Black Mandala
The Summoning (of Baby Blue) is an anthology of shorts designed to get under your skin. Whether it succeeds depends entirely on your tolerance for fragmented storytelling. It opens with a driver travelling through farm country who encounters a masked scarecrow on a foggy road. The imagery hints at something larger, and the emphasis on agriculture feels deliberate. But once he’s slain, the segment ends, and the film never looks back. It’s a solid hook, and I’m a sucker for a good cornfield tale, but the abrupt shift left me scratching my head.
Directed by a collective that includes Sergio Gonzalez and Felipe Vargas, the anthology eventually settles into a more familiar framework. When Laura (Valeria San Martin) finds herself alone, a small nod to Scream helps set the tone for what follows. Her friends arrive and convince her to test the “Baby Blue, Blue Baby” urban legend. It feels like an evolution of the Bloody Mary myth, shifting the fear away from mirrors and into something tactile. Once the chant begins, the participant feels an invisible burden growing heavier in their arms, and surviving the encounter becomes the challenge.
Continue reading “When The Summoning (of Baby Blue) Brings Out Maternal Nightmares….”



So what does it mean to be one of the Masters of the Universe? That’s the question raised in the first few minutes of the movie. We are introduced to the fantasy world of Eternia and a creation myth: before time immemorial, the power of the cosmos ran unchecked and was named Greyskull.
If you grew up reading The Absolutely True Diary of a Part-Time Indian or caught Smoke Signals (or its spin-off, made years later, Hey Viktor! featuring Cody Lightning;
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