Tag: Buddhism

Another World at the LA Asian Pacific Film Festival. A Chinese Reimagining of a Japanese Novel.

Although the number of animated releases from Hong Kong are few and far between, just what’s offered in Another World are insightful looks at the human character, and this film is no exception.

Another World Movie PosterAMC Atlantic Times Square 14
May 3, 2026, 6:00 pm (buy tickets here)
* Mild Spoiler Alert

Although Tommy Ng’s animated adaptation of Naka Saijō’s novel Thousand Year Ghost differs from its source, that’s likely because the original’s intent is hard to comprehend cleanly. It’s possible this work is more like a huge anthology than a focussed tale about one individual. Another World is more digestible. At its core, we follow Gudo (Suet-Ying Chung), a child-like supernatural being searching for the meaning of life. As one of many soulkeepers guiding spirits toward reincarnation, he understands that not all will pass on. Those weighed down by guilt or resentment risk becoming “Wraths,” not ghosts in the traditional sense, but manifestations of unresolved emotion taken to their extreme.

These beings linger in the living world, causing harm. Stopping them isn’t Gudo’s role; others handle that. What stands out is how observational the movie feels. There’s no grand rebellion against cosmic order, just quiet witnessing. This lad’s presence adds to that unease. The mask he wears, or what may simply be his face, seems to act like a chamber, giving his voice a different resonance. We hear him as though he’s speaking from an empty room. The sound design brilliantly reinforces that he’s not from our world, but another one, which perfectly suits the film’s title.

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The Zen of “Demigod The Legend Begins” at Fantasia 2022

Demigod, The Legend Begins may well be a prequel to Legend of the Sacred Stone, because Su Huan-jen is part of the cast.

Demigod The Legend BeginsPlayed at Fantasia 2022 July 23, 2022

Demigod The Legend Begins, is a visual treat. Not only do we get to watch Taiwanese glove puppet theatre on the big screen, but also the story is epic! Through the magic of editing, these characters come alive.

However, I must wonder if Bunraku is the appropriate term to use to describe this style of puppetry. The motions of these medium-sized dolls are achieved via hiding the puppeteers with simple tricks of the camera. Instead of watching a stage show, we are watching it though the eyes of the cinemtographer–where we have medium shots and closeups of the characters instead of wide shots to show these action figures in motion. In truth, this technique is the centuries-old tradition of budaixi—Chinese opera using glove puppetry. This movie updates the music with modern day electric guitars, and I’m fairly sure one song is taking cues from Fleetwood Mac’s “The Chain.”

When a robe needs to look like it’s rustling, good ol’ fashioned fans are used. When the background needs to come alive, we have CGI replacing those green screen moments. Also, we have some well placed smoke effects and cups of blood to splash around when needed! The presentation is as good as those classic wuxia Hong Kong films from the 80s. But I can’t help but chuckle when they move off camera like a Muppet. That’s okay; Demigod The Legend Begins is not meant to be as perfect as other films using marionation.

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