Tag Archives: Anya Taylor-Joy

Examining Edgar Wright’s Last Night in Soho

9 Feb

Last Night In Soho Available On Digital & Blu-ray JanuaryUniversal Pictures
4K Edition available to purchase on Amazon USA

Edgar Wright‘s Last Night in Soho plays better after watching the bonus features in its home video release. This movie is more of a coming-of-age drama than a horror film and I can see this work easily fitting into the same universe as Disney’s live-action Cruella. This work’s emphasis on fashion is key to my theory. 

Even thoughts of Suspiria come to mind because of the colour palette and catapulting of Eloise (Thomasin McKenzie) to an era not everyone knows. She somehow manifests, if not dreams, of 60s London. Instead of appearing in her own corporeal form, she’s in the body of her singer idol, Sandy (Anya Taylor-Joy). The two experience the seedier side of Soho district, hence the title. The glamour of the era and the music is as delightful and sinister as Baz Luhrmann’s Moulin Rouge–but minus Christian’s perspective of All You Need Is Love and saving the starlet from her demons.

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Foundations are Shaken in The Witch, A Movie Review

18 Feb

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By Ed Sum (The Vintage Tempest)

Robert Eggers directorial debut in the historical film The Witch is more than haunting. To watch a Puritan family descend into madness is a spine-chiller. As an audience, most will notice why. But how many people will pick up on the fact that this movie is set before the Salem Witch-Trials? The fact the craze happened as a result of misplaced fears and due to consumption of diseased rye is a detail deserving to mention. Without this knowledge, trying to understand this film will have some folks wondering what kind of point Eggers is wishing to make.

The film certainly highlights the hysteria that occurs after William (Ralph Ineson) and his family is told to leave by the village council. After an argument over sanctuary, the entire clan departs. One detail an eagle-eyed fan of CW’s Supernatural will notice is that the Governor is played by Julian Richings (who plays Death in the television series). Could this nod be an intentional foreshadow of what’s to come?

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