Félix Brassard’s film L’écrivain (The Writer) follows Pierre (Josian Neveu), a TV writer with an unusual, secretive nightly routine. Each evening, he locks himself in a room—and no one knows why. Not even his boss Gilbert (Marco Giguère), who’s recently started dropping by more often to figure out why Pierre is frequently slow to deliver.
I won’t spoil the outcome—mainly because the film is so simple that even a small reveal might give too much away. The poster even says too much. When the dynamic is clear, it’s easy to know how this tale will end. Here, Pierre is our reclusive protagonist, and Gilbert is the pushy antagonist. Watching Neveu and Giguère interact feels like fire meeting water. The twist isn’t exactly shocking, but that’s not the point. This short feels like a proof of concept—a sketch hinting at something bigger. I wouldn’t be surprised if Brassard is laying the groundwork for a feature. It reads as a personal take on genre cinema.
That makes sense if you’re familiar with Brassard’s 2019 documentary L’inquiétante Absence, which explores Quebec’s underappreciated genre film scene. Though I haven’t seen it yet, it reportedly delves into the cultural and institutional barriers that keep horror, sci-fi, and fantasy films from truly thriving in the province—despite a passionate fan base and abundant talent. Featuring big names like David Cronenberg, Robin Aubert, and Fantasia Festival organizers, Brassard clearly knows this terrain.
With the complete list of films and shorts fully announced, the 2025 edition of 
It’s Easter in Bushwick, Brooklyn, and a different resurrection is at hand. Dre (LOVE LIES BLEEDING breakout Katy O’Brian) is putting on a warehouse drag show, trying to deal with her lead performer’s last-minute cancellation, among other problems. One that she never could have imagined is a zombie apocalypse breaking out in her neighbourhood, which besieges her and her team while her wife Lizzy (Riki Lindhome, THE WOLF OF SNOW HOLLOW), a nurse at a local hospital, tries to dodge the flesh-eating hordes and get across town to Dre. As the trapped party crew deal with various interpersonal issues—most notably the sudden return of Sam, a.k.a. Samoncé (Jaquel Spivey, MEAN GIRLS), some time after abandoning Dre and her show at a crucial moment—they’re forced to resolve their differences and band together and survive.
Some folks may well say the Los Angeles Asian Pacific Film Festival moved quite fast this year. I seem to recall that some years had more days added to it than others, and I’d have to check my archives to verify if that’s true or not.
In this collection, readers can discover the vast range of titles this publisher offers. This collection offers the best from the worlds of BRZRKR with “Something is Killing the Children,” Mouse Guard with “Irredeemable,” and an EXCLUSIVE all-new Hello Darkness story. Here, what’ll be offered is the best of from the worlds of BRZRKR with “Something is Killing the Children,” Mouse Guard with “Irredeemable,” and an EXCLUSIVE all-new Hello Darkness story.
Runs: May 1st to 7th, 2025
The 92-year-old previous nightclub dancer Coby Yee decides to get back on stage again after joining the senior dance troupe Grant Avenue Follies. Together they go on a tour for the last time, bridging once isolated Chinese communities in the US, Cuba, and China.