
One theme explored in Julian Glander‘s animated film, Boys Go to Jupiter, is the importance of giving kids personal space rather than pushing them to explore other, more literal spaces. The film feels like a dream-like take on Rugrats. Billy 5000 (Jack Corbett) often acts as the voice of reason among his friends—Freckles (Grace Kuhlenschmidt), Beatbox (Elsie Fisher), and Peanut (J.R. Phillips)—but when he pursues independence, the question arises: does gaining freedom mean leaving his friends behind?
The gang drifts through summer as outcasts, relying on little more than each other. Even Peanut’s “initiation” feels redundant, as if he already belongs. With no parents, teachers, or siblings guiding them—Billy’s sister barely registers—they fill the void with pranks, banter, and existential musings. They recall The Lost Boys not in plot but in spirit, caught in a restless limbo. Early in the film, they encounter a strange wormlike creature on the beach. The brief adventure quickly slips away, signalling a world where oddities can appear at any moment.
Continue reading “Why Boys Go to Jupiter Might Be Shockingly Weird for Some Viewers”

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Some folks may well say the Los Angeles Asian Pacific Film Festival moved quite fast this year. I seem to recall that some years had more days added to it than others, and I’d have to check my archives to verify if that’s true or not.
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