I’m no stranger to the djinni narrative when considering my love for One Thousand and One Nights, but as for being as well versed as Dr. Alithea Binnie (Tilda Swinton) in Three Thousand Years of Longing, she has me beat. As a narratologist (an individual who studies tales which impact our perception of culture in the world around us), she knows something that mythologists don’t. This tale is as compelling as Bill Moyers’ interview with Joseph Campbell (Power of Myth), and what’s explored considers why this trope persists to this day. The last work I read was Three Little Wishes, which is a British take on the concept.
In what George Miller deconstructs may well be a Australian verion. He examines the rules for living a fulfilling life over being confined to the mundane. That’s the problem Binnie faces, and when she awakens the Djinni (Idris Elba) in the bottle, what he offers condemns her world view–she knows his kind from literature. And when he tries to rebuff the stereotype, the fun tête-à-tête they have reveals a look of his life and those he’s attempted to make better–if it can be called that. But sadly, he’s been forced to return to the glass container every time.
In the sequel to Sonic the Hedgehog, the speedster lost his world to a war between different animal tribes. The first film revealed how his owl guardian sent him off to another planet to stay safe, like Superman. The humans he’s met–Tom (
By Ed Sum (The Vintage Tempest)