The difference between buying the individual releases of the Ghostbusters film on Blu-ray and the massive 4K box set is not just the cardboard. It’s a fairly big box that can be put on a display shelf, and as for the individually cardboard sleeved discs, perhaps moving them onto proper cases is better. Those can be placed on the video library shelf.
The collectable edition has a cool green-coloured light-up effect when you open the faux ghost trap to reveal the packages. The study cardboard construction can take some bruising, but I’ll be trying to keep mine as prestine (still with the plastic sleeve) as possible and dusting it more often than usual. The twobonusdiscs is the reason why long time fans are buying this edition over the single. I’m still going through them all (as time allows) and find reading the recreation of Don Shay’s Making Ghostbusters book from 1985 the big bonus.
There’s no denying the fact that the character of Egon Spengler can not be replaced. If Harold Ramis did not pass away two years ago, perhaps the story Dan Aykroyd wanted as the next film might have gone forward. Instead, because time was running out in getting a product out, one of the four remaining co-owners grew impatient and decided on what to produce whether creator Aykroyd, director Ivan Reitman and comedian Bill Murray liked it or not. I felt their appearance on Jimmy Kimmel Live! was more of a company ploy to put to rest fan’s fears on whether or not the original party are 100% on board with the reboot.
Murray said he felt like a stepfather to the whole thing. As a stakeholder, shouldn’t he be more like a grandfather instead? The slight distancing to his product has to be noted. The quote used most often in other reports is him admitting, “This is a tough movie to pull off because it’s a big concept. There’s a lot on the plate – there’s a lot of expectation.”
Whether the comedy in this movie succeeds or not, my eyes are in the paranormal nerd speak. Is Feig going to bring new love to a serious hobby I adore or will I hang my head in shame? Spengler is still my hero because he gave the film a layer of straightforwardness I treasured!
Disney‘s live-action update to The Jungle Book shares a few visual and narrative similarities with its 1967 counterpart. While it’s a fun nod, I thought the nostalgia was unneeded. In what I enjoyed was a look at a darker, if not more violent, road to adulthood for a child found in the woods. A few scenes will most likely frighten toddlers but for youths, they may handle the bloodshed better. In the animal kingdom, these beasts have to scrounge for their meals and in this version, part of the tale is about the survival of the fittest.
Part of why I love this world is because of Tale Spin. This Disney Afternoon cartoon used characters from this work, introduced new ones (Don Carnage is a hoot) and placed the irrepressible Baloo the Bear (voiced by Phil Harris in the ’67 film, Ed Gilbert in the ‘toon and Bill Murray in this live-action film) in the lead role. Murray nails the adorability factor easily. While there’s no denying Gilbert was following in Harris’ footsteps for tonality and characterization, the generational factor is key to defining which version is going to be the most loved.
Maybe there is a big reason as to why Bill Murray isn’t interested returning to the Ghostbusters universe. He looks ready to retire from the acting world for good after appearing in the movie St. Vincent. However, this film is not going to mark the end of his illustrious career as more films are in the pipeline featuring either him or his voice.
Although he’s the star of this comedic social drama about Vincent, an unlikable misanthrope, there’s a heart of gold that’s gently wanting to come out — hence this film’s title. He takes a liking to Oliver Bronstein (Jaeden Lieberher), a scrawny but very intelligent 12-year old. Lieberher provides some brilliant young Macaulay Culkin type moments and his talent should not go unnoticed, especially when his character is what ultimately wins many an audience’s heart. As Oliver, he’s tossed into a world he’s not ready for. The story mixes in elements of a coming of age tale along with awkward father-son style moments even though these two are not related. In the way they bond, they might as well be grandfather having fun with the grandson he never had much like how PIXAR’sUp, worked.