Tag: Yokai

Mystery Inc. Has Plans To Return In Style in 2026! From Anime-Style Ghosts To A Darker Live-Action Origin Story.

From anime-inspired yokai to a darker live-action origin story, Mystery Inc. and the gang are gearing up for thrilling new adventures that we hope will air in 2026.

Mystery Inc. CompleteScooby-Doo and the Mystery Inc. gang may be taking a brief break before their next adventure. The last series, Scooby-Doo and Guess Who?, wrapped in 2021, and since Velma exists in its own universe, fans—including me—are asking for a proper weekly series to enjoy. Three movies arrived in the past three years: Straight Outta Nowhere: Scooby-Doo! Meets Courage the Cowardly Dog, Trick or Treat Scooby-Doo!, and Scooby-Doo! and Krypto, Too! The last one stood out, and I’d love to see more from that pairing.

Looking ahead, fans can expect an anime-inspired series set in Japan and a live-action origin story from Netflix. Details remain limited, but here’s what’s known.

Go-Go Mystery Machine – Scooby Hits Japan

Cartoon Network and Max have green-lit Go-Go Mystery Machine, an anime-styled Scooby-Doo adventure that sends Shaggy and Scooby across the Pacific. They’ll join a new team featuring Etsuko and Toshiro along with another mascot. Together, they’ll face Japanese monsters and yokai, blending folklore with the franchise’s familiar “unmask the villain” formula.

If you haven’t caught the GeGeGe no Kitaro reference, it’s because you haven’t explored this seminal work, which celebrates yokai culture at its fullest. It nods to Kitaro, a series that helped popularize yokai in Japanese media, signalling that this Scooby-Doo adventure draws on rich folklore rather than simply borrowing visual style.

The art direction leans heavily into Japanese influences, and fans online already call it “the Scooby-Doo anime we always wanted.” No premiere date is set, but industry watchers suggest late 2025, depending on production schedules.

Go-Go Mystery Machine

Netflix Live-Action Origins – A Darker Mystery Inc. (most likely in 2026)

Netflix has ordered an eight-episode live-action reimagining of Scooby-Doo’s origins. The story unfolds during the gang’s last summer at Camp Ruby-Spears, where Shaggy and Daphne discover a supernatural murder. This setup subtly echoes The 13 Ghosts of Scooby-Doo, where the focus was on these two characters—a connection that gives fans an Easter-egg-style nod. They’ll either adopt or meet Scoob, and some sources indicate he will appear as a puppy. He’ll be key to a greater mystery that brings Velma and newcomer Freddy into the investigation.

With no casting news and only a few months left in 2025, filming this year seems unlikely. Expect a release in late 2026 or 2027. Showrunners Josh Appelbaum and Scott Rosenberg excel at high-concept reboots, while executive producer Greg Berlanti (Riverdale) brings experience with teen drama and moody reinterpretations. With this team, viewers can expect a darker, more character-driven take. Rumours suggest a Stranger Things-style vibe, a fitting direction now that series has wrapped.

A New Era

From Japanese ghosts to Netflix’s summer-camp mystery, Scooby-Doo continues to show his versatility. A 2026 debut looks more realistic than anything this year. Warner Bros. rarely promotes smaller launches, so a surprise direct-to-video release around Halloween isn’t impossible. Regardless, what’s in progress suggests a strong future for this classic hound.

Sources:

Screen Rant – Scooby-Doo anime project
Reddit r/Scoobydoo – Go-Go Mystery Machine discussion
EW – Netflix live-action Scooby-Doo series
Vulture – They’re Riverdale-ing Scooby-Doo
The Sun – Netflix reboot announcement

The Last Time I Saw You Isn’t Easy When A Tsunami Is Closing In

Let’s not forget about the Yokai this Halloween season, and while the scares are light in romantic adventure, The Last Time I Saw You will entertain for a fortnight before the ghosts are unleashed!

Moroboshi ArtworksThe Last Time I Saw You Card

The Last Time I Saw You is a visually beautiful video game that explores the supernatural side of Japan. Here, players must attempt to save a village from a natural disaster. This nicely designed side-scroller may be light on the RPG side, but I’m sure the choices made matter. I’m confident the goal is to avert another typhoon ready to assault this sea-side community!

Here, players are assuming the role of Ayami. He’s a very precocious boy who has certain tasks to do each day. But when a storm is slowly coming, Ayami must balance what he needs to do versus simply exploring. This helped me get familiar with where everything is, and that includes the friends and strangers this kid meets.

But when a mysterious older girl appears in this boy’s dreams, that can spell trouble. I thought she might be a crush at first. But as other details emerged during play, I suspect there’s more to her than meets the eye. Part of the game involves figuring out who she is, and why she saved him from attacking ghosts that look like Gastly from Pokémon. That’s how the game starts, and as for what other nasties are hiding in the forest, that’d be saying too much.

Continue reading “The Last Time I Saw You Isn’t Easy When A Tsunami Is Closing In”

About The House of the Lost on the Cape, Japanese Folklore and More in this Home Video Review

The House of the Lost on the Cape is not an impressive film title, but it gets to the point.

The House of the Lost on the CapeEleven Arts and Shout! Factory
Available to purchase on Amazon USA

The animated adaptation of Sachiko Kashiwaba’s novel The House of the Lost on the Cape is sweet. Not only does it carefully touch upon recent events in a thoughtful manner, but also brings folklore to life, by revealing what its relationship is to the environment. The themes explored isn’t too different from what Studio Ghibli’s Pon Poko paraded in a town facing ecological devestation. Instead, the harmony is more reminescent from My Neighbour Totoro, and that’s why I took notice.

In this film’s case, the opening act recalls the devestation from the 2011 Tohoku earthquake. The people who chose to stay in the Kitsunezaki region are just doing what they can to go on. But from the terror comes a chance for Yui (Mana Ashida) to leave home. She wasn’t happy because of constant family squabbles, and what we learn about this past is not always neatly explained. Sometime afterwards in her wanderings, she befriends another child, Hiyori (Sari Awano)–who lost her parents–and what they discover may well be a chance to learn how to live life to its fullest.

Continue reading “About The House of the Lost on the Cape, Japanese Folklore and More in this Home Video Review”

The Great Yōkai War: Guardians, Trailer and Closing out Fantasia 2021

Instead of seeing the previous hero all grown up and dealing with this new threat, we have a new boy wonder, Kei Watanabe (Kokoro Terada) in The Great Yokai War: Guardians.

The Great Yokai War GuardiansStylistically, The Great Yōkai War (妖怪大戦争) is a movie that only Takashi Miike can imagine. This filmmaker is better known for his ultra violent movies, but for this franchise, he switches gears for a 90s style family friendly product where the spiritual entities aren’t all that terrifying. They’re either muppets or Farscape races. I want to hug the cute ones. Well, mostly the girl who allies with Tadashi, the hero, and the hamster named Sunekosuri. The latter is a “pet” for part of the film. This lad gets tagged during a local festival to become the guardian and the rest of the story becomes something like 3×3 Eyes–but minus the Sanjiyan. 

The film is serviceable, and the franchise world is one I’d love to be taken a bit more seriously. Studio Ghibli‘s Pon Poko got the struggle right. The spectacular yokai parade was a feast for the senses.

Sixteen years later, we may finally have it. The Great Yōkai War: Guardians (妖怪大戦争 ガーディアンズ). Instead of seeing the previous hero all grown up and dealing with this new threat, we have a new boy wonder, Kei Watanabe (Kokoro Terada). He might be back, but he’ll be tough to recognize due to age. Kadokawa Pictures’ press release describes this film as an all new adventure. This time, the plot is about humanity vs nature. We can’t see the spirit world and they’ll have to protect us from a dire threat! 

Continue reading “The Great Yōkai War: Guardians, Trailer and Closing out Fantasia 2021”

How to Bridge a Peace in Beasts of Burden: Occupied Territory #3

The first issue was merely a tease, the second dealt with tanukis and witches, the third goes deep with Kappas, Kitsune, Yamawaros and many more. This release may well be the Mononoke Hime of the franchise, as it deals with some overarching themes from the Ghibli anime in a subtler context.

Beasts of BurdenBy Ed Sum
(The Vintage Tempest)

Dark Horse Comics
Available Now

Spoiler Alert

The many yokai that Emerys has to face in Beasts of Burden: Occupied Territory shows that not even the weight of the world can stop him in his obligation to keep the humans safe. I’ve skipped looking at an issue because there’s still a lot to address in this mini-series and I knew #3 will focus on more than the rising action. This latest tale by Evan Dorkin and Sarah Dyer nicely introduces readers to the supernatural side of Japan. Benjamin Dewey’s style remains beautifully solid, and this latest shows he can bring a tear to this reader’s eye.

The first issue was merely a tease, the second dealt with tanukis and witches, the third goes deep with Kappas, Kitsune, Yamawaros and many more. This release may well be the Mononoke Hime of the franchise, as it deals with some overarching themes from the Ghibli anime in a subtler context.

Continue reading “How to Bridge a Peace in Beasts of Burden: Occupied Territory #3”

From Art to Music with Millennium Parade’s Debut Album!

This work draws from Japanese folklore, and this supernatural world has modern tonality embedded in the lyrics. The songs take ideas from Hyakki Yagyo – The Night of One Hundred Demons and transform the images, stories and lore from this Asiatic world into evocative melodies that’s both a meditative and a clubbing experience.

Image result for Millennium parade

By Ed Sum
(The Vintage Tempest)

Not everyone will know of Millennium Parade, an arts collective from Japan whose music can’t be easily pigeon-holed. They are led by Daiki Tsuneta, frontman of J-Pop band King Gnu, and can be categorized as New Wave or Trip Hop. The debut self-titled album is a fresh exhilarating experience for me, and their sound is similar to but not quite like the sound from the virtual band’s Gorillaz. But anime fans will know them because they’re the composers of the opening song, “Fly with Me” for Netflix’s Ghost in the Shell: SAC 2045.

This work draws from Japanese folklore, and this supernatural world has modern tonality embedded in the lyrics. The songs take ideas from Hyakki Yagyo – The Night of One Hundred Demons and transform the images, stories and lore from this Asiatic world into evocative melodies that’s both a meditative and a clubbing experience. On the cover, a “Tezutsu Hanabi” (the oldest form of Japanese fireworks, encased in bamboo and held by hand) which was traditionally used to protect from evil spirits, and was also used to pray for a good harvest, is held by Ebisu (one of the 7 Gods of Fortune).

Continue reading “From Art to Music with Millennium Parade’s Debut Album!”