World Premiere Archives | Otaku No Culture

Coming Soon! Strange Journey: The Story of Rocky Horror

Kaleidoscope Entertainment has confirmed that Strange Journey: The Story of Rocky Horror is set for a UK release, with an exclusive first look at the new artwork.

Strange Journey: The Story of Rocky Horror Kaleidoscope Entertainment

Strange Journey: The Story of Rocky Horror will celebrate its UK Premiere at Sheffield DocFest on 19th June, screening at SCI-FI-LONDON Film Festival on 22nd June, before having its Irish Premiere at GAZE on August 3rd, with additional previews and festival screenings soon to be announced. Following its festival run, fans will experience the ultimate ode to all things Rocky Horror in cinemas across the UK & Ireland from 3rd October. As for when this will come to America, it’s possible that negotiations are under way for a Halloween release.

In this SXSW hit, the cult phenomenon of Rocky Horror is explored in depth like never before with an extraordinary cast of contributors.

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A Nerd’s Guide to the 2025 Los Angeles Asian Pacific Film Festival

Although the number of genre films seems small in this year’s Los Angeles Asian Pacific Film Festival, the number of drama are always high as the 2025 event is ready to rumble starting tomorrow!

Runs: May 1st to 7th, 2025

When I have a fondness for films made in Asia, I’m always excited to see what the Los Angeles Asian Pacific Film Festival will screen. This event kicks off tomorrow, and I’m always curious about who may become the next Bong Joon Ho. Or rather, wonder if this event will premiere the next exciting genre flick! My coverage over the years always considers this side of the show before extending the list to other movies that pique my interest.

And while some years offer more fantastical works than others in the short film category, there’s still some good drama to find! This top picks in what to see also considers this category too.

Chinatown Cha-Cha
China, Directed by Luka Yuanyuan Yang

CHINATOWN CHA-CHA The 92-year-old previous nightclub dancer Coby Yee decides to get back on stage again after joining the senior dance troupe Grant Avenue Follies. Together they go on a tour for the last time, bridging once isolated Chinese communities in the US, Cuba, and China.

From Okinawa With Love
Japan & USA, Directed by Hiroshi Sunairi

In the 1970s, Okinawan photographer Mao Ishikawa worked as a barmaid for African American GIs and published an impressive photography book.

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[Fantasia 2024] When Lighting The Fire in Dark Match is Enough to be Explosive!

Fans of wrestling will love Lowell Dean’s latest effort to bring debauchery and devil worship to the wrestling ring in Dark Match.

Dark Match Movie Poster — **Theatrical / Streaming dates TBA**

World Debut at Fantasia Film Festival 2024
July 21, 2024 6:30 PM
Auditorium des diplômés de la SGWU (Théâtre Hall)

To be a wrestler is tough. Quite often, not everyone will find the success they crave. Whether that’s with fame or making a living at it, that’ll depend on the individual. And when we’re dealing with an ominously titled movie like Dark Match, just what the hero(es) has to face may well be their own demons!

When Lowell Dean‘s name is on the billing, hopefully the name recognition will sell this film. And what this creator of Wolfcop has created has classic supernatural spin wrapped around a classic 80s style sports-action film. I call this Bloodsport meets Friday the 13th meets Fight Club.

Here, Miss Behave (Ayisha Issa) is hardly satisfied with her life. She’s one member of a group of small-time wrestlers who hope that one day, some media mogul offers them a deal of a lifetime. Unfortunately, when they are asked to bring their travelling show to a backwater town, they are none the wiser. They don’t realise the ring-leader they’re dealing with was a former wrestler himself, and that he fell from grace a long time ago. Only Mean Joe Lean (Steven Ogg) knows something about his past!

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Regarding The Great Salish Heist and it’s Vancouver Island Connection According to Leslie D. Bland

This producer said, “The Great Salish Heist is indigenous version of Ocean’s Eleven. Instead of breaking into a casino, they’re going to have to find a way into a museum after hours.”

The Great Salish Heist Movie Poster Leslie D. Bland is a filmmaker who has crafted a lot of documentary style content over the years. In 2021, he and Harold Joe made Tzouhalem, which examined the impact a local legend had in the Vancouver Island region (my coverage can be read here). And to change what they enjoy making together, they produced an action-comedy The Great Salish Heist.

When I last talked to him, this project was in the early stages of pre-production. And now that it’s ready to make its world debut at the Victoria Film Festival (Feb 9 at the Blue Bridge Theatre), they can talk about the concept more! There will be a Q&A after the screening, and for those wondering how this concept came to be, “The original idea is based on Harold’s work,” said Bland. “He’s a cultural worker for the Kwakiutl and other neighbouring Nations, and it was from a pitch he put forth in front of our staff one day.”

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When Your Life is Caught on Video, What Zoe.mp4 Captures on Tape Will Leave You Guessing!

In what makes Zoe.mp4 work is that it very nicely puts all of this character’s life in a container that’s over a fire, and it’s waiting to explode!

Making Its World Premiere at Whistler Film Festival on Nov 30. For tickets, please visit the link here.

Perhaps the most fascinating aspect of Zoe.mp4 is the title. Most digital videos are encoded in either the mp4 container format or MKV; and to put anything into a digital document can be unsettling, since anyone can look at it in order to deconstruct whatever gets recorded by the device’s lens. Some say a camera can capture your soul, but what else can it do?

Zoe’s life isn’t picture-perfect. She has doubts about where her career is going, and Julia Sarah Stone excellently plays those fears up. We witness her journey and, when she gets kidnapped, also feel her discomfort. Although the choice to make the title character young is curious, perhaps that’s to make this film relatable for today’s generation. Not everyone knows what they want to do with their growth or find themselves capable of doing.

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Denver Jackson’s Esluna Continues with The Worlds Divide! World Premiere and an Interview!

The race is on to finish mixing Esluna, The Worlds Divide in time for the world premiere this coming weekend in Vancouver, BC by this local talent!

Denver Jackson is a very talented filmmaker whom I’ve had the pleasure of following ever since I first met him at Camosun College. Back then, he was part of a team of media artists of whom I interviewed (for Nexus Newspaper) and recognised would go far after graduating. Two of them would become frequent collaborators now that this individual is making films! The world of Esluna is no doubt influenced by other works (all the deets can be found on the Kickstarter page), and The Worlds Divide is ready to distinguish it from others!

And its ready to make its world debut at Spark Animation Festival and Conference in Vancouver, BC (Runs Nov 9 to 12th, playing Sat 6:15pm). At the time of writing, they’re hard at work putting in the final touches at Skywalker Sound, and he’s taken the time to answer some questions for those wondering about how he got to finally telling the story he first wanted since coming up with this world–sort of like how George Lucas got his start and telling that “Episode One.” And I’m sure Jackson can tell his version much, much better.

Humour aside, to interview him once again is always a pleasure, and fans can get an idea in how to prepare for part three of his saga. But first, an introduction for newcomers:

Denver Jackson: I’m a filmmaker that started out making films when I was 14, and slowly transitioned to working in VFX, then finally animation. I’ve always had an interest in the latter since I started as a visual storyteller, but it wasn’t until 10 years ago that I finally tried making a short film, Cloudrise, which is what I named my production company after.

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