Tag: Chris Hemsworth

Transformers One Failure to Rewrite The Past

Only newcomers need apply to become Transformers One. It’s tough to accept a new origin story and retelling of Optimus and Megatron’s relationship when it’s been well established in other fronts.

Transformers One Movie PosterLong time fans of Transformers can forget about Michael Bay changing everything that’s beloved from the original cartoon series. Instead, it’s Eric Pearson, Andrew Barrer and Gabriel Ferrari who can take the blame on everything that is wrong in Transformers One, rather than director Josh Cooley. When he can write and win an award for Inside Out, he can craft imaginative worlds. But as for getting actors and talent pools to give their all, that part of the film is at least done right. Since he’s not responsible for the story, that’s when things go wrong.

It seems the writers room knows nothing about what makes past takes of this IP, namely Generation One and Prime, great. Bearing in mind this animated take is supposed to be a loose prequel to the live-action movies–and said to eventually morph the voices we hear now to the infamous duo of Peter Cullen and Frank Welker–I suppose some liberties can be allowed. This origin story takes place before the Autobots and Decepticons became a faction. Their war hasn’t even started.

Technically, that history was presented in an excellent trilogy by Alex Irvine and I’ll reiterate this fact time and time again! He improved upon what was established instead of changing a lot of things around. Sadly, this film retcons everything that I believe is sacred. Orion Pax is no longer a clerk/librarian. D-16 (Megatron) never fought in the gladiatorial pits. They are now miners (with Chris Hemsworth and Brian Tyree Henry as the ‘new’ voices) who get bored with their role, want to figure out where they came from, and understand who the Primes are. Their interest in the Matrix of Leadership sort of drives the story, as only one can possess it, and I feel that’s the reason for their rift.

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Furiosa Needs To Be More Like John Wick If This Franchise Is To Continue

Not even Mad Max can escape the inevitable franchise fatique that defines Furiosa. Had it offered something new in this prequel story that put it in par with Classical mythology, then some folks wouldn’t be screaming about it.

Furiosa A Mad Max Saga Movie PosterI really wanted to enjoy Furiosa: A Mad Max Saga, but sadly, it didn’t have the same wow factor as Fury Road. When it clocks in at 148 minutes, I left the theatre feeling more exhausted than anything else. It could’ve been trimmed down to a more respectable run time, but I suspect writer/director George Miller didn’t want to. While he’s the master of the cinematic spectacle, it seems he can benefit from learning what to leave up to the imagination. With this latest, he may have fallen the way of George Lucas.

Some franchises are better off not continuing. But when every film has Miller involved, maybe he should’ve let Fury Road be the high-note to end at. Instead of offering prequel tales a la The Clone Wars, which is what this latest felt like, just offer a miniseries to flesh out those characters whom audiences love.

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Transformers One Confusing Retcon Long Time Fans Will Reject

This animated prequel shows why Transformers One shouldn’t retcon what’s previously known as long time fans can find problems.

Transformers One Movie PosterBack when Transformers had a singular continuity, (known as G1), it easy to keep track of what went on. But as it gained in popularity, Hasbro crafted a series bible that future iterations of the franchise had to recognize, despite regular reboots. And all of that is forgotten in Transformers One.

What it doesn’t acknowledge concern how Cybertronians came to exist and why they were used as mostly slave labour by the Quintessons. This alien force conquered this planet and created/mutated the native species to what they are now. And as for how this latest entry to the cinematic universe can transition to The Great War between the Autobots and Decepticons, I’m already scratching my head.

This origin story delves into an era that’s been fully explored in the Prime universe (Amazon Link), featured in IDW’s comic books and detailed in full in Alex Irvine’s novel, Transformers: Exodus. I even reviewed the first two books of the trilogy since I loved it that much. But when considering none of that material matters, I’m rather disappointed the film can’t even acknowledge even an ounce of that past.

Instead, the best moment is seeing the Vehicons rule an untamed land that includes bio-type mechanoids. Everything else is unimportant, like seeing how Bumblebee gets named and that he’s always been there. As for the technology in how to transform, it’s attributed to some lost science Alpha Trion summons up and doesn’t even name. Aside from being like some wise old master and using an age-old Ninjago trope of “accessing your full potential,” I rolled my eyes.

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Men in Black International. Just how Bad Are They?

The Men in Black movies are a far cry from the comic books it takes inspiration from, and even then, it was a limited series. The folklore about them was far more sinister, and perhaps unintentionally, Men in Black International is a return to form.

Men in Black International Movie Poster* Spoiler Alert

The Men in Black movies are a far cry from the comic books it takes inspiration from, and even then, it was a limited series. The folklore about them was far more sinister, and perhaps unintentionally, Men in Black International is a return to form. Bounty Hunters are sent to Earth to retrieve an item a visiting royal delegate has, and all heck breaks loose when this alien dies. Plus, a conspiracy is afoot!

Like Roswell Conspiracies, the animated series, not everyone wants to be part of the MiB organization. For those that are, they take the job either rather too seriously or not enough. It seems this film has taken a few cues from this cartoon, and unlike the MiB animated series set in a different universe altogether, the humour offered is a mixed bag.

As the film begins, Molly (Tessa Thompson) befriends an alien and never got neuralized. That is, she did not get her memories erased whereas her parents did. Flash forward ten or so years, she’s all grown up and is a bright but underappreciated tech support worker while on the hunt for them. Unfortunately, she doesn’t know what she’s getting into and the focus is on her than the cast of charming male leads.

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On Avengers: Endgame & It’s Implications in the MCU

AvengersBy Ed Sum
(The Vintage Tempest)

Expectations are high for Avengers: End Game to see how Thanos will ultimately get defeated. I know some points from Ant-Man & The Wasp are key to this film more than the self-titled movie introducing Captain Marvel. To see the heroes make use of the quantum realm can mean anything… and just what happens is a huge spoiler which I will not directly address in part one of a two-part article. Massive plot reveals will be explored later.

Overall, the experience of seeing Endgame is worth the wait of everything the past films built up to. It’s well-paced, packed to the gills with Easter Eggs to sate the Marvel Cinematic Universe fans and gives audiences everything expected of a blockbuster film. Warning: a few Act One reveals follow.

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Identifying the Supernatural Lore In Feig’s Ghostbusters

timthumbBy Ed Sum (The Vintage Tempest)

* Spoiler Alert

Anyone is capable of being a Ghostbuster, and no degree is needed — filmmakers included. While I would have liked a continuation with the founding team, this rebooted product helmed by Paul Feig is fine. It succeeded at being very entertaining. For those craving the original team, I recommend Ghostbusters: The Videogame (available for the PS3, Xbox and PC) where Dan Aykroyd and team helped fashion the narrative. From that non-theatrical product, the idea of how to continue as a business is put forth: training a new generation is required or franchising out.

I read the many pitches to bring the original team back, but with all the waffling going on, ultimately (as Bruce Boxleitner said to me about TRON 3 during Fan Expo Vancouver 2014) it is up to the studio executives if they really want it or not. Ivan Reitman could not imagine directing another Ghostbusters movie after Harold Ramis’ passing. He gave creative control back to the studio. They were allowed to do whatever they wanted. Violet Ramis Stiel affirmed this fact in her essay for SplitSider. She further added, “There can be no Ghostbusters without my dad! They blew it by waiting too long and now it can never happen. At the moment, that felt right…

“This community grew out of the seed of the original films but has taken on a life of its own far beyond anything the creators could have imagined, and it’s beautiful.

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