Another World at the LA Asian Pacific Film Festival. A Chinese Reimagining of a Japanese Novel.

Although the number of animated releases from Hong Kong are few and far between, just what’s offered in Another World are insightful looks at the human character, and this film is no exception.

Another World Movie PosterAMC Atlantic Times Square 14
May 3, 2026, 6:00 pm (buy tickets here)
* Mild Spoiler Alert

Although Tommy Ng’s animated adaptation of Naka Saijō’s novel Thousand Year Ghost differs from its source, that’s likely because the original’s intent is hard to comprehend cleanly. It’s possible this work is more like a huge anthology than a focussed tale about one individual. Another World is more digestible. At its core, we follow Gudo (Suet-Ying Chung), a child-like supernatural being searching for the meaning of life. As one of many soulkeepers guiding spirits toward reincarnation, he understands that not all will pass on. Those weighed down by guilt or resentment risk becoming “Wraths,” not ghosts in the traditional sense, but manifestations of unresolved emotion taken to their extreme.

These beings linger in the living world, causing harm. Stopping them isn’t Gudo’s role; others handle that. What stands out is how observational the movie feels. There’s no grand rebellion against cosmic order, just quiet witnessing. This lad’s presence adds to that unease. The mask he wears, or what may simply be his face, seems to act like a chamber, giving his voice a different resonance. We hear him as though he’s speaking from an empty room. The sound design brilliantly reinforces that he’s not from our world, but another one, which perfectly suits the film’s title.

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[Fantasia Film Festival] Unveiling the Hidden Truth: A Chinese Ghost Story 3’s Secret Reincarnation Links

Explore how A Chinese Ghost Story 3 subtly connects to its predecessors through the enduring theme of reincarnation and the nuances of cultivation.

A Chinese Ghost Story 3
Playing at Fantasia Film Festival Aug 3. Buy your tickets here!

Spoiler Alert

The original “A Chinese Ghost Story” trilogy (1987–1991) is a cult classic that stands the test of time. And at Fantasia Film Fest, the programming team decided to play A Chinese Ghost Story 3 on the big screen instead of the other two, which are narratively better than this chapter. The reason may well be because the third film was originally designed to be standalone. But for a long-time fan like me, these movies are connected because of what Daoism tries to achieve–cultivation. It’s like connecting to The Force in Star Wars.

But because reincarnation is a major theme that connects all three movies, there’s an implication that Fong (Tony Leung Chiu-waii) may well be an incarnation of Ning Choi-san. That’s how I read the introduction, which explains why this film jumped 100 years into this world’s future. When Yin Chik-ha, a Taoist priest, and Ning Choi-san, the scholar, are fighting the tree-demon again in order to banish it for a century, the setup feels obvious.

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