No Place For Bravery is a beautiful looking retro-style RPG where its fantasy narrative matters more than the game play. Here, you’re guiding a former Nordic warrior, Thorn, on his quest to find his daughter. She’s been kidnapped, and it’s sometimes tough to notice the clues about where her captors have taken her. Each decision you make can either bring him closer to an unsettling truth or decide to hang up the sword for good.
In this game’s case, it’s about why must our intrepid adventurer cross the road? The little girl means everything to him, and it seems he’ll stop at nothing to bring her back. That also includes killing, and when considering he’s a war veteran, the PTSD will one day come back to haunt him. That’s one reason why this game measures up. The pixel based bloodshed is enough to satsify an Evil Dead fan, but as for what it all means, the dialgoue that opens this story up is haunting.
In that regard, playing this game on a big screen rather than a small one is a must. I found the story very satisfying but the game, not so much. When I wasn’t playing at home, I found Orion’s Upswitch gaming accessory to be very helpful. Although this larger screen attachment lacks touch controls, that’s okay. The controllers you attach onto this device help do the work. I’ll be providing a more detailed review in later days, after trying it on other games which I always wanted to make portable.
Technically, the Jutals simply want to destroy humanity by allowing one of their operations to pollute the local water reservoir. Since they’re long lived anyway, the wait may well be a blip in their lifetime.
Just how many seasons of Netflix Ragnarok can run for will be tricky to determine. Binge watchers who finished viewing season two willno doubt want the next set to broadcast sooner than later. The end times will come, and the question I have concerning this rebirth of the old gods is how often does this apocalypse happen? This series may have been influenced by the writings of Matthias Gardell’s book, Gods of the Blood: The Pagan Revival and White Separatism (Amazon USA link).
My guess is that whenever Loki’s spirit is truly locked up for good and he cannot be reborn. Laurits embodies this trickster god and Jonas Strand Gravli is simply amazing in giving this modern reinterpretation a lot of soul. He’s struggling with identity (“Brothers in Arms”) and becomes a goth mid-season. Much like Marvel Entertainment’s version played by Tom Hiddleston, his agenda is multifold. He wants to be loved by his blood parents, but they use him (Vidar seemingly comes around in “Power to the People”). His loyalty to his half-brother is half-hearted despite Magne (the reincarnation of Thor) always coming to his aid.
The god Loki is front and center in issue #2 of the adaptation of Neil Gaiman‘s Norse Mythology. Following the events of the last issue, a contest of the champions is in order. Two dwarven master metalsmiths are to fashion three gifts to the Gods. Loki’s head is the prize between two rival clans. Norse justice is harsh. The trickster god needs to be punished because Sif lost her hair in the previous issue.
Loki knows his fate is sealed unless he thwarts the construction of these magical items. I remember Snorri Sturluson’s Skáldskaparmál from the Prose Edda, and this comic book treatment is a different and faster read. Though we don’t see the details in how the dwarves created these treasures of the gods, I can certainly say they burned no black holes out in creating Mjölnir or the other devices. Well, maybe the sun was captured for Sif’s hair. These tales are nothing like the Marvel Cinematic Treatment.
There can only be one legacy after season one of Netflix’s Ragnarok has occurred. Anyone familiar with the Norse mythology knows it’s about the end times of this world; the clash of gods and giants devastates everything and what happens afterwards is simple: life is renewed. And for those who enjoyed watching this series, season two is confirmed!
In the work, THE CHILDREN OF ODIN: The Book of Northern Myths By Padraic Colum, after the original devastation, two humans survived. “They wakened, the world was green and beautiful again. These two fed on the dews of the morning; a woman and a man they were, Lif and Lifthrasir. They walked abroad in the world, and from them and from their children came the men and women who spread themselves over the earth.”