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Edgar Wright‘s Last Night in Soho plays better after watching the bonus features in its home video release. This movie is more of a coming-of-age drama than a horror film and I can see this work easily fitting into the same universe as Disney’s live-action Cruella. This work’s emphasis on fashion is key to my theory.
Even thoughts of Suspiria come to mind because of the colour palette and catapulting of Eloise (Thomasin McKenzie) to an era not everyone knows. She somehow manifests, if not dreams, of 60s London. Instead of appearing in her own corporeal form, she’s in the body of her singer idol, Sandy (Anya Taylor-Joy). The two experience the seedier side of Soho district, hence the title. The glamour of the era and the music is as delightful and sinister as Baz Luhrmann’s Moulin Rouge–but minus Christian’s perspective of All You Need Is Love and saving the starlet from her demons.
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