On Earth, Don’t Scream When Xeno Comes Calling!

Jim Henson Company’s Creature Shop brings Croak to life with practical charm and heart. Xeno thrives on Lulu Wilson’s performance, though its predictable story keeps it from soaring.

Xeno movie poster featuring Croak the alien by Jim Henson Creature ShopBlue Fox Entertainment
Spoiler Alert

When Xeno features designs from Jim Henson Company’s Creature Shop, there’s every reason to check out this film. I couldn’t help but think of the Xenomorphs from Alien and even Marvel’s Venom. And what we see works best in shadow, where we’re not meant to see every detail. Parts of the body suggest something more amphibious than skeletal, slimy than decayed, and once you see its face, you’ll either be unsettled or charmed.

Even in the press, this film is labelled a darker riff on E.T. the Extra-Terrestrial, and it’s easy to spot the Spielbergian tropes director Matthew Loren Oates is leaning on. The premise of a teen bonding with an alien is competently handled, but rarely feels new. What’s presented is less about Beauty and the Beast and the leanings towards How to Train Your Dragon are noticeable. I like my pets/companions to be more feral.

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Romeo’s Blue Skies Blu-ray Review: Why This Inspirational Anime Still Shines

Fans of World Masterpiece Theatre will delight in Romeo’s Blue Skies, now available on Blu-ray from MedicOCD/Animeigo’s Ruined Childhoods label.

Romeo's Blue Skies Bluray CaseFans of World Masterpiece Theatre’s series will find much to laugh, cry, and reflect on in Romeo’s Blue Skies. This second release from MedicOCD and Animeigo’s Ruined Childhoods label is a must-have for fans of Japanese adaptations of Western literary classics. After decades of hunting down VHS tapes or low-resolution downloads, I’m thrilled to finally have a clean, high-quality release. Early fan-subbed versions were incomplete or low fidelity, making this Blu-ray a long-awaited treasure.

Based on the 1941 novel Die Schwarzen Brüder (“The Black Brothers,” Amazon link) by Lisa Tetzner and Kurt Held, the story follows a kind-hearted boy growing up in 19th-century Switzerland. When his family falls into poverty, he is forced to sell himself to a man known as Luini, the “God of Death.” Instead of despair, his optimism and courage give the series a uniquely inspirational tone. Experiencing the story visually in full made it far more impactful than reading alone.

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Strange Journey: A Joyful Celebration of Rocky Horror’s Legacy

Strange Journey: The Story of Rocky Horror is Linus O’Brien’s intimate look at his father’s work shows how Rocky Horror began and continues to inspire performers and fans alike, decades after its debut. For newcomers and longtime devotees, this film is a love letter to a cultural phenomenon that changed lives.

Strange Journey Rocky Horror PosterStrange Journey: The Story of Rocky Horror is more than a chronicle of the cult phenomenon that reshaped pop culture. For me, it’s also a reminder of how Richard O’Brien’s work helped me through a difficult time. Although I didn’t embrace the movement when it first debuted, I knew this would be something special.

The music and narrative beats weren’t just campy pastiches of sci-fi and B-movies; they carried an undercurrent of yearning and freedom that resonated deeply when I needed it most as I navigated adult life. Seeing them revisited and reframed here reminded me why this show has always been more than glitter and fishnets.

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Why Queen of Bones Feels Like an Alluring A24 Film

In a tale about two siblings, Lily and Sam must face psychological dread, folk magic, and slow-burn suspense to figure out who is the Queen of Bones.

Queen of Bones movie poster featuring main charactersFilmmaker Robert Budreau clearly loves A24 films—Queen of Bones borrows many of the studio’s signature elements, and that’s a strength. The atmosphere perfectly frames the story of siblings Lily (Julia Butters) and Sam (Jacob Tremblay), struggling to survive under the oppressive hand of their overbearing Protestant father (Martin Freeman). Every interaction with him carries weight, and the tension is palpable. Even the muted colour palette and the sparse, wind-whipped Oregon landscapes heighten the siblings’ vulnerability, turning the setting into an emotional character in its own right.

From the very beginning, psychological unease and a lingering sense of dread define the tone. Set during the Great Depression in the outskirts of Oregon, the story conveys survival as a matter of personal resourcefulness rather than community support. Every quiet moment is loaded with unease; the audience senses the siblings’ fear before any overt threat appears. This slow-building tension is classic: fear grows organically from circumstance and character, not cheap scares.

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In Vitro Review: Psychological Tension Stuck In Utero

In Vitro delivers psychological tension and haunting atmosphere but feels stuck in utero, never fully realising its broader dystopian potential. Strong character work and an evocative soundtrack drive the film, though uneven pacing and limited world-building hold it back.

In Vitro Movie PosterNow Available on VOD (UK)

In art exhibitions, the words “In Vitro” have often been used for installations and short films that explore the relationship between humans and technology. With this title now attached to a feature co-directed and written by Will Howarth and Tom McKeith, the ideas are explored in a different, unsettling context.

The story is about control. Jack (Ashley Zukerman) runs the household and the business, and his behaviour unsettles his wife, Layla (Talia Zucker). Together, they operate a cloning facility that supplies cows to a country unable to sustain its own livestock. While the premise hints at broader dystopian implications, the narrative keeps its focus tightly on Layla’s personal struggles, leaving the larger world underdeveloped.

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The Promise and Pitfall of Augmented Reality Games: Why Jedi Challenges Sits on the Shelf

Jedi Challenges promised a galaxy far, far away in your living room. A month of lightsabers later, the thrill faded—and so did the headset. There are not a lot of augmented reality games still around. Without updates, community, or real-world hooks, it’s still a tech spectacle stuck on the shelf.

Augmented Reality GamesThe Allure of Immersion

Not everyone wants to play augmented reality games. You can’t interact with a digital environment without strapping on a headset or waving a device around to reveal what’s there. On paper, these experiences promise to blur our physical and digital lives into one seamless reality. In practice? They’ve delivered dazzling moments—Gorillaz’s virtual concerts and Hololive’s worldwide VTuber frenzy—but more often than not, they feel like flashy sideshows rather than daily habits.

At its core, AR overlays digital visuals onto the real world.

Pop culture has long imagined it in bigger, bolder ways. Back to the Future II had Marty McFly nearly leap out of his skin when a 3D Jaws lunged from a theatre marquee. Star Trek: The Next Generation gave us the holodeck, where you could wander inside the illusion and feel every detail. That’s the kind of immersion people crave—the kind that doesn’t remind you that you’re holding a phone like a glorified window.

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