Now on Disney Plus
The latest instalment of Disney’s Star Wars takes fans to the High Republic years and offers a familiar tale. The Acolyte does not differ from Ninjago’s early seasons regarding siblings at odds. I feel this series set the bar regarding how Sensei Wu and Lord Garmadon represent two extremes but still remain family, and I have yet to see another tale that can do better. There’s Dragonlance with Cameron and Rastilin, but I digress.
But here, they are twins created under mysterious circumstances, and I doubt their nature was modified by genetics. Instead, it was through the bending of midichlorians to create the next generation of witches belonging to the Brendoks Sisterhood. By nature, one is kind and the other heartless. While I don’t care how the tale is from a matriarchal perspective, I want something that focuses more on the mystique that made Episode IV and V spectacular.
With this series, we’re dealing with a very weak murder mystery, which is the grander arc (and revenge fantasy if Mae was the focus; there’s potential to make the series good if she was in charge, but it’s not). The priority is really on Osha (Amandla Stenberg plays both characters), despite the fact the first episode begins with the other challenging a Jedi to the death. Most tales commonly start with introducing the protagonist, and it’s rare to deviate from that. In this case, we see Mae is out to kill four specific individuals from the Jedi Order because her Master ordered it.

Coming to Netflix Nov 14, 2024
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I really wanted to enjoy Furiosa: A Mad Max Saga, but sadly, it didn’t have the same wow factor as Fury Road. When it clocks in at 148 minutes, I left the theatre feeling more exhausted than anything else. It could’ve been trimmed down to a more respectable run time, but I suspect writer/director