[Victoria, BC] Rocky Horror Show Graduates to New Heights!

By Ed Sum (The Vintage Tempest)

rocky-bigger-jpg

Showtimes:
Oct 24, 25, 29, 30,
and Nov 1 at 8pm
Oct 31 at 7 & 10pm

Metro Studio
1411 Quadra St.
Tickets: $30; $35 with prop kit

Reservations:
250-590-6291
ticketrocket.org

Griffen Lea, Sarah Anne Murphy, Candace Woodland, Kelly Hudson are back in the Rocky Horror Show and they are bad in Rebel Knock Out (RKO) Productions’ take of this seminal Richard O’Brien stage classic. They have taken the energy from how they played Dr. Frank-N-Furter, Janet, Columbia, and Riff-Raff from last year’s Kaleidoscope version and amped it up. The crowd (whether they’ve seen that performance or not) roared and the shadow dancers cooed at their antics. Perhaps what’s noticeable is the added energy from Woodland strutting her stuff in the tap dancing routine from “Time Warp” and R.J. Peters (Brad) really channeling his inner nerd. When it comes to special solos in a musically raunchy show, Peters certainly created some nostalgic and sombre tones in “Once in a While” to make his moment memorable.

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The Humanity of Dracula Untold Gets Explored, A Movie Review

By Ed Sum (The Vintage Tempest)

Dracula_Untold_posterTry as Dracula Untold might, this film does not endeavour to be historically accurate in every detail about how Vlad Dracul the Prince (played by a daunting Luke Evans) saves his people from Turkish rule. There are little nods to recall how he was raised by them to become a brutal soldier and how he earned his reputation (to which he’d become known as the Impaler, hence Țepeș) but a lot of that origin is quickly marginalized than expounded upon.

The reason about to why he was fearsome is missed in favour for a PG-13 rating to show why he was much-loved. When he returns home to Wallachia, he gets warmly embraced as this country’s lost son. All he wants to do for much of the film is to protect them from a darker world at large. He’s experienced a lot of horror and he does not wish to share that. When the Ottoman’s demands are ill met, war and rebellion is inevitable. This movie shows him reverting to his old ways.

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Annabelle is no Cheerleader for Halloween, a Review

By Ed Sum (The Vintage Tempest)

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Edgar Allan Poe crafted a better supernatural drama in his poem, Annabel Lee, than with director John R. Leonetti’s studio made product, Annabelle. This horror film about a haunted doll attempting to ruin the love John and Mia Gordon (Ward Horton and Annabelle Wallis) have for each other and their newborn daughter, Lea, is not without some problems. Although there is a slight connection with The Conjuring in this film, that importance is never explained. Instead, the way this film dwells upon a church sermon to guide the plot ruins the film.

The problem with the modern horror these days lays in the production team not understanding what makes a terrifying age-old concept uniquely scary. Cursed dolls have existed for a long time. Had the entire production team stayed overnight at Isla de las Munecas – The Island of the Dolls (located near Mexico City), they might have crafted an entirely different product. At least their experiences there would have seeped into the film a lot more than the premise of a cult murderer’s blood spilling upon a once beautiful Victorian age doll to make it haunted.

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Stirring the Melting Pot of Terror in Blood Glacier, A Movie Review

This film debuted theatrically June 19th as part of Cineplex Odeon’s Sinister Cinema series that spotlights the best in the Independent Horror scene. Fans who have missed this screening may find encore performances in select cities or locate it through VODBlood Glacier outlets like Amazon.

By Ed Sum (The Vintage Tempest)

Blood-Glacier-Poster Charles Darwin might not survive naming the horrors found in Blood Glacier (Blutgletscher), an Austrian film by writer Benjamin Hessler and director Marvin Kren. Together, they are known for films like Rammbock (2010) and Schautag (2009). If his last film is any indication, perhaps this filmmaker has a fondness for creating terrors formed by self-mutilating viruses. In the Alps, just what may lurk underneath the snow is definitely not the Abominable Snowman! Instead, as the title implies, there’s a glacier that is shrinking and revealing a red like algae that’s going to spell doom for the scientists studying the effects of climate change.

The theme of eco-horror is light in a tale that seemingly wants to borrow from Dennis Feldman’s Species and H.P. Lovecraft’s At the Mountains of Madness. Part of the dialogue certainly ventures into that realm with an interesting theory that leads back to the origins of hybridization. But instead of discovering a lost civilization, all these scientists find is a mysterious cave with a few dead animals. The familiarity keeps on coming, especially with certain tropes plaguing this film — isolation, man with dog, men going berserk, and monsters popping out of nowhere. That lends itself well to creating a predictable film to watch, but in terms of originality, it feels like a step down from past memorable works Kren and Hessler have made.

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XYZ Films Sells Kevin Smith’s ‘Anti-Claus’ to Key Global Markets

By James Robert Shaw (The Wind up Geek)

Image from Clerks (1994)
Image from Clerks (1994)

Kevin Smith, director of such films as Clerks, Red State and Tusk, is working on a third horror film. Originally titled Here Comes the Krampus!, it has been renamed Anti-Claus. Its being scripted by Andy McElfresh and Kevin Smith and is based on an idea created by Andy McElfresh during a Christmas episode of SModcast.

For this latest project, Smith will be using actors from his second horror feature Tusk, including Justin Long, Haley Joel Osment, Genesis Rodriguez, Michael Parks, and Ralph Garman.

Smith said earlier in the year that the film would be shot before Clerks III.

XYZ Films launched the project at the Cannes Film Market. Its has already pre-sold to Premium Films in Russia, Rialto Distribution in Australia, Vendetta Films in New Zealand, PictureWorks in India, Queen in Indonesia, NonStop Entertainment in Scandinavia, WME Global in the United States, and Falcon Films in the Middle East. More deals are expected to be announced in the coming days by XYZ Films.

Jordan Monsanto, Andy McElfresh, and Jennifer Schwalbach are producing for Smith’s SModcast Pictures, with Jason Mewes executive producing. SFX legend Robert Kurtzman who did make-up for Tusk will be creating the Krampus.

On Smith’s blog earlier in the year, he announced he will co-direct the horror feature with  McElfresh, Mewes, Schwalbach and Carol Banker. The cast reported thus far are Kevin Smith’s co-podcaster Scotty Mosier, and Family Guy voice artist Ralph Garman.

Anti-Claus tells the tale of the centuries-old, devil like creature known the world over as the Krampus — the “Anti-Claus” of Alpine country folklore is infamous for eating naughty children during the season of giving. The movie will be told in single story episodes, stitched together with a framing device similar to the classic Creepshow film.

Principal photography is set to begin in September, 2014.

Credit(s): The Hollywood Reporter, and My Boring Ass Life.

[Vancouver, BC] Finding Inspiration for Karen Lam’s Horror Flick, “Evangeline”

By Ed Sum (The Vintage Tempest)

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Karen Lam’s romantic horror genre-bending movie, Evangeline is set make its move deeper into the film festival foray in Asia and Australia beginning this Summer. It made its world premiere last year at Stockholm’s Monsters of Film festival in September, and it has seen a limited release in Canada. In Vancouver, British Columbia, it will receive a special screening on May 15th at The Cinematheque (1131 Howe St.) with a Q&A afterwards to discuss how this story was put together from an editorial standpoint.

This movie embraces several ideas that grew from ideas seeded in her previous works. Her experimental short, The Pit: A Study in Horror, helped develop the scenes where Purgatory is realized, and a few concepts in Doll Parts grew into becoming part of the origin tale established in Evangeline.

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