmaker and other cool extras—is now on sale in stores and online.
Plus, this publisher has a promotional trailer which includes some live-action awesomeness (from the film) mixed in to show how this universe gels in different mediums!
This Monsterverse is better off not bringing in divine figureheads into the fore. Hydras and Cerberus yes, but gods from Babylon or Mesoamerican origins, perhaps not.
The epic showdown I’ve been craving since Legendary Pictures acquired the license to play with Godzilla is here! In part two of maybe a trilogy, the Monsterverse mankind lives in is filled with hidden agendas and a fear for the future. Our time on Earth may well come to an end. The Titans, monsters capable of mass destruction, will reclaim their territory. Can we live side by side in a symbiotic relationship, as Dr. Serizawa (Ken Watanabe) hopes? Or as TOHO Studio’s animated take suggests, will civilization regress to simpler times?
No real continuity exists between these two studio’s works. Legendary’s version is limited. Only a handful of films can be made before the terms of the contract expire. With a bigger budget, fans can see a massively CGI driven apocalyptic take of monsters ravaging each other and the world. Practical effects can only go so far, and motion capture can do a lot more these days. As this sequel takes place five years later, the Monarch organization is ready for the inevitable. In what they know and have uncovered since–humanity better be afraid!
When X-Men: Days of Future Past (DoFP) introduced a young En Sabah Nur building a pyramid in ancient Egypt after the movie credits, I was very excited for the next film. While I knew the film would not be set entirely in the past, the introduction of this character was all too brief in that past instance and only a few new details are revealed in X-Men: Apocalypse.
He’s the world’s first mutant who has a god complex and he wants to wipe out humanity to forge a new empire. In the comics, he’s out to create a new world order and he is a lot more patient about it. Many months passed in his quest to find his ideal knights. In the film, he’s rushing the end of days and whom he chooses to be the four horsemen are not necessarily those of the biblical version of the four horseman of the apocalypse. The title of which, Nur uses as his codename.
Angel (Ben Hardy) transformed into Archangel and he’s easily recognizable as the Horseman of Death. He’s the only character from the original X-Factor comic book arc when the villain made life tough for the team. Unlike the source, Angel lost his wings (those fragile bones were shattered) and Apocalypse offered to regenerate them at the cost of becoming a servant. Little is known about the character in the film. He’s a slave forced into cage sports. He looked very cool at the start, but once he became evil, the punk look does not suit him well.
You better watch out, You better not cry, Better not pout, I’m telling you why: Krampus is comin’ to town.
Whether you celebrate Christmas or not, Michael Dougherty’s Krampus is a cautionary tale which tries to leave a mark. This writer/director wants audiences to leave with an understanding of what the holiday is about and most viewers will get it. In what may not get recognized by everyone is this film’s historical and cultural identity.
This movie started playing at theatres the night before December 6th to coincide with the established Germanic folklore of when this supernatural beast appears to reward or torment children. On the morning of the next day, kids go to look at the shoe or boot they left outdoors contains a present (to reward good behaviour) or a rod (for bad). In this old country — which includes Austria, Hungary, Slovenia and the Czech Republic — celebrations take place to remind people of all ages to play nice year-round. Variations of this legend includes this entity leaving the good alone whilst Saint Nicholas would place sweets in the footwear.