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Is It Souls Chapel or Soule’s Chapel? Even Kentucky’s Ghosts Can’t Decide.

Souls Chapel builds on real-world folklore but struggles to ground its story in Appalachian roots. Strong ideas and atmosphere are there, but uneven pacing and missed cultural depth keep it from fully landing.

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Available on DVD and VOD

Jack C. Young and D.W. Daring’s Souls Chapel has its heart in the right place. It draws from what they present as a real-life legend, with Young directing and Daring digging through urban legends to shape the story. I suspect just where the writer found inspiration is from the Lake Cumberland Tactical Innovations LLC website.

What is confirmed is that a chapel once stood there, and that the American Civil War fractured its congregation. Those are noted in historical records. Beyond that, the details which included who was the pastor fade into speculation. That isn’t necessarily a flaw. Folklore often fills gaps where history falls silent. When stories pass through enough voices, they shift and take on a life of their own, especially when tied to a burned site and that there’s a cemetary nearby.

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The Best Animated Short Films To Remember From The 2026 Los Angeles Asian Pacific Film Festival

The Los Angeles Asian Pacific Film Festival offered a strong slate of animated short films this year, with stories ranging from quiet science fiction to cultural memory, climate anxiety, and personal identity.

After certain events, sometimes it’s hard to get all my thoughts compressed down fast, especially after watching some short films. The time even spent remotely becomes a blur. And for events that span less than a week, it can feel like a weekend. As a result, it’s hard to believe the Los Angeles Asian Pacific Film Festival is over. May the Fourth brought its own challenges for obvious reasons, so offering the last day online was a smart call. Not only can those not able to attend catch a selection from home, but also, what’s offered isn’t always geolocked.

This year, I opted to focus almost entirely on animated works, and the shorts since they rarely get their due. And what’s covered here are my thoughts on those pieces that really impressed me:

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Who’s the Boss? Can Lee Cronin’s The Mummy or Universal’s Sand the Test of Time?

When Lee Cronin’s The Mummy leaves theatres as fast at arrived, what’s presented is better off set to unwind as a pulp piece to put in the VCR.

Lee Cronin's The Mummy Movie Poster Lee Cronin‘s The Mummy sits in an unusual place. It isn’t wholly inspired by the mythology of Ancient Egypt, and that’s a problem. When the spirit that possesses Katie (Natalie Grace) does not hail from this world, this filmmaker misses what makes the very word meaningful. The word alone carries weight, and most people will connect it to legends of yore, ancient curses, and maybe hope Anubis makes a cameo to fix what’s wrong.

What this writer/director offers feels more in tune with Evil Dead Rise than a true reinvention of the genre. For fans of the Universal and Hammer cycles, these films usually centre on the resurrected’s longing for a reincarnated soul. This storyteller pivots entirely away from that romance because Blumhouse gives him complete creative freedom. Instead, the result is a mashup that blends The Exorcist with Evil Dead, with a dash of Hausu for good measure. When the action takes place in an enclosed space and gets almost comedically gross, that Japanese film came to mind.

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Film Masters Monster Mayhem Collection Shows What Happens on a Saturday Night…

A look at Film Masters’ Monster Mayhem Collection, from its restored B-movie horrors to the lingering charm of drive-in-era oddities, missing extras, and what may be coming next.

Film Masters

No B-Movie horror fan should ever rush through collections of forgotten movies of yore like they are peanut butter sandwiches. Although Film Masters Monster Mayhem Collection has been out for a month, to enjoy these restored works requires dedicating a Saturday night at the drive-in. Back then, during the 50s, that was when these movies were released, and whether couples were necking or actually watching what’s projected, I’d need a time machine to find out. The slang used is appropriate for the era as groovy, man, and I think that’s why this set appeals to me.

In this set, the works offered are Monster from Green Hell, The Brain from Planet Arous, Frankenstein’s Daughter, and Giant from the Unknown. This collective has chosen these works as the “first volume” of movies originally released by the Film Detective, and if the distributor labels seem confusing enough, you’re not alone!

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Lon Chaney’s A Blind Bargain is No Longer Lost. Instead This Movie is Remade!

Crispin Glover delivers the goods in A Blind Bargain, a resurrected piece of lost cinema where Lon Chaney was the star.

Opening May 8th at select theatres.
More screenings TBA. Please see below for locations:

Fans of Lon Chaney will most likely know about A Blind Bargain. It’s a film where the actor played two roles. Not only did he become a mad scientist chasing the fountain of youth, but he also played a hairy man ape! Sadly, no surviving print exists, and film historians must rely on stills and past reviews.

Based on those materials, many critics hail it as brilliant. Not every piece of horror cinema featuring the Man of a Thousand Faces can be deemed truly haunting, and when this work concerns mutating the human genome, anything can happen. Chaney played a “good doctor” whose experiments promised hope but delivered torture. That premise isn’t quite the same in the modern remake written by John Falotico and Bing Bailey and directed by Paul Bunnell, but the DNA is still there.

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Another World at the LA Asian Pacific Film Festival. A Chinese Reimagining of a Japanese Novel.

Although the number of animated releases from Hong Kong are few and far between, just what’s offered in Another World are insightful looks at the human character, and this film is no exception.

AMC Atlantic Times Square 14
May 3, 2026, 6:00 pm (buy tickets here)
* Mild Spoiler Alert

Although Tommy Ng’s animated adaptation of Naka Saijō’s novel Thousand Year Ghost differs from its source, that’s likely because the original’s intent is hard to comprehend cleanly. It’s possible this work is more like a huge anthology than a focussed tale about one individual. Another World is more digestible. At its core, we follow Gudo (Suet-Ying Chung), a child-like supernatural being searching for the meaning of life. As one of many soulkeepers guiding spirits toward reincarnation, he understands that not all will pass on. Those weighed down by guilt or resentment risk becoming “Wraths,” not ghosts in the traditional sense, but manifestations of unresolved emotion taken to their extreme.

These beings linger in the living world, causing harm. Stopping them isn’t Gudo’s role; others handle that. What stands out is how observational the movie feels. There’s no grand rebellion against cosmic order, just quiet witnessing. This lad’s presence adds to that unease. The mask he wears, or what may simply be his face, seems to act like a chamber, giving his voice a different resonance. We hear him as though he’s speaking from an empty room. The sound design brilliantly reinforces that he’s not from our world, but another one, which perfectly suits the film’s title.

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