13 Fun Horror Musicals to Mortify With During Any Halloween!

Although the number of products can fit into the palm of Frankenstein’s hand, this list of horror musicals is being expanded out to include television products that are worth rocking out to.

Horror Musicals - Frankenstein

Every Halloween, only one seminal rock n’ roll musical comes to mind to celebrate the occasion by doing the time warp with. Yes, people can head to Rocky Horror, but there’s a reasonable gambit of other horror musicals to discover. They range from screen to stage. Some are worth making the effort to seek out, and others are best regulated to the graveyard.

Although the number of products can fit into the palm of Frankenstein’s hand, this list of horror musicals is being expanded out to include television products that are worth rocking out to. The importance here is to reveal what’s fun! Rocky Horror does belong in this list, and a few items are grouped into one entry, but the goal here is to look at what else is available.

Oujia Feels Too Cheesy To Be Taken Seriously

Ouija, despite having good opening box office dollars in its first weekend, will most likely fade away when All Hallow’s Eve is over.

By Ed Sum (The Vintage Tempest)

Oujia

Ouija, despite having good opening box office dollars in its first weekend, will most likely fade away when All Hallow’s Eve is over. Burning this board is not an option when considering this film has the signs of being a pure Hollywood manufacture stamped all over it.

The idea is based on reality, if the folklore is to be believed. Spiritualists used it as a means of contacting spirits and they would in hand respond by guiding the planchette to letters to spell out words, respond yes or no to, count or say goodbye. The question of what they summoned depends on whether that ghost of Uncle John is truly from Jamaica or Hell. In this film’s case, it an attempt by Laine (Olivia Cooke) to learn why her best friend Debbie (Shelley Hennig) hanged herself. Apparently, one of the first rules of Ouija is to never play the game alone, something Debbie didn’t adhere to. Other proprieties include invoking a small measure of protection, which never works in any horror film, and saying goodbye — the latter desire to see the ending couldn’t happen soon enough.

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[Victoria, BC] Rocky Horror Show Graduates to New Heights!

By Ed Sum (The Vintage Tempest)

rocky-bigger-jpg

Showtimes:
Oct 24, 25, 29, 30,
and Nov 1 at 8pm
Oct 31 at 7 & 10pm

Metro Studio
1411 Quadra St.
Tickets: $30; $35 with prop kit

Reservations:
250-590-6291
ticketrocket.org

Griffen Lea, Sarah Anne Murphy, Candace Woodland, Kelly Hudson are back in the Rocky Horror Show and they are bad in Rebel Knock Out (RKO) Productions’ take of this seminal Richard O’Brien stage classic. They have taken the energy from how they played Dr. Frank-N-Furter, Janet, Columbia, and Riff-Raff from last year’s Kaleidoscope version and amped it up. The crowd (whether they’ve seen that performance or not) roared and the shadow dancers cooed at their antics. Perhaps what’s noticeable is the added energy from Woodland strutting her stuff in the tap dancing routine from “Time Warp” and R.J. Peters (Brad) really channeling his inner nerd. When it comes to special solos in a musically raunchy show, Peters certainly created some nostalgic and sombre tones in “Once in a While” to make his moment memorable.

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The Humanity of Dracula Untold Gets Explored, A Movie Review

By Ed Sum (The Vintage Tempest)

Dracula_Untold_posterTry as Dracula Untold might, this film does not endeavour to be historically accurate in every detail about how Vlad Dracul the Prince (played by a daunting Luke Evans) saves his people from Turkish rule. There are little nods to recall how he was raised by them to become a brutal soldier and how he earned his reputation (to which he’d become known as the Impaler, hence Țepeș) but a lot of that origin is quickly marginalized than expounded upon.

The reason about to why he was fearsome is missed in favour for a PG-13 rating to show why he was much-loved. When he returns home to Wallachia, he gets warmly embraced as this country’s lost son. All he wants to do for much of the film is to protect them from a darker world at large. He’s experienced a lot of horror and he does not wish to share that. When the Ottoman’s demands are ill met, war and rebellion is inevitable. This movie shows him reverting to his old ways.

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Annabelle is no Cheerleader for Halloween, a Review

By Ed Sum (The Vintage Tempest)

annabelle

Edgar Allan Poe crafted a better supernatural drama in his poem, Annabel Lee, than with director John R. Leonetti’s studio made product, Annabelle. This horror film about a haunted doll attempting to ruin the love John and Mia Gordon (Ward Horton and Annabelle Wallis) have for each other and their newborn daughter, Lea, is not without some problems. Although there is a slight connection with The Conjuring in this film, that importance is never explained. Instead, the way this film dwells upon a church sermon to guide the plot ruins the film.

The problem with the modern horror these days lays in the production team not understanding what makes a terrifying age-old concept uniquely scary. Cursed dolls have existed for a long time. Had the entire production team stayed overnight at Isla de las Munecas – The Island of the Dolls (located near Mexico City), they might have crafted an entirely different product. At least their experiences there would have seeped into the film a lot more than the premise of a cult murderer’s blood spilling upon a once beautiful Victorian age doll to make it haunted.

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Stirring the Melting Pot of Terror in Blood Glacier, A Movie Review

This film debuted theatrically June 19th as part of Cineplex Odeon’s Sinister Cinema series that spotlights the best in the Independent Horror scene. Fans who have missed this screening may find encore performances in select cities or locate it through VODBlood Glacier outlets like Amazon.

By Ed Sum (The Vintage Tempest)

Blood-Glacier-Poster Charles Darwin might not survive naming the horrors found in Blood Glacier (Blutgletscher), an Austrian film by writer Benjamin Hessler and director Marvin Kren. Together, they are known for films like Rammbock (2010) and Schautag (2009). If his last film is any indication, perhaps this filmmaker has a fondness for creating terrors formed by self-mutilating viruses. In the Alps, just what may lurk underneath the snow is definitely not the Abominable Snowman! Instead, as the title implies, there’s a glacier that is shrinking and revealing a red like algae that’s going to spell doom for the scientists studying the effects of climate change.

The theme of eco-horror is light in a tale that seemingly wants to borrow from Dennis Feldman’s Species and H.P. Lovecraft’s At the Mountains of Madness. Part of the dialogue certainly ventures into that realm with an interesting theory that leads back to the origins of hybridization. But instead of discovering a lost civilization, all these scientists find is a mysterious cave with a few dead animals. The familiarity keeps on coming, especially with certain tropes plaguing this film — isolation, man with dog, men going berserk, and monsters popping out of nowhere. That lends itself well to creating a predictable film to watch, but in terms of originality, it feels like a step down from past memorable works Kren and Hessler have made.

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