Instead of storming the fort, this champion better live up to the label of “Hero” in Prisoners of the Ghostland.
Playing Aug 20, 9:45 PM Cinéma Impérial Montreal, Quebec
Tickets available to purchase online here.
Online Screening on Aug 23, 2021, 7:00 PM
Geolocked to Canada and tickets can be bought here.
Also coming to theatres and VOD Sept 17, 2021
Nick Cage will always be Nick Cage. He’s quite the “national treasure” in that regard. He’s a very versatile actor and I really have to wonder if he’s ever declined a role. These days, we’ve seen him as a butcher, baker, and candlestick mak—ok, perhaps not. The films of 2021 have made him a chef–and he’s an onary one in Pig–and Willy’s Wonderland. It’s amazing in how he carries this film without really speaking a lot.
In his latest, Prisoners of Ghostland, he’s a bank robber turned soft. He gets caught, and Cage’s character is given a chance at freedom if he can locate Bernice (Sofia Boutella). She ran away from her tormentor, The Governor (Bill Moseley) who rules Samurai Town. She went into hiding the neighbouring territory, Ghostland. This wasteland is where many refugees like to hide.
Robin has nothing to lose as he ventures back into civilization to find his beloved pet truffle pig.
By Ed Sum (The Vintage Tempest)
Playing at select theatres in Canada beginning July 16, 2021
Edmonton, Metro Cinema
Vancouver, Rio Theatre
Waterloo, Princess Twin
Hamilton, Playhouse Cinema
Ottawa, Mayfair Theatre
Saskatoon, Roxy Theatre
Regina, Rainbow Golden Mile
Montréal, Cinema Du Parc
I can’t help but think of the song “Pigs (Three Different Ones)” by Pink Floyd after watching the film Pig. The passing similarities in what the narrative arc means between the concept album and the movie are almost similar.
Nicolas Cageplayed many types of characters over the years and not all of them are as multi-faceted as Robin, a once famous chef in the Portland food scene, but now some hermit. There’s no easy way to categorize him but as a B-Movie God (credit to No Film School for giving him this title). His latest work has a bit of connective tissue with past works he’s starred in, namely Mandy and Colour Out of Space. The only difference is that we don’t see him go John Wick on the person who kidnaps his beloved swine and nor do we witness his sanity going down the pits. Plus, the small bits of unintentional humour is a sweet touch.
A DNA sequence must be missing to make The Croods sequel, New Age stand out. One problem is the time it took to make this animated film. Seven years, not including the Netflix prequel, is quite the long time. One issue is because of Universal Pictures’ acquiring the DreamWorks Animation and the uncertainty which resulted. The other is handing over the directorial reigns to story artist, Joel Crawford.
After watching the 2010 film Die Farbe (The Colour out of Space, using the UK Spelling) which adapts H.P. Lovecraft’s cosmic tale of alien invasion many years ago, I had to wonder who else would take on the challenge of realizing this short story in feature length form. Richard Stanley is known for a few crazy works, and although credited for penning a revamp of The Island of Dr. Moreau (1996), he rarely strays far from his staples. This movie is his return to the director’s seat and made its debut at the Toronto International Film Festival 2019. Slowly but surely, the Colour has been landing at local art houses to spread the sickness.
No, Mandy Bloom (Andrea Riseborough) is not the wife/girlfriend of Paul Bunyan. When this movie by director Panos Cosmatos is titled after her, this character’s role is critical to driving the motives of another woodsman to a brink of madness. They were happy once. He’s a nobody about to become a somebody (more on this later). This woman is very forlorn; Riseborough is perfect in this role, offering pathos in her moments of sadness. Because of events that occurred in her youth, she never felt quite right. She prefers to live a life in isolation but yet, her feelings for Red (Nicolas Cage) when they first met, runs deep. The two are soul mates. One day, on her walk home, Jeremiah Sand, a priest of sorts, takes a liking to her and orders his minions to her kidnap her. Linus Roache must have been channeling Billy Drago’s trademark style of villainy, as I was sold instantly!
If you have not seen this movie yet, I advise checking it out sooner than later. It might stick around until Halloween, but it’s already nearing the end of its run at some theatres.